Results matching “future of newspapers blog”

The Washington Post has decided to cancel its plans to host private, off-the-record dinner parties for political lobbyists at the home of its publisher after criticism from the newsroom at the suggestion that their services were effectively been sold. Publisher Katharine Weymouth was to host dinners that would give paying lobbyists and business leaders access to officials from the Obama administration and Congress, as well as Post journalists.

Politico first reported the story yesterday after obtaining a flier promoting the events that had been given to a healthcare lobbyist. The flier was entitled "Underwriting Opportunity: An evening with the right people can alter the debate" and advertised events with a maximum of 20 guests to discuss major White House policy initiatives, which participating firms could co-sponsor for $25,000 per event, with up to two sponsors per session. There was also an offer for 11 for the price of 10. The theme of the first July dinner was to be health care reform, and WaPo guaranteed the attendance of Obama administration officials and members of Congress as well as reporters.

When the Ann Arbor News ceases printing in July, Ann Arbor will become the first US city with no daily newspaper. The publication as it exists now will disappear completely, although a new venture, AnnArbor.com, is set to take over local news on the web and will produce a print product two days a week.

In a column for Poynter's The Biz Blog, Rick Edmunds postulates on what factors led to the decline of the News in Ann Arbor, whose vibrant, educated community would appear to be the ideal location for a newspaper. Edmunds even goes so far as to suggest starting over with AnnArbor.com might not be such a bad idea.

The Huffington Post unveiled its newest addition of the HuffPo clan this past Monday. Huffington Post New York, "The Internet Newspaper" features news, blog and video posts from Nora Ephron, Sen. Chuck Schumer (D-N.Y.), former Mayor Ed Koch, as well as a host of well-known comedians and playwrights. The site is also welcoming of citizen journalist via its Eyes & Ears Citizen Reporting component that boasts citizen journalists of all ages from around the world.

A memo on the front page from Arianna Huffington, co-founder and editor-in-chief of The Huffington Post, explains that the website "features our curated selection of the best New York news coverage, plus a collection of bloggers eager to share their takes on everything from local politics to the city's fashion, food, entertainment, and sports." She goes on to explain the site's partnership with 14 local news outlets in order to reel in hyperlocal coverage.

We live in a world, not a village

The directors of international journalism courses talked about the importance of internationalisation and giving students a chance to interact with other students from around the world in a bid to understand the effects of global media in a local context.

According to Eric Scherer at AFP, the future of journalism will lie in enterprising journalists and their efforts to come up with journalistic solutions that will facilitate the communication process and continuously revise the business models in place. He also believes that a new mindset will eventually need to replace the typical journalist's attitude of today, as well as in the value of a broad general knowledge base - something that internationalisation makes possible.

The Apple iPhone 3GS, premiered yesterday at Apple Inc's Worldwide Developers Conference in San Francisco, boasts an array of important new features for the newspaper industry and journalism at large. Perhaps most pertinent is the development that content can now be purchased from within iPhone applications. This new functionality presents newspapers with the opportunity to employ subscription and micro-payment structures to monetize the delivery of their content to their mobile phone readership.

Given the recent developments in the newspaper industry, such as the 'secret' meeting held in Chicago organised by the Newspaper Association of America to discuss how to monetise online content, it seems the question is no longer whether papers will begin charging online, but when, and how. And with regards to the iPhone 3GS, will they allow readers to continue to access their content for free, maybe making it harder to shift them to a pay structure in the future, or will newspapers seize this opportunity and begin charging readers as soon as the new OS is released?

Speaking at the Google I/O Developer Conference that took place in San Francisco between May 27-28, Google has unveiled Google Wave, a new online communication service.

Described as a "personal communication and collaboration tool," Google Wave allows users to chat and share documents including audio files, videos and photos in real-time.

The future of printed media has become a major political issue in countries like the United States or France, even being debated in ad-hoc committees set up by the legislative or the executive powers. Discussions along the Potomac or the Seine rivers have been focusing on the impact of Internet and new technologies, or on the need for state subsidies.

Meanwhile, on the Vltava in Prague, a group of editors and reporters working for PPF Media, the recently created division of insurance and consumer banking group PPF, is already opening new ways of covering a whole country in what may be a newsroom of the future. With other journalists for the moment based in four provincial towns from the Czech Republic, they are launching the so-called "hyperlocal weekly" Nase adresa ("our address"), which combines print and online journalism with particular efforts to sustain high professional standards and get closer to the readers.

"It can only work with well prepared journalists who will be trained in the Futuroom, our central newsroom," explains Roman Gallo, 44, director for PPF's media strategies and conceiver of the project. "We are also opening newscafés in our local bureaus, which will facilitate the contact between Nase adresa's journalists and the public, to enrich the content of our newspaper and of its webpages," adds Matej Husek, 33, director of news operations.
 
The newspoints, combining local newsrooms and Internet cafés in often small, rural towns, may be the most visible originality of this new undertaking. A few weeks before Nase adresa's launch, for instance, PPF Media's already hired staff had the chance to taste two products, the first print prototype of the weekly, and a cake likely to be served in the cafés. "The project represents a special challenge in terms of logistics, of room for storage, as we will be managing dozens of bistrot-Starbucks-like coffee shops in local newsrooms," comments Tomas Chejn, 41, the manager of PPF Media's branded cafés, a food specialist hired for his long time experience in quality catering. Petr Vitasek, 38, the director and chief editor for the Moravia region, based in the eastern Czech city of Olomouc, thinks this effort is worth the investment, because these "well located newspoints will be critical in getting Nase adresa's journalists to work closer to their readers."
 

 
But the whole project is innovative at other, multiple levels. To start with, for the first time a newspaper's birth is tightly associated to the creation of a multi-media training center - with several international partners including Google, Atex and the World Association of Newspapers/ World Editors Forum. The Futuroom will be a newsroom in charge of assisting and training in-house editors, some having no previous reporting experience, as much as a real life teaching field for future journalists. These will include a group of students within another partnership with Brno's Masaryk University, in the second largest Czech town.

Nase adresa's approach could also become a school case due to the organization of the newsroom. "I like how the Futuroom is shaped. Journalists are not confined to one theme, like health or education, but to a way of reporting, and I enjoy changing topics," says Vendula Krizova, reporter in the "Human approach team" and young (25) like many of her new colleagues. Adds Radim Klekner, 50, who joined the "Institutional team" - after working for 10 different newsrooms - to do researches on European Union institutions in particular: "Vertical structures dominate in traditional newspapers, while in Nase adresa it is more horizontal. In my case, for instance, I will be covering many European issues based on the Czech reality."


Klekner had some doubts initially, however, because he has been covering foreign news in the past 15 years.  Why would he join a hyperlocal news project as an international editor, then? "There is a need for benchmarking with other European countries in all aspects of the Czech society, and with Nase adresa I will be able to give a EU presence in the remotest Czech villages", he believes. "Our role is to assess general issues like the lack of general practitioners in the country, compared to others, and connect them to specific cases brought up by the local newsrooms."
 

 
Local journalists with long intensive experience covering their community are also convinced they are working for an innovative project. Vitasek, in Olomouc, even tried a hyperlocal news concept on his own five years ago, called Olomoucky Tydenik. "It was a weekly published on Mondays and strong on local sports, like Nase adresa. We had to stop it after one year, but this time I have with me a 10-people team supported by PPF and by the Futuroom managers and trainers. Our office, in a central strategic area of Olomouc, will be a space for constant direct contact with readers and potential contributors."

Based on her 30 year experience in local journalism, Hana Vojtova, 52, the chief editor of the Teplice newspoint, in the north Bohemian city near the border with east Germany, also believes Nase adresa is a new improvement for community journalism: "We will get nearer to the people from the region, who are tired of politics and want to be informed on human interest stories," explains Vojtova, whose district is dramatically affected by problems like crime and unemployment. "We are going to cover better our readers's activities and their dreams!"
 

 
The project has attracted several other seasoned editors from all backgrounds, including Jiri Zavozda, 50, Nase adresa's head of the copy editing team. He just finished a seven year experience in major private television "Prima", as news editor-in-chief, after working more than a decade for national newspapers. "The TV experience was good because it teaches you how to write short, but I prefer print because it is less superficial," says Zavozda. There are other reasons why he joined the Futuroom. "I see my in-laws, who live in a little village in Moravia and who have only access to media not specifically targeted to them, national daily Mlada Fronta, newsweekly Tyden and the television. Only Nase adresa will inform them well on the Sunday afternoon firemen team's competitions, which are particularly popular in the Czech republic. We will get spectacular photos of fires being extinguished!"

Adds Peter Sabata, 48, the editor-in-chief responsible for the local newsroom: "I strongly believe in the hyperlocal level of information, with the combination of newspoints, and print, online journalism. The weekly will be a bridge from now to the near future, when everybody in the regions will be connected." Sabata just moved back to the Czech republic after eight years at the head of national Slovak paper Pravda's newsroom.

 
Other Nase adresa team members are particularly enthusiastic because of the new challenges specific to a project combining teaching and praxis, online and print journalism, so far never achieved at such a level. Ondrej Besperat, 31, who manages the photo-video team in a duo with veteran photojournalist Jan Silpoch, is well aware of the differences between shooting for a newspaper or for a website. Before joining the Futuroom, he was a photographer for national daily Hospodarske Noviny and then worked for Aktualne.cz, the successful, Internet-only Czech media outlet. "In printed media, you have to do one or two pictures a day, and you invest all your energy in the best one, while in Internet, you try more different perspectives as you know that several pictures are likely to be released for each story."

Besperat anticipates he is likely to spend two third of his time training reporters from the local newsrooms, at the beginning at least. "One of the main challenges will be to shoot sport with our standard high-end amateur cameras," he says. "The idea is not to have journalists who do everything all the time, but reporters who are multifunctional, able to provide good texts and images."

 
Nase adresa will also represent new challenges beyond the expertise usually expected from  journalists, especially for the local chief editors who will have to look after a coffee shop part of their time. "Ten years ago I had a short experience working for Coca Cola, but this will be new because I am not at all a food and beverage specialist," laughs Vitasek, in Moravia. Krizova, who is glad to cover very diverse topics, is also ready for another type of special assignment as a young reporter. She will be asked to take care of children visiting the Futuroom - turned into a "Junioroom" or "media camp" - to learn how to write an article or produce a video footage.


PPF Media's project will be preparing new generations of journalists and not just showing new forms of getting and providing the news.
 

BACKGROUND
The Czech Republic is a country of 10 million people living in 14 regions subdivided in 75 districts in total. Until 20 years ago, only the government and Communist Party related entities could publish newspapers. This was also the case for the regional dailies, and for more local publications at district or town levels. German group Verlagsgruppe Passau took over most of them in 1990 and after, under its Czech branch Vltava-Labe-Press which currently controls over 10 weeklies and over 70 dailies called Denik ("daily", followed by the name of the concerned locality). Nase adresa will have no direct competitors except in a few cases, because its editions will typically cover areas of 20-30,000 people while Denik and its affiliates are designed for larger groups, of over 100,000 inhabitants on average.

Yesterday, the recently founded Media140 held its first Twitter and microblogging conference. Held at London's Southbank Centre - a venue in the heart of the UK capital synonymous with innovation - the event largely focussed on the effects that Twitter and micoblogging are having on the news gathering process and was attended by journalists from Guardian.co.uk, TimesOnline, TechCrunch, BBC, Aljazeera, Reuters and Sky News.

Kicking off discussions, associate editor of the Sunday Herald and author of 'The Play ethic', Pat Kane, opened up the conference with a keynote presentation on the way breaking news services were dramatically changing the face of journalism: "Reading a newspaper on a street corner might be seen as banal. What's becoming just as banal is producing news on that street corner," said Kane. You can access his slideshow from the presentation here.

When the New York Times launched a hyperlocal news site, the Local, in Maplewood, New Jersey in early March, senior editor of Editor and Publisher Joe Strupp wrote an article discussing the site's competition with three other local news blogs, including his own, Maplewoodian.com. "Our little 23,000-population township has expanded from one non-news site to four mixing news and opinion," he said. This month Strupp reports on Maplewood news coverage again, in a longer article that appeared in E&P's print edition: "SPECIAL REPORT: New Jersey Town a Microcosm of Hyperlocal Coverage: From 'NYT' to Patch."

How has the multitude of hyperlocal online coverage affected news coverage and readership in Maplewood? Strupp said that it came as a surprise to the small town but that residents are getting used to the new offerings. "Some now ask reporters at school board meetings or community events to identify which site they represent. Others admit being overwhelmed by the new daily outlets, and remain unsure which to trust." Since the arrival of the competition, Jamie Ross, who started the township's first blog the Maplewood Online in 1997, has stepped it up with a news column and a Maplewood Dispatch.

While newspapers around the world, especially the US and UK, scramble for new strategies, journalism schools are too as the young continue to enrol in journalism schools. Considering nobody can surely predict what the future of journalism will look like, professionals are saying the most important strategy is to equip them with the tools to be independent, creative and strong entrepreneurs.

"I don't know a journalism dean in the country who knows what the solution is, or where the journalism industry is going...I am convinced that those answers are going to come from people of the students' generation, not my generation," says Christopher Callahan, the dean of the Cronkite School in relation to the future of journalism schools.

While some people argue journalism school is negligible today, others still believe there is a future and are changing their programs so that students can benefit from them. Other than incorporating computer programming, multimedia and online ethics courses, journalism schools are also focusing on teaching their students to be entrepreneurs. As newspapers transform rapidly online, the big question has been "how to monetize?" The journalists of the future are going to have to adapt with the internet, anticipate and create.

The International Journalism Festival took place in Perugia, Italy from April 1-5. The festival addressed the differences between old and new media and the necessity to integrate the two, and many other widely discussed issues affecting the media today, such as integrating print and web news in light of readers' migration online, the necessity to finance journalism as a watchdog, and hence the need to make readers pay for online news.

Ana Bernal Triviño recently completed her doctorate at the University of Malaga, Spain. Her choice of thesis, entitled "Design preferences of the young regarding journalistic information on the internet" has already attracted some interest from media commentators and professionals alike.

Bernal's research throws some light on the relationship between the young and their preferred choice of medium - the web - in particular, addressing issues such as the relevance of design, content and layout in attracting younger readers to websites.

The announcement last Friday that Sir Anthony O'Reilly will step down as CEO of Independent News & Media provoked two things: firstly, it sent the company's shares soaring,  then sparked a revived debate regarding its future.

When O'Reilly turns 73 in May, he will be replaced by his son and current chief operating officer, Gavin O'Reilly, who is also president of the World Association of Newspapers. The restructure of the INM will also affect the Board, which will be reduced from 17 members as it presently is, to just 10. According to son Gavin, his father's decision to leave had nothing to do with the impending 200 million euro bond repayment deadline, also in May.

Today, the Guardian introduces Open Platform, a software system that will allow third parties the opportunity to incorporate material from the Guardian website into their own sites for free. In return for being able to use Guardian content in this way, third parties are expected to carry Guardian advertising - a requirement forming part of its terms of use.

Using the Application Programming Interface (API), programmers will be able to develop personalised applications embedding Guardian content, without having to alter the original source codes, as well as store statistics compiled by the Guardian using Data Store. In the past, data put together by the Guardian would appear in a box in the newspaper, after which time, there was no way of retrieving the same data boxes unless it appeared again in another related article. Now, more than 80 different datasets will be made available, ensuring that such information - including child poverty figures, for example - is made easily accessible to all and exploited to its full potential.

According to Arsenio Escolar, editor of free Spanish daily, 20 Minutos, "free papers are able to confront the crisis better than paid-for ones."

Escolar made these and other comments whilst attending a working breakfast as part of the Foro de la Nueva Comunicación in Madrid on Wednesday 4 March. His comments overlapped with some points presented in an article published by Newspaper Innovation blogger, Piet Bakker, just one day earlier.

On Sunday, with the aim of discussing the future of journalism and newspapers, the Chicago Journalism Town Hall unusually brought together traditional media moguls and new-age bloggers alike.  There were confessions of resentment, jealousy, error and disillusionment - from both sides.  The ability of the meeting to combine the darlings of Chicagoan new media with the established old-hat of mainstream media was a somewhat unprecedented achievement.  That was the analysis of Fran Eaton of the Illinois Review, in any case.

Time Out Chicago took a slightly more cynical view of events; Scott Smith reported that only 3 of the 13-person panel could consider themselves to be professional full-time bloggers, with the result being that the Town Hall felt like a funeral "rather than an exchange of ideas between the print and online worlds".  Smith also reports that many of those present seemed to be there to "pat themselves on the back for a job well done, rather than perform an autopsy".

Following Getty Images' decision to close its citizen journalism arm Scoopt, the venture's founder Kyle MacRae explained in an interview why "the dedicated cit-j agency model isn't the way forward." His reasoning was that even though many members of the public may well be on a breaking news scene with a camera, it is extremely unlikely that they will be a member of a citizen photojournalism organisation. But has Citizenside, a small, young company based in Paris, found a solution? The Editors Weblog spoke to co-founder Matthieu Stefani and editor-in-chief Aurélien Viers about Citizenside's work and the way they see the future of citizen photojournalism.

Citizenside operates in two different ways. On its own site, it functions in a similar way to other agencies: it gathers photos from its community - 35,000 members, close to 7,000 of which are active - which are published after thorough checking of the photos' validity. Staff receive 500-600 images a day, and those which pass the checking are categorised into sections such as headlines, showbiz, or unusual, or gathered into portfolios with others along the same theme or about the same event. Media outlets can purchase the photos from Citzenside, with up to 75% of the price going to the contributor. Agence France Presse owns a 34% stake of Citizenside, and is currently trialling incorporating the company's amateur images into its image forums, where any of the news agency's 7000 partners would be able to buy them. Content is clearly labelled as amateur, and Citizenside stressed the importance of differentiating the work of 'citizens' from that of professionals.

AFP is currently trialling incorporating Citizenside's amateur pictures into its image forums where any of its 7000 partners can buy them

Staff are proactive about finding images, "we don't just wait for people to send them," explained Stefani. Their kit allows them to locate users within a certain radius of any given spot, so if something happens which they want to know more about, they can send out an email requesting photos. "We send 3 or 4 of these a day," Stefani clarified. The company tries to avoid receiving photographs straight from mobile phones via MMS as the quality is poor and it is much harder to check an image's authenticity. Developers have however released an iPhone application, and are looking at launching similar products for Blackberry and  Google's Android phone. Staff also provide feedback when contributors send in images that cannot be used.

Mainstream Media success through factchecking

Citizenside photos have recently been on the cover of French daily Liberation, and in Le Point magazine and Le Figaro magazine, so the company is making a name for itself. The Liberation photo was of a snow storm, and Viers explained how a storm was a good example of an instance when citizen photo reporting really works: anybody can be a witness and as it might be harder to travel, professional photographers will not necessarily be able to cover the whole storm effectively. He added that Citizenside members were definitely not trying to play the role of reporters, rather they are "news witnesses."

One of the ways in which Citzenside differs from other sites that gather user photos and video, such as self-declared "unedited, unfiltered" CNN's iReport, is that all images are checked for authenticity. The company's developers have created a tool through which users can send photos, and which provides various details to staff about each photo or video that they receive, such as the camera brand and model, the resolution, and the date the photo was taken. Crucially, the programme can also alert staff to whether a photo has been modified online. Using the sender's IP address, the tool also shows from where in the world images have been sent. With this information, Citizenside staff can get a pretty good idea of whether what the contributor has told them about the image is indeed true. "I think at the moment, we are the only company who can offer such a specialised tool for the media," Viers remarked, and Stefani explained that developers would continue to refine the product to make it more and more effective. If staff still have doubts, particularly in the case of major, potentially controversial stories, they will contact the sender directly via telephone or email. "We will double check, triple check, quadruple check if it is a big story," stressed Stefani. "If someone appears to be trying to mislead us, we will expel them from the community," he added.

"We will double check, triple check, quadruple check if it is a big story." 

This emphasis on checking the authenticity of the images significantly increases the value of Citizenside's service, as amateur content with no professional input can be relatively meaningless. Citizen journalism site The Observers offers a similar commitment to fact-checking, a trend which has the potential to bring citizen journalism closer to the mainstream media in terms of respectability. Stefani asserted that he believes it is the company's focus on "quality not quantity" which makes their service so appealing to clients.  "We don't believe in the idea that everybody is a journalist, just because they have a camera and a blog," underlined Viers. Rather what he believes works is a form of professional-amateur collaboration: "an association of bloggers, witnesses, journalists and editors."

A global citizen photo network?

The most crucial difference of Citizenside, however, is its mission to share its technology. Stefani explained that he and the other Citizenside founders quite quickly understood that, as Kyle MacRae pointed out, one agency alone will never be able to get an image from every breaking story. But what if many different publications all over the world each hosted their own UGC community that was managed by Citizenside? This is what Citizenside is aiming to do by offering its 'Reporter Kit' to traditional publications, sold via AFP. The tool was released in September 2008 and the first client to purchase it was Voici, a French gossip magazine. Citizenside is about to launch the same service for Public, one of Voici's rivals and is also in talks with one of France's biggest daily newspapers, a couple of regionals and one UK paper. The Voici community allows readers of the magazine to upload their images to the site, and if Voici decides to use them in its print magazine or on its main website, then it will pay the contributor, and Citizenside takes commission. If Voici would like to sell an image to another outlet, then Citizenside retains exclusive resell rights, and the profit will be split equally between Citizenside, the magazine and the contributor. Recently, for example, a video showing Hollywood star Lindsey Lohan being showered with flour by animal activists on her way into a Parisian club was sold to US TV channel Extra TV for a considerable sum. Stefani described how he plans for Citizenside's income to be based largely on this reselling of content, rather than on sale of the technology itself. Incidentally, a years' use of the Reporter Kit tool would start at about 13,000 euros, moving to upwards of 20,000 for premium tools and tailor-made development.

What if many different publications all over the world each hosted their own UGC community that was managed by Citizenside? 

Citizenside hopes to make the checking process easier and easier for its clients, for instance by developing a system which would make automatically judge an image's authenticity based on different variables and display a red or green light. Viers stressed that he sees citizen contributions as essential in today's media environment, if news organisations "ignore UGC they are going to make mistakes, and they are going to miss opportunities." Stefani explained that "we had a hard time being understood at first because journalists would just see us as competitors." But he insisted that rather than a competitor, Citizenside aims to be "a new tool, a new source of information." They believe that particularly in a local context, such a community could be extremely valuable to their clients, who would be able to forge better relations with readers, and provide a greater level of coverage. Viers pointed out that hyperlocal news is often incredibly important to people, and it gives citizen witnesses a real chance to flourish.

Dollars for amateurs

So Citizenside believes it has found the solution to the problems raised by Scoopt founder Kyle MacRae. Stefani brought up the example of the man with the first Hudson plane crash photo previously cited by MacRae, who argued that it was the man's instinct to share the photo rather than sell it, and that he was very unlikely to have heard of a citizen photojournalism project that would help him sell it. If Citizenside achieves its goal of establishing popular image sharing community sites for major newspapers, then in the future, a similar witness to an event may well think of sending such a photo to their favourite newspaper, where it would be shared amongst the community, but could also be sold for a significant amount of cash. The project has a great of deal of potential. Obviously, the company is still very small and is yet to break international barriers, though they hope to soon. Stefani admitted that they will need a cash injection if they are to expand beyond Europe into Asian or American markets. There is likely to be some resistance from more traditional media operations to the inclusion of amateur content in their publications, and it might take time to change mindsets.

But the current economic downturn could in fact benefit the rise of citizen journalism as news organisations look for cheaper ways to obtain coverage of events. Editor and Publisher recently ran a story on World Press Photo and Pulitzer prize winning photographer Anthony Suau, who is currently struggling to find work because media outlets do not have enough money to pay him. Using photos from readers is undoubtedly cheaper than employing prize-winning professional. Citizen photojournalism does make sense, if there is a way to prove that the photos are real. A reporter can write a story from afar, but you cannot take a photo from afar. And although many photos will not be of the quality of those taken by experienced photojournalists, professionals cannot be everywhere at once, and taking advantage of the camera-armed public is definitely better than nothing.

Photo credits: Laure Bernard

To mark the relaunch of the Editors Weblog, the World Editors Forum is running a special series entitled "Doing More with Less." The series highlights major trends that editors-in-chief are using to steer their newsrooms through the difficult economic climate. The seventh in the series takes a look at non-profit investigative journalism site VoiceOfSanDiego.org.

As newspapers make cuts to survive and concentrate their efforts, one of the first areas to suffer is the time- and resources- consuming field of investigative journalism. And that is where the VoiceOfSanDiego.org has stepped in; a non-profit, online-only publication focussing on quality investigative reporting for the San Diego area. The Editors Weblog spoke to Executive Editor Andrew Donahue and housing and economy reporter Kelly Bennett about their mission.

The Gap

"If there is one storyline that sums up why we exist, it is because investigative journalism on a very local level isn't being done." Andrew Donohue was clear about the role of VOSD: to fill the gaping hole in "in-depth analytical accountability journalism, the public service arm of a newspaper," that has emerged in recent years in other communities as well as in San Diego.
Donohue believes that "so many newspapers are cutting back to such extreme levels that there is no way that they are getting the investigative news that they deserve and need." The problem is most severe in American cities, where for many years there has been just one newspaper with something of a monopoly on providing information, so if that paper stops launching investigations, then who will take its place? Investigative journalism has a vital role to play in local societies, exposing wrongs and pushing for change. Bennett pointed out another important element to consider: its value as a deterrent against potential corruption. She sees this as a safeguard for society, it is about "developing that reputation that there are people looking, sending a message to people in power."

"If there is one storyline that sums up why we exist, it is because investigative journalism on a very local level isn't being done." 

Balancing site readability and impact

VOSD reporters are assigned to specific beats, a concept borrowed from traditional publications. Donohue explained that the VOSD journalists were constantly trying to balance the two crucial elements of their job: to keep the website lively and updated, but also to commit time to investigative reporting that can have a significant impact. Such reporting is undoubtedly time intensive if it is to be done thoroughly, which it is at VOSD. Staff are encouraged to meet with any relevant sources and to always do public records requests and fight "really hard" for documents. Bennett explained that the very nature of investigative journalism means that you never really know how a project is going to turn out, so it can be difficult to allocate appropriate resources.

Inspirational reporting

Donohue pointed out one major project, 'Redevelopment gone wrong' which has been an inspiration to him and his staff.  VOSD launched three different areas of investigation into public agency the Southeastern Economic Development Corp., and over the course of a number of years "exposed a wide range of conflicts of interest, fraud and other sorts of misbehaviour." The publication's work has led to FBI and criminal federal grand jury investigation, the board of the agency has been completely revamped and the president has been forced to resign. Donohue is proud of the depth of coverage produced, of VOSD's determination to keep sticking with the story, and of course of the impact. "It can be very disheartening and very frustrating if you spend 6 months on a project and nothing actually changes," he explained. So "watching the impact of this story has been inspiring for us as journalists."

Day-to-day flexibility

VOSD has a more flexible working environment than many traditional publications.  Donohue explained that as long as reporters are "producing the quality of journalism that we require," they are free to work from the office or at home, and can choose their hours.  They have also tried to "eliminate the idea of deadlines altogether," explained Donohue: stories go up on the site when they are ready. Reporters are always free to propose their own stories, they are not necessarily assigned by editors. "We are firm believers in the idea that ideas bubble up from reporters' beats," added Donohue. "I would be a fool if I thought that I knew more than my reporters about their beats"

Staff: traditional experience and new blood

VOSD's eleven staff are a mixture of experienced journalists who have worked in newspapers for many years, and people fresh out of college who have never reported full time before.  Donohue explained that both "offer really valuable perspectives," although those who had been at traditional newspapers longer found it harder to adapt to work at VOSD.  "It's fascinating to watch" the process, Donohue commented. Bennett described how staff often discuss the "rules" of traditional newspapers and decide which ones they should follow.

Non-profit allows for total focus on story impact

Both Donohue and Bennett were very positive about the advantages offered by VOSD's non-profit status. Most crucial is the simple fact that they do not have to make anyone any money; rather just make enough to support the organisation.  This means, as Donohue explained, that "you measure success differently." Papers which are desperately seeking every hit they can get on their website risk cheapening their news, or moving away from their core focus. "We know what we could put on our site to get more hits," stressed Donohue, "but it would lessen the impact of our stories." The unique aspect of a non-profit, Donohue explained, is that "ultimately our success is judged by the impact of our stories: What have our stories done?" And this impact, evidently, is what is most important to investigative journalism. Bennett added that for her, "there has been some major value in being able to tell people that you are writing the story independently. For me the non-profit, independent aspect of VOSD has been part of the justification for reporting the way I do."

"Ultimately as non-profit our success is judged by the impact of our stories: What have our stories done?"

Donor money does not buy influence

One potential problem with privately funded non-profits is that those who fund them could try to influence the news that comes out of them.  Donohue was clear that this has not been a problem at VOSD. "We have made it very clear that your money does not buy you influence," he clarified. "We draw the lines, and as long as we draw them clearly and boldly then there aren't problems." He explained that he himself had been sceptical of donors' motives when he first started working with VOSD, but that he had quickly come to understand that investigative journalism at its heart is a "public service institution," and that many funders were large philanthropic organisations who frequently give grants to all sorts of organisations. A recent donor was the Knight Foundation; others are local foundations that work on quality of life issues, others are "prominent citizens," or members of the community who give smaller amounts. A total of 750 people have given money.  

Multimedia and reader interaction

One of the great advantages of being online-only is the potential for multimedia. As Bennett pointed out, if a newspaper promotes a multimedia package to accompany a story, there will be so many steps to take to actually access it that few readers will, while as online, it is right there.  She accompanies some stories with video, audio or slideshows when she feels it would add to them.  Her monthly feature "People at work," which looks at a San Diego resident through the lens of their job, often includes a multimedia feature.  Another benefit of working online is the possibility to interact with readers.  VOSD allows comments on its opinion pieces and opinion blogs, but not on news stories or news blogs, as Donohue believes that they should "let the news stand by itself," and they do not have sufficient resources to carry out the necessary moderation of the comments. Reporters also interact in different ways with their audience, using blog postings to solicit thoughts, ideas and comments for stories, which Donohue described as "a great source of information." A regular feature called 'The People's Reporter' is very popular. Readers can send in tips and questions and a reporter will spend a day responding on a blog, and "it has led to great discussion and some more long-term stories, Donohue explained.

Competing with traditional media?

Donohue described VOSD's relationship with local paper the San Diego Union-Tribune. He was adamant that VOSD is more than just an alternative voice to supplement the Tribune's coverage, but also not a direct competitor overall. However within VOSD's chosen field of quality of life issues, the site does compete: "we always want to have the best stories and have them first." And Donohue hopes that the people of San Diego benefit from this lack of monopoly, as "the more competition there is in the media, the better it is for everybody and the better the community is served."

Is this the future for local news?  

VOSD's coverage is firmly local, and focussed very much on quality of life issues. Donohue believes that the model works, and plans to continue along the same lines, although he sees it as one of many that will be tried in upcoming years. The non-profit model may well have to be used more: "at least until news orgs find a way to make this thing work financially, it will have to be done philanthropically." He sees a future in which publications become more specialised, and in which people look to many different sources for different types of news. Most crucial is the fact that people try to come up with new ideas and carry them out, as "the thing that has been missing from journalism and the thing that has got us to this point is a lack of innovation and lack of entrepreneurial spirit."

"One thing we've learnt is that the gap we were created to fill keeps just keeps getting bigger"

And the future for VOSD?

For VOSD, Donohue hopes to grow, and eventually become "a very robust news organization, that serves almost as the metro section of a what a daily paper used to be." Maybe it will not become huge in terms of numbers, as Donohue is aware that the current model may not necessarily support a much larger staff, and "there is something to be said for being a quick, lean and efficient organisation." But as "one thing we've learnt is that the gap we were created to fill keeps just keeps getting bigger," VOSD will strive to keep up with filling that gap, and keep looking for more gaps that the traditional media is leaving behind. It may well not be a model that works everywhere, but VOSD's commitment and success show that it can work, and should be taken seriously by communities whose newspapers have lost their public service arm.

While newspapers around the world are putting their bets on digital technology to survive the future, The Printed Blog, made its mark by being one paper that doesn't believe in just going with the flow. The brainchild of Joshua Karp, the free paper gathers and prints the best content from the web, featuring "the best content" from online blogs about anything interesting.

With the first issue ready for distribution on the 27th of January, the nytimes.com website reports that the paper has so far received permission from over 300 bloggers to publish their content. Saving costs of reporters, Karp believes that techniques that were working online could be applied to the print industry too.

The paper will publish blog posts as well as readers comments and photographs submitted by readers, on a three or four column format which will be laid out like blogs instead of columns. Users can custom-make their papers by going online to choose which blogs they want in their edition. Dismissing eventual doubts of bloggers allowing their content to be published, Karp says he "will be happy if it (the blog) get exposure to 20 new people".

Sources. nytimes.com, poynter.com

To mark the relaunch of the Editors Weblog and the Shaping the Future of the Newspaper Blog, the World Editors Forum is running a special series entitled "Doing More with Less." The series highlights major trends that editors-in-chief are using to steer their newsrooms through the difficult economic climate. This week, we looked at the Tampa Tribune, which has radically revamped its newsroom, and some examples of Editorial Outsourcing, a trend which many news publications have adopted. Below, editors from around the world share their own thoughts about EDITORIAL OUTSOURCING.

AFRICA
Azubuike Ishiekwene, Executive Director, Punch Nigeria
Editorial outsourcing is not an immediate problem for Punch, but we're already looking down the road to that moment. We think that before we reach that bridge, regular and forward-looking review of content (especially print content), and the continuous evaluation of job schedule of journalists across platforms might help us keep cost down and decide how best to apply our resources.

LATIN AMERICA
Marcelo Rech, General Product Director, RBS Group, Brasil
Due to labor laws in Brazil, it's difficult to outsource staffers, but I think the ideal newsroom would be the one with a "hard nucleus", made up of editors, assistant editors, page designers, some videophotographers and some reporters, and a broader staff of reporters, columnists and image producers working under specific tasks. In this way, we could have more diversification, flexibility and cost managing.

In my view, the newsroom looks like a tree: the trunk is the team of editors, the branches are the assistant editors and page designers - those are the structure of the newsroom, and must be very close to the general concepts for the product.

The leaves and fruits are the reporters and columnists. A tree without a healthy and strong trunk would die, but in the end are the fruits what people pay for. 

EASTERN EUROPE
Roman Gallo, Director of Media Strategies, PPF Financial Group
First, newspapers must target their product as specifically as possible. They shouldn't be developing products or writing articles which others could do better. To complement this strategy, newspapers should have a completely integrated newsrooms with skilled and competent staff that can produce material across all platforms. With a staff like this, editorial functions will not have to outsourced.

Newspapers can also tap into the community of Readers for content to supplement that of their newsroom. If the newsroom is looking for extra help, this can be a better means of gathering content than outsourcing because the readers are immediately familiar with the community.

WESTERN EUROPE
Espen Egil Hansen, Editor-in Chief, Verdens Gang Multimedia, Norway
 I don't think the key question should be "How to do more with less", but rather does the new technology and new market situations give us some new opportunities?

In VG Multimedia we spend some time and energy studying two companies outside the traditional media business that might inspire some change: Apple and Ryanair.

Can we learn from Steve Jobs and his Iphone?
Not only is the Iphone in itself a great product, in what appears as a stroke of genius Apple opened up, enabling everyone to create applications for the phone. Teenagers, programmers, and creative people around the globe develop great products for the Iphone - without pay. With no cost for Apple there has been added more than 15 000 applications to the company's Appstore   and they have already been downloaded more than 500 million times! For every new application and for every new download the value of the Iphone rises for the end users. And best of all, from Apple's perspective, since the company controls the distribution of these applications it gets a cut of every sale.

In Norway the 15 year old Knut Ørland has outperformed media companies developing the most popular TV-guide for Iphones. From his boy's room in a little city on the west coast of Norway he launches Iphone applications and earns a profit most teenagers can only dream about. For every sale through the Appstore he gets to keep 70%. The boy is of course happy, Apple is happy because it gets to keep the 30% and the end user is happy because the product is great. By the way - there is no need to buy a newspaper or go online to check what's on TV right now. Not all Iphone applications turn into a success, but if it does, Apple is guaranteed its share. Smart!

Media's approach to product developing has by contrast always been this: We want to do everything ourselves. If we are to make a new product - let's say a new travel section in the Sunday paper - our approach is always more journalists and more purchased freelance material. Smart?

Electronic media is by nature communication and cooperation. If we don't start to understand this we will be forced to ask the same question over and over in the years to come: How can we do more with less?

Can we learn from Ryanair?
While most airlines focus on how to charge as much as possible for each ticket, the low cost airline Ryanair has great success with going the opposite way: How can we charge less? The company compensates lower fares by turning what used to be costs, into new revenue streams. While the tickets are cheap you have to pay extra for food, baggage or boarding the plane early to pick your favorite seat. Together with a long range of cost cuts and commission based products like care rental and hotels, Ryanair has used this approach to become one the most profitable airlines in Europe.

The question newspapers should be asking themselves is: Are there costs in our company we can turn into revenue?


NORTH AMERICA
Ed Greenspon, Editor-in-Chief, Globe and Mail, Canada
We have not experimented, at least not yet, with very much in the way of editorial outsourcing of layouts I a major way.  We remain very interested in the experiences of others but a bit wary.
Of course, to some extent, we have always outsourced.  We tap the talents of a large number of freelance contributors, some of them highly-specialized.  We also have a few standardized pages, such as our comics and puzzles page and our stock listings, produced outside the newsroom. But we haven't ventured into outsourcing the kind of dynamically designed, valued added and pages that speak to our brand message on a given day.
In the opinion field, we tend to go outside in order to compliment our own columnists with more specialized contributors. In other areas, such as multi-media, we tend to use agencies for more commoditized news, thus freeing up staff journalists to focus on the value added material that distinguishes and differentiates us. Thus we have a small Globe Docs unit, which works with our staff to produce high quality video companion pieces to major print features, and sometimes vice versa. Our award-winning Talking to the Taliban is one such example.

Terry Eberle, Executive Editor and Vice President, Fort Myers News Press, Florida
We are using more freelancers and are partnering with other newspapers for certain sports coverage we once produced ourselves. We also are talking about partnerships with television stations to see what makes sense there. As we look for ways to cover more with fewer resources we must keep in mind that the quality of our information can not decline. We must guard against taking shortcuts that hurt readers and our image.

Google is the latest name to fall victim to the current media crisis, as it announced that it was pulling the plug on their Print Ads project. Launched in November 2006, the product involving 800 participating newspapers, including the New York Times, auctioned print ad space in newspapers to advertisers with the highest bid.

Writing in a blog post, Director of Print Ads Spencer Spinnell said that the company would stop offering print ads as of February 28th since "they have not created the impact that we - or our partners - wanted".

As the economic climate worsens and print advertising decreases, newspapers are struggling to find the dollars to cover their costs. Ethan Zuckerman explores the role of the advertising industry in the media and asks, "what if ad supported journalism is only viable in a world where we radically overvalue the worth of ads?"  

Zuckerman presents the print and early online advertising pricing model, CPM (or cost per thousand) and compares it to how effective advertising is based on its cost, online versus print.  His thesis is that online advertising is much more effective and much cheaper.  Why?  Because online advertising is targeted to those it may appeal to. Example, you are searching a site for the latest books on foreign policy, the ads that pop up are all related to foreign policy books or other sites that feature subjects similar to the one you are searching for.  In contrast, a front page ad of the New York Times will cost you about 10,000 times as much and everyone of the 1 million plus who read it will see it - however, few will actually find it of interest.

Dramatic scenes from Thursday's emergency landing of a US Airways flight into the Hudson River were first seen on social networking site Twitter.  User Janis Krums was aboard a ferry used to rescue stranded passengers, and uploaded the news-breaking photo to TwitPic from his iPhone during the rescue.  His caption read 'There's a plane in the Hudson.  I'm on the ferry going to pick up the people.  Crazy.'

The flight took off from LaGuardia airport at 3.26PM, and was already in trouble less than a minute later.  Krums' photo appeared on TwitPic just 10 minutes after take off, at 3.36PM.  Traditional media outlet the New York Times was 'a bit slow to get news' of the incident onto its web site, running it as a breaking news item at 3.48PM but not covering it as a front page story until 4.00PM.  Krums himself was interviewed by MSBNC 30 minutes after posting the image, but it was definitely Twitter that broke the story first.

To mark the relaunch of the Editors Weblog, the World Editors Forum is running a special series entitled "Doing More with Less." The series highlights major trends that editors-in-chief are using to steer their newsrooms through the difficult economic climate. The fourth of the series takes a look at the hugely successful online-only news site, the Huffington Post.

The Huffington Post was a runaway success in 2008; with 8 million readers during the US election campaign, it is now the most 'linked-to' blog on the Web and is valued at up to $200million. It only employs around 50 staff, just a handful of which are editorial. To do so much with so little, is an impressive feat indeed. The Editors Weblog spoke to HuffPost's Founding Editor Roy Sekoff, and National Editor Nico Pitney, to examine the crucial elements that contribute to its success and look at how it plans to maintain that success post-elections.

HUFFING AND PUFFING TOWARDS SUCCESS

Content
To explain HuffPost's huge popularity, Sekoff pointed to the mix of different content you can get on the site. "It's a very vital and dynamic blend of breaking news, aggregated news and real-time commentary," meaning that you can find out the information you want and immediately see what people have been saying about it. It offers a bit of everything, both "esoteric and pedestrian," And a crucial factor is the mix of people who write on the site, from Hillary Clinton to Larry David to Arianna Huffington herself. Sekoff explained that it is "not just a certain kind of writer. You could get an actor, an architect and a politician all weighing in on the same issue."

Speed
The speed at which news can be reported in an online model is invaluable for HuffPost's success and for the news industry today. "The Internet has enabled us to get what we want, when and how we want it," Sekoff declared, "and it turns out they want it fast." He described the moment when the benefits of online really hit home in HuffPost's early days. It was the day of the July 2005 London bombings and HuffPost had been covering the story from the early hours of the morning, with bloggers sending in information and pictures from London. Then the morning New York Times appeared, with London on the front page but topped with the wrong headline: about the city hosting the 2012 Olympics. "It literally was yesterday's news," Sekoff stressed. Pitney was enthusiastic about how HuffPost can provide "instantaneous coverage about what's happening," and can immediately try to get comments from people involved in the story.

Interconnectedness
The HuffPost team have also made a considerable effort to make the whole site as appealing and user-friendly as possible, as while it was originally envisaged that readers would purposefully come to the home page and then move around the site, now many people end up landing on other pages through links from searches or social media sites. Sekoff explained that they had been "working to make each landing page full of as much content as possible," with images, related stories, or recommendations for further reading, "to make much content intuitively available for people who are interested in certain topics." There is extensive "interconnectedness" between elements of the site, which both reduces the chances of readers missing things in the vast array of stories available, and makes the site more 'sticky,' increasing traffic.

Links
Sekoff was confident that the HuffPost was a financially sustainable endeavour. Its revenue largely comes from advertising, and this is based on its high traffic as a result of being the most linked-to blog on the Web. "It has become a link-based economy. You are not being paid in dollars any more for your piece, but rather you are being paid in traffic." So from a financial standpoint, the main focus is simply to get good content onto the site, which will encourage people to link to it, increase traffic and then generate more advertising revenue. The HuffPost does syndicate some of its content but Sekoff stressed that this was not an element of the site's business model.

"It has become a link-based economy. You are not being paid in dollars any more for your piece, but rather you are being paid in traffic."

Free contributions
HuffPost has invited over 2000 people to be part of its group blog. These successful, influential leaders in their fields are not paid but many still regularly offer their insight and comments to the virtual pages of HuffPost. So in terms of getting good readable content onto the site, this is a very cost effective way to do it. Sekoff explained why he thinks so many people are willing to write for the site: "we offer our bloggers a tremendous platform." The most obvious reason is simply the volume of readership HuffPost can offer: "on the HuffPost, stuff gets read." Very few people receive more than a few thousand readers on their individual blogs, while on HuffPost they can get millions. The "engaged readership" is a related factor, Sekoff believes. "People are always struck by how immediate the response is and how reasoned and interesting the comment section can be."

Another simple but important reason people like to blog for the HuffPost is the lack of commitment and deadlines. "People are free to write what they want when they want," Sekoff clarified, "so it's great for people who have something to say but don't have time to maintain their own blog." As most of the people who blog for HuffPost do other things - and in fact it is these other things that they do that make them so interesting - they appreciate the freedom to be able to speak out when they want to but have no obligation. "Nobody is carrying the weight themselves," he added, one of the advantages of having so many contributors.

Citizen reporters
HuffPost has also been embracing the free resource of citizen journalism and is confident of its potential. During the campaign the Off the Bus initiative, in conjunction with pro-am journalism venture New Assignment, used readers as reporters and was very successful. It was actually used to break stories, such as the 'Bitter Gate' scandal, and Sekoff described how readers continue to be excited about contributing to the site. In a project called 'Blogging the Meltdown,' people recount how the economic breakdown is affecting their communities, "putting flesh and blood on the statistics." He believes that tapping into the "storehouse of information and knowledge" provided by readers could be the future of much journalism.


PERFECTING POST-ELECTION PLANS

After its tremendous success during the election campaign, HuffPost is making plans for the future. Sekoff said that main areas of focus now are the presidential transition and the world economic downturn, and Pitney explained that much of the original reporting the Washington team are doing now is centred around the bailout plan. However, the site has already diversified from its original political focus and plans to continue doing so. A $25 million funding injection from Oak Investment Partners was announced in December last year and HuffPost has been looking at how to spend it.

One major area of expansion is localizing - HuffPost Chicago began in August 2008 and is described by site founder Arianna Huffington, as "part local news source, part resource guide, part virtual soap box." It includes a roundup of local services. San Francisco is coming next. A world section, in partnership with new international news service GlobalPost was recently launched. HuffPost has plans to create an investigative journalism fund, which will fund both daily breaking scoops and longer pieces, according to Sekoff, in an effort to make sure that this vital aspect of reporting is not lost due to a financial downturn. HuffPost will hire editors, but most of the writing will be done by freelancers, Pitney explained. He added that they will try to take advantage of the skills of some of the "great journalists" who are having trouble finding work due to the current financial situation in the newspaper world.
 
Although aggregation still very much forms the basis of the news reported on the site, HuffPost's original reporting team is expanding, according to Pitney, who added that a full time congressional reporter had just been hired. There are no photographers or videographers, but all reporters have been issued with a Kite phone, allowing them to take short videos at events which "almost instantly upload to an 'embed-able' video player online."

TRUMPING TRADITIONAL MEDIA?

Arianna Huffington insisted in an interview with Iwantmedia that HuffPost is not contributing to the demise of US daily newspapers in any way. Sekoff agreed, and Pitney stressed that newspaper journalists "are vital to what we do, and hopefully we are helping their work in the sense that we send them lots of readers, and we try to highlight their best work." Sekoff mentioned that he foresees a "hybrid future" for media operations, in which people will still get their information in a variety of ways.

"Newspaper journalists are vital to what we do, and hopefully we are helping their work in the sense that we send them lots of readers, and we try to highlight their best work." 

HuffPost is just one way in that variety. It has come up with a ground-breaking formula that involves minimum expenditure but provides maximum coverage: up to date, comprehensive aggregation combined with insight from famous names and readers, all of which is obtained for free. And although reader numbers have fallen from their peak during the US election campaign, what HuffPost offers is still original and effective enough to make its continued success very likely. Its expansion into local sites could be particularly popular considering the well-documented troubles of US metropolitan newspapers, and as investigative journalism is cut at newspapers, this could be area in which HuffPost excels. One potential threat comes from the fact that more and more newspaper websites are offering aggregation services themselves, But being first off the mark, HuffPost has a significant headstart.