"There are two kinds of content now. You choose it, or it's chosen for you. The idea here is self-selection of the news, delivered to any platform, at any time," Peter Vandevanter was quoted saying in The Washington Times today.
How is one news source, totally funded by subscriptions, to compete with another that receives government subsidies? Such is dilemma that arose when WAZ, Germany's second-largest newspaper group, dropped its subscription to the independently-run German press agency DPA in favor of government-subsidized Agence France-Presse.
As Isabelle de Pommereau points out in the Christian Science Monitor, the decision has consequences for both WAZ and DPA. Since the WAZ group started relying on AFP for all its wire coverage, "the papers' depth of German-based coverage has become undeniably more shallow." Pommereau adds that the loss of such a major client also puts financial pressure on DPA as it struggles against cutting coverage or raising the cost for its other clients.
As editorial teams the across the globe seek to increase and diversify their papers' revenue streams, a wealth of diverse ideas and business models have appeared. One of the latest to be aired comes from Laurent Joffrin, editor of the French national La Libération. He suggests that editors of the press, publishers and website unite in the request that the leading internet servers providers (ISP or FAI's in France) Free and Orange add a few extra euros to their clients' bills. This would serve to finance the costs of the services provided by publishers. The fees would then be invested back into newspapers and other productions, the amount corresponding with the title's popularity and size of its newsroom.
The concept of a mutually rewarding financial model has a strong precedent in France. The French cinema industry is financed this way, which according to Joffrin, 'has saved the industry and allowed its expansion', as reported by Challenges.fr. The editor is convinced that newspapers are an essential component in a democratic state, thus highly worthy of greater financing.
The CEO of Bloomberg's Multimedia Group has outlined his vision for a 'global spanning news network', which prioritises the development of mobile news diffusion, placing a particular emphasis on the use of original video content. Andrew Lack, eight months into his position at Bloomberg, confirmed that his reputation for being 'an early digital adaptor' still applies as he spoke at last week's Advertising 2.0 event.
Lack expressed his belief that the mobile screen would become as significant as that of the PC and the television in the future of news diffusion. The venture is based on the conviction that readers will pay for and advertisers will be eager to associate with the news as presented on the mobile screen, more than they have been willing to do so with television and Internet forms.
As the world's political and media spotlights focussed on the Iranian
elections, the Internet was always expected to play an important role
in keeping people up to date with developments, but little did we know
the Web would also prove to be the scene of political unrest.
As news emerged that incumbent president Mahmoud Ahmadinejad had
secured 62.6 percent of the 46.2 million votes cast compared to rival
Mir Hossein Mousavi's 33.75 percent, tweets started circulating from a
section of the country's disappointed and disenfranchised voters.
Over the course of the last six months, the Spanish media has lobbied
the government hoping the state will be able to give the impoverished
press a much needed boost. After many months of deliberation, JoséLuis
Rodríguez Zapatero's administration has finally come forward with a
proposal for newspapers, but editors are unimpressed.
"It [the proposal] fails to meet expectations, does not provide an
answer to the needs of the sector and, most importantly, does not even
begin to seriously tackle the problem," said Pilar de Yarza, president
of the Asociación de Editores de Diarios Españoles (AEDE), speaking to
El Mundo. She added: "The measures do not include a structural plan for
an industry which is the guarantor of rights and liberties; they do not
remotely compare to the assistance provided in other countries."
Stone explores the history of conflict between the two titans, starting in 1998 when Berlusconi rejected Murdoch's offer to buy his TV network Mediaset. Four years later Murdoch entered the market and formed Sky Italia, Italy's only satellite broadcaster, in fact with help from his Italian rival. Sky did well, not least because of its rights to the football matches played by the top Italian leagues, which Murdoch sold in monthly packages. Berlusconi "decided to fight back" and pushed a media law through parliament whereby the top three football teams could sell their home games on Mediaset's new terrestrial digital platform.
Pess freedom in Italy has come under international scrutiny in recent weeks as a down-grading of the press's freedom status by US non-profit Freedom House has coincided with an increase in prime minister Silvio Berlusconi's aggression towards media outlets which oppose him. Leading left-leaning daily La Repubblica has even attempted to take on the premier directly, publishing a list of questions concerning his relationship with a young girl, to which it believes he owes answers. A Dutch politician has threatened to take action in the European parliament against the Italian leader because of journalistic constraints. Should a newspaper be demanding such information which concerns a politician's private life? Is the press freedom situation as bad as it seems?
The La Repubblica crusade
On May 14 La Repubblicajournalist Giuseppe D'Avanzopublished ten questions directed at the prime minister concerning his involvement with 18-year-old Noemi Letizia. Berlusconi's relationship with the girl gained mass media attention when, four days after the prime minister dropped in on the girl's 18th birthday party in Naples, his wife issued a press release accusing him of "consorting with minors" and pressing for a divorce. Berlusconi promptly went on a late-night political chat show to defend himself, but the holes in his story which have gradually emerged have attracted even more attention than the original incident. D'Avanzo's questions address these holes and ask the premier to come clean about the nature of his encounters with the girl. Berlusconi has not yet answered the questions and has given no indication that he intends to. The paper has put a timer on its website to indicate the days, hours, minutes and seconds since the questions were issued, and even offers them in English.
Berlusconi himself has tried to present the left-leaning paper's campaign as a left-wing plot to undermine his authority, accusing the paper of lying and adding in an interview on TV-channel Sky that he believes many readers will abandon the paper because of this. His office issued a statement saying referring to the "campaign of denigration" and saying that the paper is driven by "jealousy and hatred." The prime minister has fought back as the story developed, with his lawyers applying for the seizure of photos taken at his Sardinian villa (where Letizia reportedly attended parties with other young women) before they could be published, and a journalist from Berlusconi's brother's Milan-based daily Il Giornale posing as a member of the foreign press to get an interview with Ms Letizia's former boyfriend in an attempt to discredit him.
The international reaction La Repubblica has defended its actions, with editor Ezio Mauro saying that "There are contradictions here and when the powers that be don't explain something, journalism has a job to do." And foreign journalists seem to agree. The paper also featured an interview with Bill Emmott, former editor of the Economist, who said that "for a newspaper, asking a political leader questions is not only legitimate, but part of its mission to inform the people." According to the International Herald Tribune, "for the first time in recent memory, the Italian press is shining a bright light into the dark recesses of a politician's personal life." The Times wrote that the premier's campaign against La Repubblica"looks ominously like an attempt to cow dissent rather than protect a private reputation" and that "his newspaper critics are performing a public service for a badly governed populace." A Financial Timeseditorial criticised the way that Berlusconi turned on La Repubblica following the questions, and stressed that part of the "danger of Berlusconi... is that of the media sapping the serious content of politics, and replacing it with entertainment."
Berlusconi has reacted with anger and scepticism to such foreign criticism. He seems to refuse to believe that papers might be acting of their own accord, announcing that "the international press's campaign is being orchestrated by an Italian group" and referring to it as a left-wing "plot." He insists that the foreign press is misrepresenting the Italian situation, and a rift in his relationship with Rupert Murdoch seems to be further deteriorating following the Times' article and others. He has accused the Times of writing critical editorials about him because his government is in dispute with News Corp. Il Giornale, owned by the prime minister's brother Paolo, ran a story discussing the FT editorial entitled "The left has also enlisted the Financial Times."
One of a newspaper's main goals should be to act as a watchdog over the government, but it is unusual for a paper to take on a country's leader so directly, particularly over a matter which is largely private. In the UK, the Daily Telegraph'srecent campaign over MPs' expenses was firmly in the public interest, as it dealt with public money being used by members of parliament for personal gain. Berlusconi has been derisive of the media discussing what he says is his private life. Should a paper be putting so much focus on an issue that is arguably unrelated to the prime minister's ability to govern the country? Is this indicative of media trivialisation?
The Times editorial does not see the questions as intrusive, as they relate to Berlusconi's "public roles as politician and media magnate". The Independent's Peter Popham said that the media "cannot be accused of muck-raking on the issue because it was Mr Berlusconi himself who drew attention to the relationship" by attending the 18-year-old's party and not only posing for photographs but publicly giving the girl a 6000euro gold necklace. And the fact that a politician might have lied to the public is probably enough of an incentive to investigate.
Press freedom in Italy
Italy has a fairly unique media situation, which makes confrontation between a newspaper and the prime minister even more pertinent. The country's press freedom status is clearly in question. A Dutch politician who is leader of the Green Left party in the European Parliament, Judith Sargentini, has said that her party is considering taking legal action against Berlusconi because of the press freedom constraints in his country. Amongst her complaints is the fact that the premier blocks critical questions at press conferences. If a majority of the European Parliament were to agree to the initiation of legal proceedings, then the matter would come before the European Court of Justice.
US-based nonprofit Freedom House recently downgraded Italy's press freedom status from 'free' to 'partly free' for 2008. In conversation with Karin Karlekar, editor of the report, she explained that the main reasons given for this were the unusually high level of media concentration, particularly in broadcasting, threats from organised crime and others, and attacks on journalists, mainly from far right groups. During Berlusconi's former term as prime minister, the country was also given partly free ratings, and Karlekar added that the media concentration was "one of the highest levels anywhere in the world."
Daria Gorodisky, a veteran Corriere della Sera journalist who is also a union representative for the paper, told the Editors Weblog that she believes there is a "truly enormous press freedom problem in Italy" which will be "extremely difficult to resolve." She does not place blame for this directly on the government but on the fact that there are no "pure" newspaper owners, rather, those who publish newspapers also run other businesses and therefore have aims and interests aside from their papers. She also believes that the quality of Italy's journalism schools have deteriorated as more and more have sprung up. She did, however, point out that this is not the first time that Berlusconi has threatened the press.
Internet penetration is low in Italy in comparison to that of its Western European neighbours: about 48%, compared to 72% in the UK or 66% in France, for example. This low figure would suggest that many people are more likely to get their news from television and one or two newspapers, rather than the range of sources that online readers might visit. Despite this, however, Karlekar noted the country's "very vibrant and influential" blogosphere, particularly politically-orientated blogs.
Gorodisky commented that although some journalists were "very worried" by the situation, she did not think that there was enough widespread concern about Italy's press freedom status. Karlekar said that her organisation's report had sparked considerable debate and she had received both praise and hate mail from Italians. Niccolo Ghedini, lawyer to Berlusconi, dismissed the report on a TV show called Anno Zero, saying it was a private organisation and took its information from only two sources, La Repubblica and Corriere della Sera. Karlekar responded that she was "not sure where he got that" and was clear that "the range of sources is large and our authors would never just rely on one or two." She added that it was "interesting that the government felt compelled to respond in some way."
Karlekar did say that Berlusconi did not seem to be "exerting the same amount of influence over the broadcast media" as he did during his previous term as prime minister; there seems to be less "overt political manipulation." She was also clear that she did not think that the high media concentration had "stifled" the whole media, and drew attention to the diversity in terms of political opinion in the print sector.
Arguably there are far more important questions that the Italian press could be asking its country's leader, rather than focusing on the somewhat sordid details of his involvement with a teenage girl. But as a vital part of the press's role in a democracy is to play watchdog on the government, the fact that a paper is challenging the prime minister to clear up inconsistencies is something that must be welcomed. And even though the original issue may not be crucial in itself, the other questions it has brought up concerning use of government planes for private use, for example, are very pertinent. Given how much of the media the prime minister does control, and the fact that even the journalists who do not currently work for Berlusconi know that they may well some day, the press freedom situation could undoubtedly be worse than it is, and it is important that journalists keep fighting.
"Twenty years later, it is still impossible for the Chinese media to refer freely to the ruthless suppression of China's pro-democracy movement in June 1989" said Reporters Sans Frontières. The report was initiated as concerns mounted towards the reactions of the Propaganda department and the political police to the internal and external media coverage of theTwentieth anniversary of the Tiananmen Square massacre.
The inexorable rise of the Internet in China has provided freedom activists, working both within and outside of the country with alternative platforms for expression and access to information, presenting serious challenges for the Chinese censor. China has an estimated 300 million Internet users.
The New York Times online has re-developed its 'insider' tracking blog, which charts the latest trends and developments in the media world. To emphasise the broadening of its coverage, the device, formerly TV Decoder, has been renamed Media Decoder.
The NYT website describes the service:
"Media Decoder is an insider's guide to the media industry that tracks the massive transformation of the movie business, television, print, marketing and new media. It's a showcase for the extensive media coverage throughout The New York Timesand a window on how the business of connecting with consumers is changing in the digital age.
The proposed merger of two Polish dailies and the launch of an entertainment version of a political weely, both intended to conquer a new public and consolidate readership, have raised some doubts in the Polish newspaper industry.
Poland's largest business and legal daily Gazeta Prawna (87,000 paid circulation) will merge with the second quality news daily Dziennik (147,000 readership), in a 51/49% partnership between Infor Biznes and Axel Springer, their respective owners. The transaction, which will result in a combined newspaper strong in economics on one side, and politics, culture and sports on the other, is still subject to approval by the authorities.
In an interview with the Telegraph, Tina Brown expresses her views on the future of newspapers and the professional journalist. The once queen bee of the high-end glossy magazine industry has now completely embraced the digital medium as editor in chief of the New York Daily Beast. Brown is now advising fellow journalists to recognise the need for 'innovative approaches' to the delivery of news and the varying business models to maintain them financially. Emphasising the 'parlous condition' of the New York Times, and the worrying health of other significant US local papers such as the Washington Post, the Los Angeles Times and the Boston Globe, Brown maintained that resources should be placed on preserving the intent and purposes of journalism per se, rather than on saving printed newspapers, "It's more important to preserve journalism than it is to preserve newspapers, frankly."
According to the New York Times, American television network CBS has
joined efforts with live video web site, Ustream, to have its news
video content and special reports streamed live on the site, in a bid
to draw in a younger crowd.
"Seeking a younger audience more accustomed to watching the news on the
Internet than on television," reports the Times, Ustream will show the
CBS Evening News with Katie Couric, as well as a variety of real-time
news reporting and other coverage, including news conferences and
speeches.
New York Times journalist Martin Fackler has written about the "failure" of the news media to press Japanese prosecutors for answers in an ongoing political scandal.
In March, Tokyo prosecutors arrested an aide to a prominent opposition political leader and sparked a damaging scandal which led to the resignation of Ichiro Ozawa, head of the opposition Democratic Party. Many Japanese have been vocal in their criticism of the prosecutors' actions, which appear politically motivated, but "you would not know that from the coverage by Japan's big newspapers and television networks," said Fackler.
Beamups, the digital marketplace for news footage goes live today with a UK version of the site.
The invention of two former cameramen, Boaz Eshtai and Yosi Romano,
Beamups offers a platform for producers to distribute and sell their
previously unused and archived material to would-be buyers.
The website first launched in the Middle East in April and, since then,
has already helped to secure deals with the BBC, Al Jazeera, ABC and
Rtvi.
"The media has a duty to wrongfully accused", wrote Eamonn O'Neil on the Guardian's website yesterday. Sadly though, journalists and editors, apparently fearful of the professional and legal implications of fact-finding missions, are increasingly shying away from performing this duty. Whether this is due to a lack of journalistic confidence, the constant threat of legal procedures or a response to a lack in public demand, this avoidance has deprived not only the journalistic practice of the satisfaction of fulfilling one of its great original purposes, but social justice of what was once a highly effective tool. O'Neil's call to arms forms part of the Guardian's recently launched 'Justice on Trial' campaign, which "aims to highlight cases where there are major concerns of a miscarriage of justice." The project is a result of the realisation that journalism is at risk of forsaking an arguable raison d'etre; its opening statement recalls the profession's past successes in contributing to the correction of infamous miscarriage of justice cases, such as those of the Birmingham Six and the Guildford Four. O'Neil, moreover reflects upon his own involvement in rough and ready evidence digging investigations, such as that of the Christmas Island nuclear test victims, while working at Scottish TV in the late eighties.
In an article on the Guardian.co.uk,Peter Wilby asks if popular UK
tabloid, the Sun, still has what it takes to sway popular opinion.
"In the name of God ... Go!" were the Sun's carefully chosen words to prime minister Gordon Brown last week, as it called for an early
general election.
The future of printed media has become a major political issue in countries like the United States or France, even being debated in ad-hoc committees set up by the legislative or the executive powers. Discussions along the Potomac or the Seine rivers have been focusing on the impact of Internet and new technologies, or on the need for state subsidies.
Meanwhile, on the Vltava in Prague, a group of editors and reporters working for PPF Media, the recently created division of insurance and consumer banking group PPF, is already opening new ways of covering a whole country in what may be a newsroom of the future. With other journalists for the moment based in four provincial towns from the Czech Republic, they are launching the so-called "hyperlocal weekly" Nase adresa ("our address"), which combines print and online journalism with particular efforts to sustain high professional standards and get closer to the readers. "It can only work with well prepared journalists who will be trained in the Futuroom, our central newsroom," explains Roman Gallo, 44, director for PPF's media strategies and conceiver of the project. "We are also opening newscafés in our local bureaus, which will facilitate the contact between Nase adresa's journalists and the public, to enrich the content of our newspaper and of its webpages," adds Matej Husek, 33, director of news operations.
The newspoints, combining local newsrooms and Internet cafés in often small, rural towns, may be the most visible originality of this new undertaking. A few weeks before Nase adresa's launch, for instance, PPF Media's already hired staff had the chance to taste two products, the first print prototype of the weekly, and a cake likely to be served in the cafés. "The project represents a special challenge in terms of logistics, of room for storage, as we will be managing dozens of bistrot-Starbucks-like coffee shops in local newsrooms," comments Tomas Chejn, 41, the manager of PPF Media's branded cafés, a food specialist hired for his long time experience in quality catering. Petr Vitasek, 38, the director and chief editor for the Moravia region, based in the eastern Czech city of Olomouc, thinks this effort is worth the investment, because these "well located newspoints will be critical in getting Nase adresa's journalists to work closer to their readers."
But the whole project is innovative at other, multiple levels. To start with, for the first time a newspaper's birth is tightly associated to the creation of a multi-media training center - with several international partners including Google, Atex and the World Association of Newspapers/ World Editors Forum. The Futuroom will be a newsroom in charge of assisting and training in-house editors, some having no previous reporting experience, as much as a real life teaching field for future journalists. These will include a group of students within another partnership with Brno's Masaryk University, in the second largest Czech town.
Nase adresa's approach could also become a school case due to the organization of the newsroom. "I like how the Futuroom is shaped. Journalists are not confined to one theme, like health or education, but to a way of reporting, and I enjoy changing topics," says Vendula Krizova, reporter in the "Human approach team" and young (25) like many of her new colleagues. Adds Radim Klekner, 50, who joined the "Institutional team" - after working for 10 different newsrooms - to do researches on European Union institutions in particular: "Vertical structures dominate in traditional newspapers, while in Nase adresa it is more horizontal. In my case, for instance, I will be covering many European issues based on the Czech reality."
Klekner had some doubts initially, however, because he has been covering foreign news in the past 15 years. Why would he join a hyperlocal news project as an international editor, then? "There is a need for benchmarking with other European countries in all aspects of the Czech society, and with Nase adresa I will be able to give a EU presence in the remotest Czech villages", he believes. "Our role is to assess general issues like the lack of general practitioners in the country, compared to others, and connect them to specific cases brought up by the local newsrooms."
Local journalists with long intensive experience covering their community are also convinced they are working for an innovative project. Vitasek, in Olomouc, even tried a hyperlocal news concept on his own five years ago, called Olomoucky Tydenik. "It was a weekly published on Mondays and strong on local sports, like Nase adresa. We had to stop it after one year, but this time I have with me a 10-people team supported by PPF and by the Futuroom managers and trainers. Our office, in a central strategic area of Olomouc, will be a space for constant direct contact with readers and potential contributors."
Based on her 30 year experience in local journalism, Hana Vojtova, 52, the chief editor of the Teplice newspoint, in the north Bohemian city near the border with east Germany, also believes Nase adresa is a new improvement for community journalism: "We will get nearer to the people from the region, who are tired of politics and want to be informed on human interest stories," explains Vojtova, whose district is dramatically affected by problems like crime and unemployment. "We are going to cover better our readers's activities and their dreams!"
The project has attracted several other seasoned editors from all backgrounds, including Jiri Zavozda, 50, Nase adresa's head of the copy editing team. He just finished a seven year experience in major private television "Prima", as news editor-in-chief, after working more than a decade for national newspapers. "The TV experience was good because it teaches you how to write short, but I prefer print because it is less superficial," says Zavozda. There are other reasons why he joined the Futuroom. "I see my in-laws, who live in a little village in Moravia and who have only access to media not specifically targeted to them, national daily Mlada Fronta, newsweekly Tyden and the television. Only Nase adresa will inform them well on the Sunday afternoon firemen team's competitions, which are particularly popular in the Czech republic. We will get spectacular photos of fires being extinguished!"
Adds Peter Sabata, 48, the editor-in-chief responsible for the local newsroom: "I strongly believe in the hyperlocal level of information, with the combination of newspoints, and print, online journalism. The weekly will be a bridge from now to the near future, when everybody in the regions will be connected." Sabata just moved back to the Czech republic after eight years at the head of national Slovak paper Pravda's newsroom.
Other Nase adresa team members are particularly enthusiastic because of the new challenges specific to a project combining teaching and praxis, online and print journalism, so far never achieved at such a level. Ondrej Besperat, 31, who manages the photo-video team in a duo with veteran photojournalist Jan Silpoch, is well aware of the differences between shooting for a newspaper or for a website. Before joining the Futuroom, he was a photographer for national daily Hospodarske Noviny and then worked for Aktualne.cz, the successful, Internet-only Czech media outlet. "In printed media, you have to do one or two pictures a day, and you invest all your energy in the best one, while in Internet, you try more different perspectives as you know that several pictures are likely to be released for each story."
Besperat anticipates he is likely to spend two third of his time training reporters from the local newsrooms, at the beginning at least. "One of the main challenges will be to shoot sport with our standard high-end amateur cameras," he says. "The idea is not to have journalists who do everything all the time, but reporters who are multifunctional, able to provide good texts and images."
Nase adresa will also represent new challenges beyond the expertise usually expected from journalists, especially for the local chief editors who will have to look after a coffee shop part of their time. "Ten years ago I had a short experience working for Coca Cola, but this will be new because I am not at all a food and beverage specialist," laughs Vitasek, in Moravia. Krizova, who is glad to cover very diverse topics, is also ready for another type of special assignment as a young reporter. She will be asked to take care of children visiting the Futuroom - turned into a "Junioroom" or "media camp" - to learn how to write an article or produce a video footage.
PPF Media's project will be preparing new generations of journalists and not just showing new forms of getting and providing the news.
BACKGROUND The Czech Republic is a country of 10 million people living in 14 regions subdivided in 75 districts in total. Until 20 years ago, only the government and Communist Party related entities could publish newspapers. This was also the case for the regional dailies, and for more local publications at district or town levels. German group Verlagsgruppe Passau took over most of them in 1990 and after, under its Czech branch Vltava-Labe-Press which currently controls over 10 weeklies and over 70 dailies called Denik ("daily", followed by the name of the concerned locality). Nase adresa will have no direct competitors except in a few cases, because its editions will typically cover areas of 20-30,000 people while Denik and its affiliates are designed for larger groups, of over 100,000 inhabitants on average.
The May 2009 report, published on the business intelligence website, Report Buyer, focuses on the importance of advertising revenues to the health of the newspaper industry. In order to clarify the dynamics, the researchers drew clear lines between its components, the top spenders and service providers within a global framework.
Yesterday, the recently founded Media140 held its first Twitter and
microblogging conference. Held at London's Southbank Centre - a venue
in the heart of the UK capital synonymous with innovation - the event largely
focussed on the effects that Twitter and micoblogging are having on the
news gathering process and was attended by journalists from
Guardian.co.uk, TimesOnline, TechCrunch, BBC, Aljazeera, Reuters and Sky
News.
Kicking off discussions, associate editor of the Sunday Herald and
author of 'The Play ethic', Pat Kane, opened up the conference with a
keynote presentation on the way breaking news services were
dramatically changing the face of journalism: "Reading a newspaper on a
street corner might be seen as banal. What's becoming just as banal is
producing news on that street corner," said Kane. You can access his slideshow from the presentation here.
According to United Press International, one of Thailand's leading
political parties announced on Friday that it is set to launch its own
newspaper.
The United Front for Democracy against Dictatorship (UDD), often
referred to as the Red Shirts is expecting to launch the Red News by
the end of the month.
At the first full day of the INMA conference, the ever controversial Jeff Jarvis insisted that "we have to redefine utterly what a newspaper is". He made a distinction between what he described as the old "content economy" contrasted with what he calls the new "link economy". "Content gains value as it gains links," he insisted, "if you're not linkable you don't exist." Continuing with his old/new divide, Jarvis said that news is no longer about people buying a product, but about giving people information and listening to their thoughts on it - he promoted the idea of newspapers fostering better relationships with their readers.
Like Jarvis, Agustin Edwards, editor and managing director of Las Ultimas Noticias (LUN), in Santiago, Chile, emphasises the need for a solid relationship between a newspaper and its readers. However, he moves in entirely the opposite direction to Jarvis in his bid to secure a "purer" reader base: LUN is replicated daily in pdf on the publication's site, a process which makes it invisible to Google. This means the search engine can not use LUN's articles - but nor can it direct traffic to them.
Further to an Editors Weblog article yesterday on the potential of
social networking sites as news tools, editorial staff at the Wall
Street Journal have been handed a set of guidelines for "professional
conduct," detailing the dos and don'ts of using a social networking
site, the Editor & Publisher has reported.
E&P has a copy of the memo sent out to employees here. Among the
rules include a warning about adding or accepting a friend that might
be a confidential news source and therefore jeopardising said source by
leaving them exposed to poachers and possible invasions of privacy -
staff are advised to check with their editors.
A new report produced by the publishing arm of PricewaterhouseCoopers
- the world's largest professional services company - in conjunction
with the World Association of Newspapers (WAN), examines the outlook
for newspapers as they seek to realign themselves within a digital
framework and minimise the impact of the global recession.
The study identifies interactivity, specialisation and new business
models as being key to ensuring the survival of the newspaper in an
online age.
"It's the online world where large Czech media companies see the future now," so writes Czech News in an article describing the state of the Czech press. According to the national news agency, in the first three months of 2009, almost 20 print titles have closed, that more closures are soon expected and that even television stations are slashing budgets to keep pace with falling demand and plummeting advertising sales. But does the solution lie with the Internet?