The Washington Post has decided to cancel its plans to host private, off-the-record dinner parties for political lobbyists at the home of its publisher after criticism from the newsroom at the suggestion that their services were effectively been sold. Publisher Katharine Weymouth was to host dinners that would give paying lobbyists and business leaders access to officials from the Obama administration and Congress, as well as Post journalists.
Politicofirst reported the story yesterday after obtaining a flier promoting the events that had been given to a healthcare lobbyist. The flier was entitled "Underwriting Opportunity: An evening with the right people can alter the debate" and advertised events with a maximum of 20 guests to discuss major White House policy initiatives, which participating firms could co-sponsor for $25,000 per event, with up to two sponsors per session. There was also an offer for 11 for the price of 10. The theme of the first July dinner was to be health care reform, and WaPo guaranteed the attendance of Obama administration officials and members of Congress as well as reporters.
In a bizarre new venture, the Washington Post had promised lobbyists a chance for off-the-record meetings with policy makers and newsroom staff for the price of a $25,000 sponsorship, according to a flier shown to Politico by a health care lobbyist. These "Washington Post Salons" would consist of dinners at the home of WaPo CEO and publisher Katharine Weymouth.
A WaPo spokeperson has responded to Politico, stating, "As written, the newsroom could not participate in an event like this." Apparently the event planning division of the company sent out the flier advertising reporters' participation without first alerting the newsroom.
Politico also obtained a copy of an internal memo sent by Executive Editor Marcus Brauchli, reaffirming that staff members would not be taking part in the events as "Our independence from advertisers or sponsors is inviolable."
The American newspaper publisher Gannett plans to get rid of somewhere between 1,000 and 2,000 positions, according to an article in today's Wall Street Journal. The job cuts will hit the company's 80 local dailies, rather than USA Today.
Former Gannett editor and reporter Jim Hopkins had previously predicted up to 4,500 slashed jobs on his Gannett Blog. He now says there will likely be 600 actual layoffs as a result of the restructuring, naming July 8 as the axe date.
Twitter asks its users one question: "What are you doing right now?" It is a simple enough concept; 'tweeters' answer this question and their response enters the real time feeds of those who follow them, but it is becoming increasingly useful for reporters and papers as the social network attracts more and more users. Essentially, journalists can use Twitter in three ways: to find stories and other information and to track events, to publicise their work, and to connect with readers.
A real time feed of breaking news and thought
Twitter is an extremely useful journalistic resource: reporters can use it to watch for breaking news, follow sources and search for information. "It's like monitoring another wire service," said Robb Montgomery, CEO of Visual Editors. It can be used to get an idea of which topics are attracting interest and what people are talking about right now. There is a list of top 'trending topics' on the Twitter home page. It is a real time search, ahead of even Google in terms of timeliness.
The useful information can sometimes be hard to find amongst multiple messages about what users had for breakfast, or what they thought about last night's TV show, but as Noam Cohen said in Global Journalist "it turns out that when a million people stare at their navels, more than a few of them will also notice that the ground is shaking, the plane is nosediving, the police are shooting." Twitter is particularly relevant during events that involve large numbers of members of the public, and a shining example of its effectiveness arose after a US Airways flight landed on the Hudson River and the first picture of the plane was posted to Twitter by an observer. Online news editor at Sky NewsJon Gripton, discussing his reasons for appointing a Twitter correspondent, said "it is effectively another news feed. It helps us source eyewitnesses and photos and other people who are on the scene of an event." It is also crucial for following conferences, for example.
Applications such as Tweetdeck allow users to sort their contacts into groups and to search more and more easily for Tweets on specific topics. The custom of adopting hash-tags to make searching easier has been widely adopted: if a user is tweeting about a particular subject they can add a tag into their tweet, such as #IranElection, #Mumbai, #Gaza. The hash or pound symbol distinguishes the tag from random mentions of the same word, and is a custom developed by Twitter users.
Twitter's fame as a news source grew curing the terrorist attacks on Mumbai last November, and during the ongoing conflict in Iran following the election on June 12, Twitter has come into its own, with those inside Iran using the social network to stay in touch and communicate with the outside world while phone networks are down and many websites are blocked. News outlets turned to the service for the latest updates, as they were forced to abandon the principle of only relying on their trusted sources for information due to what the New York Times described as a "news vacuum."
Questions about the reliability of Twitter have also been highlighted by events in Iran. Clearly, it is impossible to judge the authenticity of Tweets from a non-trusted source. During 'normal' circumstances, a journalist would be able to contact the 'Tweeter' for more details and verification, but that is currently overwhelmingly difficult. Journalists who incorporate news obtained by Twitter into their reporting should always be careful to stress their uncertainty about the source.
Publishing: one-to-many
According to a Harvard Business study, there is a small group of very active Twitter users: it found that "the top 10% of prolific Twitter users accounted for over 90% of tweets." Researchers Bill Heil and Mikolaj Piskorski concluded that "Twitter resembles more of a one-way, one-to-many publishing service more than a two-way, peer-to-peer communication network": in other words, perfect for journalists looking to publicise their work. It is simple enough to use as a publicising tool: send a link to the story with a Twitter-friendly headline, which should generally be casual and chatty, even more so than web headlines.
It is without doubt a good way to attract extra readers. One of the advantages of Twitter to spread the word is that it is viral, users frequently "re-tweet" the links that they have enjoyed. A CNN breaking news feed, not actually started by CNN but purchased by the news outlet when it gained substantial recognition, was the second Twitter feed to reach one million followers and now has well over 2 million. The New York Times main feed has 1,238,673 followers at time of publishing, and the Guardian has 25,009 on its main feed, though far more on its Guardian Tech account: 782,662. Many news organisations now have multiple Twitter feeds for their different sections. Montgomery stressed the need to "explore" the best policy for your newsroom when deciding whether to stick to one or split them
Some feeds are generated automatically, and for many journalists and bloggers it has become second nature to 'tweet' an article immediately after publishing. Robb Montgomery believes that the "more successful Twitterers have moved beyond auto-tweeting their RSS feed" to make their tweets more personal. "You want to show that there's a real person there." A social tool for branding
As well as using Twitter as a one-to-many publishing mechanism, journalists can also take advantage of the social element of Twitter, using it to connect with their readers and to receive feedback on articles. It is a contact point between reporter and reader, making the journalist more accessible. "You can run quick polls, get a pulse, get some ideas," said Montgomery. Twitter can be used as part of a journalist's own personal branding, to develop their own network of followers, depending on their personality as well as their reputation as a journalist. This could be particularly helpful for freelance journalists and bloggers.
Newspapers' advice to staff
Many news outlets have become concerned about the way that their employees use social networks such as Twitter. New York Times executive editor Bill Kellercalled for a "zone of trust" after reporters Jennifer 8. Lee, Michael Luo and Brian Stelter sent 'tweets' on what executives were saying about the how the paper might charge for online content, amongst other things during a staff strategy meeting. Shortly after, the New York Times announced the appointment of social media editor Jen Preston via Twitter. She is to concentrate "full-time on expanding the use of social media networks and publishing platforms to improve New York Times journalism and deliver it to readers," including, it seems, policing Twitter use.
The Wall Street Journal'sadvice on Twitter in a staff memo is that "business and pleasure should not be mixed" and although "common sense should prevail," staff meetings should not be discussed on social networks. The Washington Post's guidelines also mentions its reliance on reporters' common sense. The AP's new rules tell reporters "Don't report things or break news that we haven't published, no matter the format, and that includes retweeting unconfirmed information not fit for AP's wires."
Embracing Twitter seems to be essential for journalists and newsrooms in today's media landscape. This does not mean that all reporters should be tweeting all day long, and certainly does not mean that they should believe everything they read, but they should familiarise themselves with the site and work out how they want to use it. A newsroom policy might be necessary to encourage or warn journalists with regards to how the paper would like to see it used, and if possible, a social media expert could monitor and coordinate the paper's efforts. It is not necessary for journalists to embrace every aspect of Twitter, but most who try it find something beneficial.
On Tuesday 30 June at 15.00 London time, Robb Montgomery, CEO of Visual Editors will be speaking at a WEF webinar on "How the real time web can improve your newspaper's journalism." More details here.
It might not seem easy to teach the young about the vital role of journalism and the news without boring them silly, but a new summer camp in Prague, Junioroom, aims to do just that, offering children a hands-on experience in an international setting.
The camp, for English-speaking young people aged 10-16, has been organised by the International Media Training Centre based in Prague, which also runs the Futuroom initiative. The project is affiliated with the young readership development work of the World Association of Newspapers as well as WAN's World Editors Forum.
The Washington Post is restructuring its newsroom to be revolve around a cross media software concept. The daily is the third US based publication to adopt the Methode system from EidosMedia S.p.A., following the Seattle Times and The Wall Street Journal who made the move last year.
The adoption of the Methode is a firm indication of the convergence of the online and printed media in news provision. The choice of software corresponds with the decision of the Post to combine its online and print operations. The two teams will merge into a remodelled newsroom, in theory before the functioning of the new software begins. The Post is approaching the restructure with vigour: In January it appointed two new managing directors to oversee the developments, Elizabeth Spayd and Raju Narisetti. The paper's new Executive Editor Marcus L. Brauchli, headed the previous restructure whilst at the WSJ. The logistics of the move however, highlight the gloomier side of necessary evolution: according to Narisetti, the combined staff will measure the same or just under that of the print staff as it stood eighteen months ago. The diminishment has been due to attrition and buyouts.
As online news becomes more and more prevalent, with an unimaginable amount of information available at users' fingertips and Internet now ranked as US consumers' top way to access their news, how can media organisations make sure that readers find their articles? Part of the answer is search engine optimisation, which is becoming an essential part of the daily life of a newsroom. For the printed product, newspapers must try to sell the paper as a whole; online, articles can attract traffic individually as readers come across them while searching for specific topics. It is therefore important that each story, rather than simply the site as a whole, is 'optimised' to appear higher in search results. Aside from highly technical aspects like HTML meta tagging, URL structure or site navigation, what can a newspaper do to optimise its content for search engines?
How to introduce SEO to the newsroom
One major potential stumbling block is that journalists might view SEO as a way to manipulate their stories and take away their true value. So the way it is presented to staff is extremely important. And indeed, it is crucial that newspapers do not get carried away with prioritising SEO above all else. Even Googleadvises creating content "primarily for your users, not search engines:" it is important to make your site easily accessible to search engines but still remain focused on your visitors' needs.
Clearly, it is important for all reporters to be aware of the ways that they can make each individual article more search-friendly. After all, journalists have always wanted their stories to be as widely read as possible, in print as well as online, and are likely to be willing to help make that happen. And often, the principles of SEO echo the principles of writing a good story: such as the idea that the first sentence should be a summary of the rest of the article, containing relevant concepts or keywords. One difference is that less generic, more specific works for SEO in terms of names or concepts. Google recommends shorter rather than longer titles.
Esa Peltonen, who has been working as a web analyst at the largest Finnish daily Helsingin Sanomat for three years, said that he has worked extensively with editorial staff, for example on how to use Google, to get an idea of how users will be searching and what kind of search words people are using. Head of audience development at the Telegraph, Julian Sambles,said in March that the paper was trying to give journalists "the knowledge and understanding that they need so they can apply it to their daily production process and make informed decisions about content when they're writing or publishing it." Thinking about SEO should be second nature, he added.
Papers must also consider their goals in optimising content for search engines. As Drew Broomhall, head of search at the Times explained, if you rank success by sheer volume of traffic, then you should "write the same as everyone else but more of it and more frequently updated." However, if you are looking to increase engagement on a specific subject you need more detailed keyword analysis and niche research.
One straightforward course is the need to stay ahead of the trends: predict what people are going to be talking about in upcoming months and provide appropriate content. "Fix SEO requirements into the editorial calendar," Broomhall suggests. Obviously much news is unpredictable, but there are some events that are year-in-year-out, or which are easy to prepare for in advance, such as an election or a festival. It is necessary to consider both specific, distinct events, such as religious holidays, and longer, less defined periods such as winter travel. Articles that contain links and that have been linked to by others appear higher in search results. Therefore, with annual events, it is beneficial to link to last year's coverage and make use of old content that already has inbound links to help promote the new content.
Hiring a SEO specialist?
As well as training all reporters to be aware of the principles of search engine optimisation, many newspapers have taken the step of hiring an in-house specialist. Ideally such a person would have deep technical knowledge combined with considerable journalistic experience, but such candidates might be hard to find. Peltonen comes from a business background, Broomhall from journalism and technology.
There are also many third party services available to news outlets, supplementary to the guidance of an in-house expert, such as Thomson Reuters'OpenCalaiswhich recently announced deals made with the Huffington Post, DailyMe and the Mail Online. OpenCalais offers an 'Archive Express' feature which can tag an archive of up to 20 million documents in 24 hours. The service 'reads' and breaks down articles into their essential elements - who, what, when, where, how - and tags and sorts them so that it is easier to bring archived articles into 'related stories' sections and improve their search relevance.
Analysing traffic
A SEO specialist would be responsible for analysing traffic to a news outlet's site, looking at how readers find content, readership patterns and what methods of optimisation work best. Peltonen explained how he started off looking at basic data such as what are the top news stories, how many people are going where on the site, and started to work out how to increase traffic. His paper partnered with Microsoft to further analyse traffic data. Such traffic data analysis can be used to spot and develop potential niche verticals to focus on, for example, by looking at repeat visitor figures.
Google keywords
Purchasing Google keywords to guarantee that news articles appear higher on search results is one of the more costly ways for news outlets to promote their content. Peltonen said that his paper frequently buys specific words, for instance for sports events, but stressed that it would be cheaper to improve the paper's SEO. Buying keywords could also raise ethical issues, depending on the words and their context. The Sun, for example, reportedly purchased the key words 'Natasha Richardson' immediately after the British actress's sudden death in March, in what appears to be a blatant attempt to profit from the tragedy. The Guardian came under considerable criticism last August when, apparently accidentally, it purchased the Google keywords "Madeleine McCann," giving any searchers the link to its coverage of the child's disappearance. The Guardian promptly relinquished the rights, and said it would review its list of keywords. Purchasing Google keywords in order to promote a product is common practice, but is it ethical for newspapers?
Evidently, SEO strategies are necessary in today's media landscape, not only to make more money but also to spread awareness of stories and help readers find what they are looking for and therefore should be embraced by journalists and editors as well as publishers. Search engine 'friendliness' should not be prioritised over good, accurate stories but it should be used to promote such content. Journalistic training is vital in order to optimise each individual article, and larger strategic steps should be taken by editors in conjunction with SEO specialists.
On Tuesday 23 June at 14.00 London time, Drew Broomhall, Head of Search at the Times of London will be speaking at a WEF webinar on "How to teach your journalists to write for the web."More details here.
As editorial teams the across the globe seek to increase and diversify their papers' revenue streams, a wealth of diverse ideas and business models have appeared. One of the latest to be aired comes from Laurent Joffrin, editor of the French national La Libération. He suggests that editors of the press, publishers and website unite in the request that the leading internet servers providers (ISP or FAI's in France) Free and Orange add a few extra euros to their clients' bills. This would serve to finance the costs of the services provided by publishers. The fees would then be invested back into newspapers and other productions, the amount corresponding with the title's popularity and size of its newsroom.
The concept of a mutually rewarding financial model has a strong precedent in France. The French cinema industry is financed this way, which according to Joffrin, 'has saved the industry and allowed its expansion', as reported by Challenges.fr. The editor is convinced that newspapers are an essential component in a democratic state, thus highly worthy of greater financing.
"The future of online writers and journalism in the Gulf is very uncertain," said Saudi radio journalist Samar Fatany. Fatany arrived at this conclusion based on the outcome of a workshop organized by the International Research and Exchanges Board (IREX) to address the challenges of mainstream media in the Gulf.
At the workshop, Gulf online writers, journalists and media professionals from Malaysia, Eastern Europe and the United States (such as senior newsroom editor of the Huffington Post) gathered to debate the role of new forms of media that are changing and reshaping public debate and discussed how to generate more revenue online. The date and location of the event is not disclosed in the article written by Fatany posted on Al Arabiya.com.
The predictions are based on research conducted by the media analysts, Enders Media. Its founder, Claire Enders, voiced her concerns in front of the Culture, Media and Sport select committee this morning:
"We are expecting that up to half of all the 1,300 titles will close in the next five years."
A lobbying campaign in the UK has called for the government to up the penalties for online filesharing, a practice in which over 7million UK residents regularly partake. The campaign, echoing that of the French government, takes an economical outlook, claiming that illegal filesharing is costing thousands of jobs in the UK and is denting the Kingdom's already slumping GDP. Is this a similar phenomenon to that which is causing UK and Western newspapers to shed staff at an unprecedented rate? Can newspapers, whose bottom line many consider to be suffering from digital content, learn from the plight of the music and entertainment industries affected by filesharing?
Guardian editor Alan Rusbridger and Labour MP Tom Watson go
head-to-head on Twitter, as Watson and the Daily Mail accuse the
centre-left paper of going too far. Last week, the newspaper went ahead
with a front-page editorial urging the British PM Gordon Brown to
resign.
Daily Mail obsessed with idea of Guardian 'putsch' (in collusion with BBC?). A question of media ethics,
apparently. http://tiny.cc/7Wp3M"
And so went the tweet that started it all, with Rusbridger linking
to the Daily Mail article, in which Stephen Glover asks "Was it [the Guardian] trying to orchestrate events
so as to secure the resignation which it had called for in its
editorial?"
As the World Association of Newspapers and IFRA, the association that empowers the news publishing industry, will work together closer in order to provide excellent services for our industry, we are glad, at WEF, to promote this instructive IFRA event at German newsrooms.
Im Hinblick auf die vom Weltverband der Zeitungen und der IFRA angestrebte engere Zusammenarbeit zur Offerierung eines herausragenden Serviceangebots möchte das WEF Sie auf diese aufschlussreiche IFRA Study Tour zu führenden deutschen Redaktionen hinweisen.
Ifra invites you to learn about the best ideas in German newspapers on its study tour, "The New Generation of Newsrooms". During this highly educational and infomative tour, Ifra will answer participants' most pressing questions about the multimedia evolution of newsrooms with visits to: - Süddeutsche Zeitung - BILD - WELT Gruppe - Frankfurter Rundschau - Die Abendzeitung
Speaking at the Google I/O Developer Conference that took place in San
Francisco between May 27-28, Google has unveiled Google Wave, a new online
communication service.
Described as a "personal communication and collaboration tool," Google Wave allows users to chat and share documents
including audio files, videos and photos in real-time.
The proposed merger of two Polish dailies and the launch of an entertainment version of a political weely, both intended to conquer a new public and consolidate readership, have raised some doubts in the Polish newspaper industry.
Poland's largest business and legal daily Gazeta Prawna (87,000 paid circulation) will merge with the second quality news daily Dziennik (147,000 readership), in a 51/49% partnership between Infor Biznes and Axel Springer, their respective owners. The transaction, which will result in a combined newspaper strong in economics on one side, and politics, culture and sports on the other, is still subject to approval by the authorities.
Philly.com will probably start charging for content by the end of 2009, its owner Brian Tierney told Fox 29, a local Fox TV affiliate, on its 'Good Day Philadelphia' show. Philadelphia Media Holdings owns the Inquirer and the Daily News as well as the city news website.
"I think by the end of this year we'll starting doing what a lot of other newspapers are looking at doing and charging something for it," Tierney said. "We can't spend $53 million on newsroom costs and give it away on the back door in terms of things. There will be a small charge for that." He added that "I think we have the value there that people would be willing to pay."
In an interview with the Telegraph, Tina Brown expresses her views on the future of newspapers and the professional journalist. The once queen bee of the high-end glossy magazine industry has now completely embraced the digital medium as editor in chief of the New York Daily Beast. Brown is now advising fellow journalists to recognise the need for 'innovative approaches' to the delivery of news and the varying business models to maintain them financially. Emphasising the 'parlous condition' of the New York Times, and the worrying health of other significant US local papers such as the Washington Post, the Los Angeles Times and the Boston Globe, Brown maintained that resources should be placed on preserving the intent and purposes of journalism per se, rather than on saving printed newspapers, "It's more important to preserve journalism than it is to preserve newspapers, frankly."
Appearing on stage together at the D: All Things Digital conference, the Washington Post publisher Katharine Weymouth and the founder of the Huffington Post,Arianna Huffington, discussed the future of the news industry.
Weymouth, despite being confronted with a figure head of the online news movement, the rise of which having contributed to the current insecurities of the printed news industry,made it clear that she would not let herself, nor her publications, be considered as retrograde in a rapidly evolving environment. Rather, the publisher was emphatic that newspapers need to innovate in order that they ride "the incredible seismic shift in the industry".
During this difficult economic period, bankruptcies are increasingly common - in the US, they are up 38% when compared year on year. However, the troubles of the American newspaper industry in general add to the uncertainty surrounding newspaper applications for Chapter 11.
The future of printed media has become a major political issue in countries like the United States or France, even being debated in ad-hoc committees set up by the legislative or the executive powers. Discussions along the Potomac or the Seine rivers have been focusing on the impact of Internet and new technologies, or on the need for state subsidies.
Meanwhile, on the Vltava in Prague, a group of editors and reporters working for PPF Media, the recently created division of insurance and consumer banking group PPF, is already opening new ways of covering a whole country in what may be a newsroom of the future. With other journalists for the moment based in four provincial towns from the Czech Republic, they are launching the so-called "hyperlocal weekly" Nase adresa ("our address"), which combines print and online journalism with particular efforts to sustain high professional standards and get closer to the readers. "It can only work with well prepared journalists who will be trained in the Futuroom, our central newsroom," explains Roman Gallo, 44, director for PPF's media strategies and conceiver of the project. "We are also opening newscafés in our local bureaus, which will facilitate the contact between Nase adresa's journalists and the public, to enrich the content of our newspaper and of its webpages," adds Matej Husek, 33, director of news operations.
The newspoints, combining local newsrooms and Internet cafés in often small, rural towns, may be the most visible originality of this new undertaking. A few weeks before Nase adresa's launch, for instance, PPF Media's already hired staff had the chance to taste two products, the first print prototype of the weekly, and a cake likely to be served in the cafés. "The project represents a special challenge in terms of logistics, of room for storage, as we will be managing dozens of bistrot-Starbucks-like coffee shops in local newsrooms," comments Tomas Chejn, 41, the manager of PPF Media's branded cafés, a food specialist hired for his long time experience in quality catering. Petr Vitasek, 38, the director and chief editor for the Moravia region, based in the eastern Czech city of Olomouc, thinks this effort is worth the investment, because these "well located newspoints will be critical in getting Nase adresa's journalists to work closer to their readers."
But the whole project is innovative at other, multiple levels. To start with, for the first time a newspaper's birth is tightly associated to the creation of a multi-media training center - with several international partners including Google, Atex and the World Association of Newspapers/ World Editors Forum. The Futuroom will be a newsroom in charge of assisting and training in-house editors, some having no previous reporting experience, as much as a real life teaching field for future journalists. These will include a group of students within another partnership with Brno's Masaryk University, in the second largest Czech town.
Nase adresa's approach could also become a school case due to the organization of the newsroom. "I like how the Futuroom is shaped. Journalists are not confined to one theme, like health or education, but to a way of reporting, and I enjoy changing topics," says Vendula Krizova, reporter in the "Human approach team" and young (25) like many of her new colleagues. Adds Radim Klekner, 50, who joined the "Institutional team" - after working for 10 different newsrooms - to do researches on European Union institutions in particular: "Vertical structures dominate in traditional newspapers, while in Nase adresa it is more horizontal. In my case, for instance, I will be covering many European issues based on the Czech reality."
Klekner had some doubts initially, however, because he has been covering foreign news in the past 15 years. Why would he join a hyperlocal news project as an international editor, then? "There is a need for benchmarking with other European countries in all aspects of the Czech society, and with Nase adresa I will be able to give a EU presence in the remotest Czech villages", he believes. "Our role is to assess general issues like the lack of general practitioners in the country, compared to others, and connect them to specific cases brought up by the local newsrooms."
Local journalists with long intensive experience covering their community are also convinced they are working for an innovative project. Vitasek, in Olomouc, even tried a hyperlocal news concept on his own five years ago, called Olomoucky Tydenik. "It was a weekly published on Mondays and strong on local sports, like Nase adresa. We had to stop it after one year, but this time I have with me a 10-people team supported by PPF and by the Futuroom managers and trainers. Our office, in a central strategic area of Olomouc, will be a space for constant direct contact with readers and potential contributors."
Based on her 30 year experience in local journalism, Hana Vojtova, 52, the chief editor of the Teplice newspoint, in the north Bohemian city near the border with east Germany, also believes Nase adresa is a new improvement for community journalism: "We will get nearer to the people from the region, who are tired of politics and want to be informed on human interest stories," explains Vojtova, whose district is dramatically affected by problems like crime and unemployment. "We are going to cover better our readers's activities and their dreams!"
The project has attracted several other seasoned editors from all backgrounds, including Jiri Zavozda, 50, Nase adresa's head of the copy editing team. He just finished a seven year experience in major private television "Prima", as news editor-in-chief, after working more than a decade for national newspapers. "The TV experience was good because it teaches you how to write short, but I prefer print because it is less superficial," says Zavozda. There are other reasons why he joined the Futuroom. "I see my in-laws, who live in a little village in Moravia and who have only access to media not specifically targeted to them, national daily Mlada Fronta, newsweekly Tyden and the television. Only Nase adresa will inform them well on the Sunday afternoon firemen team's competitions, which are particularly popular in the Czech republic. We will get spectacular photos of fires being extinguished!"
Adds Peter Sabata, 48, the editor-in-chief responsible for the local newsroom: "I strongly believe in the hyperlocal level of information, with the combination of newspoints, and print, online journalism. The weekly will be a bridge from now to the near future, when everybody in the regions will be connected." Sabata just moved back to the Czech republic after eight years at the head of national Slovak paper Pravda's newsroom.
Other Nase adresa team members are particularly enthusiastic because of the new challenges specific to a project combining teaching and praxis, online and print journalism, so far never achieved at such a level. Ondrej Besperat, 31, who manages the photo-video team in a duo with veteran photojournalist Jan Silpoch, is well aware of the differences between shooting for a newspaper or for a website. Before joining the Futuroom, he was a photographer for national daily Hospodarske Noviny and then worked for Aktualne.cz, the successful, Internet-only Czech media outlet. "In printed media, you have to do one or two pictures a day, and you invest all your energy in the best one, while in Internet, you try more different perspectives as you know that several pictures are likely to be released for each story."
Besperat anticipates he is likely to spend two third of his time training reporters from the local newsrooms, at the beginning at least. "One of the main challenges will be to shoot sport with our standard high-end amateur cameras," he says. "The idea is not to have journalists who do everything all the time, but reporters who are multifunctional, able to provide good texts and images."
Nase adresa will also represent new challenges beyond the expertise usually expected from journalists, especially for the local chief editors who will have to look after a coffee shop part of their time. "Ten years ago I had a short experience working for Coca Cola, but this will be new because I am not at all a food and beverage specialist," laughs Vitasek, in Moravia. Krizova, who is glad to cover very diverse topics, is also ready for another type of special assignment as a young reporter. She will be asked to take care of children visiting the Futuroom - turned into a "Junioroom" or "media camp" - to learn how to write an article or produce a video footage.
PPF Media's project will be preparing new generations of journalists and not just showing new forms of getting and providing the news.
BACKGROUND The Czech Republic is a country of 10 million people living in 14 regions subdivided in 75 districts in total. Until 20 years ago, only the government and Communist Party related entities could publish newspapers. This was also the case for the regional dailies, and for more local publications at district or town levels. German group Verlagsgruppe Passau took over most of them in 1990 and after, under its Czech branch Vltava-Labe-Press which currently controls over 10 weeklies and over 70 dailies called Denik ("daily", followed by the name of the concerned locality). Nase adresa will have no direct competitors except in a few cases, because its editions will typically cover areas of 20-30,000 people while Denik and its affiliates are designed for larger groups, of over 100,000 inhabitants on average.
New York Times journalist Tim Arango has written about how shrinking newsrooms in the US have caused concern among lawyers fighting for the lives of prisoners on death row. When newsrooms were flourishing, lawyers would often offer case outlines to reporters who would then unearth evidence and pursue witnesses. This led to "a spate of exonerations" in which the work of journalists was key.
Now, many fewer cases are being followed by journalists, which means that lawyers have to do a lot more of the work themselves, and in some cases, it just does not get done. In particular, in the US, a "novel legal theory" exists that allows news organisations access to physical records and allows members of the press to appear as plaintiffs. Death penalty opponents fear that reduced newsroom resources will mean that newspapers will not be able to dedicate time and effort to locating DNA evidence to show that innocent people have been executed, for example.
"Kindle is just another way for papers to lose money," according to the Columbia Journalism Review, having studied the breakdown of how income from subscriptions is shared between publishers, Amazon and the wireless carrier. The new Kindle DX, with a far larger screen than its predecessor the Kindle 2.0, seems targeted at newspaper and magazine reading, and has been welcomed by the news industry.
Writer Ryan Chittum was shocked to discover that newspapers only get about 30% of the revenue from Kindle subscriptions. Given that there are not any advertisements on the device, this does not constitute a huge revenue stream. Chittum mentions that the New York Times, for example, would therefore only receive $4.20 out of the $14 that readers are charged for their monthly subscription. And say the paper's 1.04 million subscribers switched to a Kindle subscription, the income would be $52 million, which would account for about a quarter of the costs of the newsroom. Essentially, not enough.
The Economist has made the news industry the special focus of its
business section for its latest edition. "Established" news is
described as "being blown away" but news in general is otherwise
considered to be "thriving."
In an opening paragraph which does not bode well for advocates of
traditional media, the Economist ponders if "the surest sign that
newspapers are doomed is that politicians, so often their targets, are
beginning to feel sorry for them," in reference to Barack Obama's
pledge to newspapers last weekend at an industry dinner in Washington,
as well as Massachusetts senator, John Kerry's commitment to help the
"endangered species" and, in particular, his region's beloved Boston Globe.
The day before the INMA conference began in earnest, representatives of the Miami Herald, Palm Beach Post and South Florida Sun-Sentinel spoke about what their newspapers are doing to stay afloat in this current economic climate - and their solutions seemed to be largely focussed innovation. Christina Gomez-Pina, marketing and community affairs manager at the Miami Herald was, however, keen to point out that print daily readership is up and that Miami.com has grown 65% in unique visitors over the past year. "We're not suffering an audience crisis," she said. "It's a revenue problem."
The Palm Beach Post will soon be launching a website branching out from news reporting; Florida Home is described by marketing director Laura Cunningham as the "best local real estate site out there". Meanwhile, the South Florida Sun-Sentinel chose to focus on reprogramming its own website, explained strategic communications manager Jenifer Sacks, using data from Omniture to realise that "local and useful information" was what its readers were searching for online, and that "taking centrepieces from the newspaper and just putting them online" just wasn't working.
75% of newspaper editors surveyed by the Associated Press Managing
Editors (APME) said "their ability to inform readers has diminished with their
steadily shrinking staffs," according to an article which appeared on both the APME and
San Francisco Chronicle website.
Responses from 351 editors were collected for the 20-question survey,
where some newspapers had more than one editor participate. 66% of
editors worked for newspapers with a daily circulation of less than
50,000; 27.5% had 50,000 to 250,000; and 6.5% had a distribution of
more than 250,000 copies.