Results matching “newsroom innovations go local”

With the rapid development of new media platforms, newspapers have been at the forefront of pushing through innovative and easily accessible products to satisfy their consumers thirst for twenty-four hour news. This is undoubtedly an exciting time for the newspaper industry, but how do reporters and editors on the ground feel about the changes happening in their industry?

Facts

The National Union of Journalists' survey on this issue in the UK makes stark reading: the introduction of new media has increased the workload for 75% of union members and 16% have received no training at all in new media. Reports have also emerged of journalists who routinely completed three print edition stories a day who are now being asked to provide three multi-media stories a day, with video footage and podcasts. One reporter said: "You would need to be an octopus to be able to do everything they want doing."

Positive Feedback

The survey results are worrying, however, I spoke to sub-editors and received positive feedback about the changes in the industry. Karl Smith, a sub-editor at the Daily Telegraph in the UK - a newspaper that has radically overhauled its newsroom in response to media innovations - who focuses on the print edition, told me that the change has increased dialogue between staff members and that he was comfortable with the changes.

Smith said: "Having the hub in the centre of the office makes the news conferences seem a lot less exclusive than if (as elsewhere) they're in a corner office. The web staff are right next to the print people as well - rather than off in a Siberian corner - making you permanently aware of the web product, even if you're not directly involved in it."

Andrew Higton, a sub-editor at the Daily Mirror in the UK, agreed with Smith's positive feedback. He said that the shift has involved a change in culture but that he has adapted well: he now thinks "print" and  "web" and keeps them quite separate.

Communication is key

I spoke to Mike Van Niekerk, Editor-In-Chief, Online, Fairfax Media in Australia about how he managed his team during the integration process. He spoke bluntly about the difficulties that the company faced in the early days, stating: "About eight years ago, when we introduced online video reporting at theage.com.au and wanted to piggyback on our print entertainment reporters interviewing movie celebrities there was a strong negative reaction. Print staff stopped work for a meeting to reject this approach, and any integration with online in the newsroom. One newsroom leader said, "If I had wanted to go into the TV business I would have joined a television station, not a newspaper"."

Reflecting on these times, Van Niekerk said: "It was entirely our fault for not introducing the changes through proper consultation and explanation, for dealing with the fears - some justified - and misunderstandings of our colleagues."

Lawrence Shaw, an NUJ representative dealing with new media, told me that how media companies are handling their staff through these changes is, "a real issue for the NUJ".  He said: "It is still unfortunate that in many places changes come from on-high with little consultation with staff..."

The lack of communication is not the only problem.

Drop in Standards

A drop in standards brought about by a rush to embrace the new technology is another concerning development at some media organisations. A local newspaper reporter in the North of England reports that he was given a camcorder, told to go into the office broom cupboard, drape some material behind him and simply read his article out straight to camera. Such reports indicate that some media organisations are perhaps missing the point. This new technology can make the news come alive, but it is pointless to use it unless it really contributes to the story.

Moving Forward

I asked Van Niekerk how Fairfax moved past their initial problems, he said: "The most important part of the process has been more effective communication, which is how it should have been from the beginning."

Fairfax Media also utilized the Unions as a method to communicate with their staff.  In 2007, "the Media, Entertainment and Arts Alliance began to take a fairly pro-active approach to understanding and dealing with the changes. The company's journalists as a whole are now more engaged and finding the rewards of new skills and new opportunities."

Van Niekerk said that it is an ongoing process and that they are still working on it, however, the lines of communication between the newsroom and Editors are now open.

Shaw argues that it is best to deal with staff concerns upfront rather than allowing bad working practices and resentment to set in.

It seems clear that just as there has been a synergy between online editions and print editions with newspapers, there needs to be a synergy between editors and their newsrooms. Communication and training are quite clearly the key, and if handled correctly, it allows the newsroom to focus on delivering the news.

Source: National Union of Journalists - Shaping the Future

The distinguished Wharton School at the University of Pennsylvania has published an article summarizing the plight of American newspapers from a business point of view. It doesn't say much that you haven't heard here before but some of its main points should be noted:

Journalism is under fire. It has lost the public's trust. It is marred by scandal. It is looked at by those who "own" it as an aside to a profit machine, not a community service.

Although all this looks bad, we still depend on journalism as one of the guiding forces in democracy. So who's going to fix it?  

An article in the San Francisco Chronicle this week tells of the popularity of the social networking site MySpace, recently acquired by Rupert Murdoch's News Corp., with music groups trying to gain exposure. The first thing that struck me was, "Why doesn't the Chronicle and newspapers everywhere open themselves up to this digital opportunity?" Essentially what these bands have been doing is loading recordings of their music, pictures and tour dates on to the 22.5 million-user-strong MySpace, complimenting or bypassing altogether the normal process of whirlwind tour advertising and trying to scratch out a living selling homemade cassettes from the back of their rusty rundown equipment van. The article says that about 350,000 bands have already posted their material on MySpace, 3,000 of those coming from the San Francisco Bay Area alone. That's a potential 3,000 opportunities that the Chronicle has missed. Here's why:

An article in the San Francisco Chronicle this week tells of the popularity of the social networking site MySpace, recently acquired by Rupert Murdoch's News Corp., with music groups trying to gain exposure. The first thing that struck me was, "Why doesn't the Chronicle and newspapers everywhere open themselves up to this digital opportunity?" Essentially what these bands have been doing is loading recordings of their music, pictures and tour dates on to the 22.5 million-user-strong MySpace, complimenting or bypassing altogether the normal process of whirlwind tour advertising and trying to scratch out a living selling homemade cassettes from the back of their rusty rundown equipment van. The article says that about 350,000 bands have already posted their material on MySpace, 3,000 of those coming from the San Francisco Bay Area alone. That's a potential 3,000 opportunities that the Chronicle has missed. Here's why:

An article in the San Francisco Chronicle this week tells of the popularity of the social networking site MySpace, recently acquired by Rupert Murdoch's News Corp., with music groups trying to gain exposure. The first thing that struck me was, "Why doesn't the Chronicle and newspapers everywhere open themselves up to this digital opportunity?" Essentially what these bands have been doing is loading recordings of their music, pictures and tour dates on to the 22.5 million-user-strong MySpace, complimenting or bypassing altogether the normal process of whirlwind tour advertising and trying to scratch out a living selling homemade cassettes from the back of their rusty rundown equipment van. The article says that about 350,000 bands have already posted their material on MySpace, 3,000 of those coming from the San Francisco Bay Area alone. That's a potential 3,000 opportunities that the Chronicle has missed. Here's why: