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The Economist magazine is refashioning its image through a major new advertising campaign to appeal to a wider readership. It has launched a cinema commercial, its first in eight years, to dispel preconceived ideas about the magazine's content and ethos.  

The commercial is part of a repackaging drive to boost circulation in the magazine's birthplace, the UK, and to emulate the popularity that it enjoys in the US.  The campaign calls upon the "intellectually curious" rather than any specified demographic to "let your mind wander".

The Internet was responsible for Barack Obama's election to the White House, Arianna Huffington, founder of the Huffington Post claims. Although this statement will inevitably incite dissenting views, in the context of Huffington's talk on the power of the Internet it does not seem wholly unreasonable. Huffington was speaking at the Activate Conference 09, convened to discuss the social implications of the rise of the Internet and technology.  

The conference reiterated discussions of technological and cultural trends, which are conditioning not only how news needs to be presented, but how these new forms of diffusion can directly affect politics and society.

After the Hartford Courant redesigned its format last September, the response to the front page's new look was extremely negative. The paper's decision to move the nameplate from a traditional, horizontal position to a vertical orientation displeased enough readers that management decided to do something about it.

An informal online poll asked readers to choose their preferred look for the Courant from among three options. The results overwhelmingly favored a horizontal nameplate, and the paper has since reverted to the more traditional format.

There is a crisis in trust and communication between the British public and the mainstream media, a new report has concluded. The gulf between public expectations of news provision and the actual nature of articles, which oscillate between esoteric or irresponsible, leaves readers feeling confused and excluded.

The report, entitled 'Public Trust In The News' was conducted by researchers from Manchester and Leeds Universities and was published by the Reuters Institute for the Study of Journalism. It investigated the dynamics of news production and consumption, to ascertain if there is a difference in what "the public expects from news media and what journalists mean by serving the public".  The paper highlights the underlying causes of an apparent widespread disenchantment with the media and the detrimental effects this is having on the standards of reporting and civil participation in democracy. Thankfully, the report offers several propositions for a new journalistic direction, which could refresh the reader-writer compact.

Twitter asks its users one question: "What are you doing right now?" It is a simple enough concept; 'tweeters' answer this question and their response enters the real time feeds of those who follow them, but it is becoming increasingly useful for reporters and papers as the social network attracts more and more users. Essentially, journalists can use Twitter in three ways: to find stories and other information and to track events, to publicise their work, and to connect with readers.

A real time feed of breaking news and thought

Twitter is an extremely useful journalistic resource: reporters can use it to watch for breaking news, follow sources and search for information. "It's like monitoring another wire service," said Robb Montgomery, CEO of Visual Editors. It can be used to get an idea of which topics are attracting interest and what people are talking about right now. There is a list of top 'trending topics' on the Twitter home page. It is a real time search, ahead of even Google in terms of timeliness.

The useful information can sometimes be hard to find amongst multiple messages about what users had for breakfast, or what they thought about last night's TV show, but as Noam Cohen said in Global Journalist "it turns out that when a million people stare at their navels, more than a few of them will also notice that the ground is shaking, the plane is nosediving, the police are shooting." Twitter is particularly relevant during events that involve large numbers of members of the public, and a shining example of its effectiveness arose after a US Airways flight landed on the Hudson River and the first picture of the plane was posted to Twitter by an observer. Online news editor at Sky News Jon Gripton, discussing his reasons for appointing a Twitter correspondent, said "it is effectively another news feed. It helps us source eyewitnesses and photos and other people who are on the scene of an event." It is also crucial for following conferences, for example.

Applications such as Tweetdeck allow users to sort their contacts into groups and to search more and more easily for Tweets on specific topics. The custom of adopting hash-tags to make searching easier has been widely adopted: if a user is tweeting about a particular subject they can add a tag into their tweet, such as #IranElection, #Mumbai, #Gaza. The hash or pound symbol distinguishes the tag from random mentions of the same word, and is a custom developed by Twitter users.

Twitter's fame as a news source grew curing the terrorist attacks on Mumbai last November, and during the ongoing conflict in Iran following the election on June 12, Twitter has come into its own, with those inside Iran using the social network to stay in touch and communicate with the outside world while phone networks are down and many websites are blocked. News outlets turned to the service for the latest updates, as they were forced to abandon the principle of only relying on their trusted sources for information due to what the New York Times described as a "news vacuum."

Questions about the reliability of Twitter have also been highlighted by events in Iran. Clearly, it is impossible to judge the authenticity of Tweets from a non-trusted source. During 'normal' circumstances, a journalist would be able to contact the 'Tweeter' for more details and verification, but that is currently overwhelmingly difficult. Journalists who incorporate news obtained by Twitter into their reporting should always be careful to stress their uncertainty about the source.

Publishing: one-to-many

According to a Harvard Business study, there is a small group of very active Twitter users: it found that "the top 10% of prolific Twitter users accounted for over 90% of tweets."  Researchers Bill Heil and Mikolaj Piskorski concluded that "Twitter resembles more of a one-way, one-to-many publishing service more than a two-way, peer-to-peer communication network": in other words, perfect for journalists looking to publicise their work. It is simple enough to use as a publicising tool: send a link to the story with a Twitter-friendly headline, which should generally be casual and chatty, even more so than web headlines.

It is without doubt a good way to attract extra readers. One of the advantages of Twitter to spread the word is that it is viral, users frequently "re-tweet" the links that they have enjoyed. A CNN breaking news feed, not actually started by CNN but purchased by the news outlet when it gained substantial recognition, was the second Twitter feed to reach one million followers and now has well over 2 million. The New York Times main feed has 1,238,673 followers at time of publishing, and the Guardian has 25,009 on its main feed, though far more on its Guardian Tech account: 782,662. Many news organisations now have multiple Twitter feeds for their different sections. Montgomery stressed the need to "explore" the best policy for your newsroom when deciding whether to stick to one or split them

Some feeds are generated automatically, and for many journalists and bloggers it has become second nature to 'tweet' an article immediately after publishing. Robb Montgomery believes that the "more successful Twitterers have moved beyond auto-tweeting their RSS feed" to make their tweets more personal. "You want to show that there's a real person there."

A social tool for branding

As well as using Twitter as a one-to-many publishing mechanism, journalists can also take advantage of the social element of Twitter, using it to connect with their readers and to receive feedback on articles. It is a contact point between reporter and reader, making the journalist more accessible. "You can run quick polls, get a pulse, get some ideas," said Montgomery. Twitter can be used as part of a journalist's own personal branding, to develop their own network of followers, depending on their personality as well as their reputation as a journalist. This could be particularly helpful for freelance journalists and bloggers.

Newspapers' advice to staff

Many news outlets have become concerned about the way that their employees use social networks such as Twitter. New York Times executive editor Bill Keller called for a "zone of trust" after reporters Jennifer 8. Lee, Michael Luo and Brian Stelter sent 'tweets' on what executives were saying about the how the paper might charge for online content, amongst other things during a staff strategy meeting. Shortly after, the New York Times announced the appointment of social media editor Jen Preston via Twitter. She is to concentrate "full-time on expanding the use of social media networks and publishing platforms to improve New York Times journalism and deliver it to readers," including, it seems, policing Twitter use.

The Wall Street Journal's advice on Twitter in a staff memo is that "business and pleasure should not be mixed" and although "common sense should prevail," staff meetings should not be discussed on social networks. The Washington Post's guidelines also mentions its reliance on reporters' common sense. The AP's new rules tell reporters "Don't report things or break news that we haven't published, no matter the format, and that includes retweeting unconfirmed information not fit for AP's wires."

Embracing Twitter seems to be essential for journalists and newsrooms in today's media landscape. This does not mean that all reporters should be tweeting all day long, and certainly does not mean that they should believe everything they read, but they should familiarise themselves with the site and work out how they want to use it. A newsroom policy might be necessary to encourage or warn journalists with regards to how the paper would like to see it used, and if possible, a social media expert could monitor and coordinate the paper's efforts. It is not necessary for journalists to embrace every aspect of Twitter, but most who try it find something beneficial.

On Tuesday 30 June at 15.00 London time, Robb Montgomery, CEO of Visual Editors will be speaking at a WEF webinar on "How the real time web can improve your newspaper's journalism." More details here.

The media coverage of the shock death of Michael Jackson has served to highlight press dynamics, raising interesting questions concerning the nature of breaking news reporting, the cult of the celebrity and the relationship between newspapers and their online news rivals. Has the fact that most newspapers were delayed in the initial reporting of the death emphasised the widening gulf between print and digital channels of breaking news? Conversely, has the death been exploited by the printed press as a facile, reader guaranteeing hit?

The news of the performer's death, in terms of rumour, confirmation and reaction has been overwhelmingly 'digital' in expression. The scoop belonged to the Los Angeles based celebrity website, TMZ, which confirmed the death an hour after it aired whispers of a suspected heart attack. The reporting was rapid fire: time of death: 2.26pm, LA time, time of update: 2.44pm. 

Dow Jones & Company and SBI Holdings, Inc. of Japan formalized their joint venture, Wall Street Journal Japan K.K., which will launch a Japanese-language business and financial news Web site later this year. The joint venture agreement was first announced on May 7.

Under a licensing arrangement between Wall Street Journal Japan K.K. and Dow Jones, the new site, carrying The Wall Street Journal brand, will primarily feature Japanese translations of content, including video and other multimedia, from all print and online editions of The Wall Street Journal and those of other Dow Jones publications. Wall Street Journal Japan K.K. also plans to develop mobile products and services in conjunction with the new site.

Following the Iranian election on 12 June, which both sides claim to have won, Iranians and the rest of the world wants to know the truth about the results, as well as wanting to follow protests and other developments. But this has proved more difficult than anticipated given the restrictions on reporting, both by Iranians and foreigners, and the occasion proved to be an opportunity for citizen journalism to show its value.

Reporting restrictions

Mainstream media has been suffering from severe restrictions in Iran, even tougher than during last year's Zimbabwean elections, foreign editor for Channel 4 News Ben de Pear told the Guardian. Foreign journalists first had to get special press cards and were closely monitored, then on the Tuesday following the election, foreign journalists were banned from reporting on the streets. The BBC's correspondent has been asked to leave the country after the broadcaster was accused of supporting rioters. And it is not just foreign reporters who are suffering: now even reporters of Iranian nationality are being confined to their offices. According to Reporters without Borders (RSF), 26 Iranian journalists, editors and bloggers have been imprisoned since June 14.

Citizen video becomes a symbol

In the absence of an abundance of professional reporters, amateurs have stepped up. One of the most watched and discussed videos to come out of the tragedy, and one which is emblamatic of the role of citizen journalism in reporting from Iran, is that of the death of Neda Agha-Soltan, a young Iranian woman who was walking near the scene of clashes between pro-government militias and demonstrators when she was shot. The video has prompted international outcry and the girl's death has since come to represent the tragedy of the conflict, a "symbol of the anti-government movement," according to the New York Times. It was taken, not by a reporter with a camera, but by a bystander on a mobile phone, and posted on Facebook and YouTube after the man sent the 40-second clip to a friend who then forwarded to friends and news sites in Europe and the US.

A Twitter revolution?

Talk of a Twitter revolution swiftly spread as Iranians and others in the country used the social network Twitter to get their news out to the world, and it has been used extensively by the media. Twitter is particularly effective as a method of spreading news as it is harder to censor, given that it can be accessed via various different applications on computers or mobile phones, as well as via the website. #IranElection has been the top trending topic on Twitter for days, with thousands of updates an hour using the hash tag to get included in the feed and direct interested observers to text, image or video content. Following a request from US President Obama, Twitter decided to delay maintenance to the site in light of the important role it was playing in keeping people informed, carrying it out during Tehran's night rather than daylight hours.

Twitter is clearly not immune to censorship, however. The following message has been passed around Facebook over the last few days amongst Anglo-Saxon users:

"FREEDOM OF SPEECH: If anyone is on twitter, set your location to Tehran and your time zone to GMT +3.30. Security forces are hunting for bloggers using location/timezone searches. The more people at this location, the more of a logjam it creates for forces trying to shut Iranians' access to the internet down. Cut & paste & pass it on."

Amateur issues

Clearly, there are problems with relying on information generated by amateurs. Benoit Hervieu of RSF told Editor & Publisher that one of the main problems is that because many people want to remain anonymous, it is harder to verify information. And indeed, it seems that much false information has been circulating. After Twitter was hailed as the voice of the revolution, a backlash quickly emerged asserting its unreliability. There is always the possibility, after all, that interested parties might deliberately try to misinform, or might be so personally involved in the debate that they cannot maintain impartiality. And one of the disadvantages of a campaign such as that mentioned above, encouraging international Twitter users to set their locations to Iran, could end up misleading journalists searching for information on the network.

So how are citizen journalism agencies dealing with these risks and challenges?

Checking for reliability is a top priority for those trying to sell their content to traditional media companies. Citizen journalism agency Demotix has obtained many images from freelancers and amateurs portraying events in Iran, including two pictures which have appeared on the front page of the New York Times. Demotix COO Jonathan Tepper emphasised that Demotix understands the importance of reliability of sources and "believes that serious citizen journalism needs to take all the ethics of traditional reporting and build on them, such as verifiability and protection of sources." All submissions go through a vetting procedure which includes looking at the metadata in photos.

Citizenside, which specializes in citizen photo journalism, has managed to get hold of some good images which have been published by mainstream media outlets, but co-founder Matthieu Stefani said that it has been "really hard" both to establish contacts in Iran and to receive images from these contacts. "The big issue is that most of the contributions we've received were sent through proxies, with most of the time no way to contact our contributors as cellphone networks don't work really well," he explained, and therefore his team is extremely cautious about what they accept. He said that the photos that the agency has been pushing most to its clients were received from known and trusted members in the UK who were sent them by close relatives in Iran.

The Observers, a project run by TV news station France 24 combining citizen journalism with professional editing, has been active in its coverage of Iran. Founder of the initiative Julien Pain told the EW that what makes their coverage particularly useful is the fact that they already had trusted contacts in Iran before the election, and hence they have fewer problems with establishing the reliability of sources of information, particularly when using proxy servers. "We worked with these people before the situation was tense," he explained, "so we know them." He gave the example of a girl who has recorded a video describing how the censorship works, with whom he and his team had already worked. Prior to any major election, Pain added, the Observers tries to enlarge its network of contacts, which in this case proved particularly useful. Even using trusted contacts, Pain said that the Observers still cross-checks information as far as possible.

Amra Tareen, CEO of AllVoices, a project that aggregates professional and amateur news on one site, has a different approach: publish everything and let the reader decide. She said that the site has received more than 1,000 submissions, in English and Farsi, since the election, gathered via proxy servers as the AllVoices site is blocked. She stressed that submissions have tackled both sides of the issue and that this is one of the most crucial aspects of citizen journalism and of her site in particular: that anyone can be heard. "we're neutral and anyone can have their voices heard on our platform--that's key for the credibility of citizen journalism; bias will undermine the concept and keep citizen journalism and citizen journalists from ever being taken as seriously as they ought to be."

Generally it seems that such a situation where media access is severely reduced has provided citizen journalism with a significant opportunity to prove its importance. Tareen commented that "we really want to use this opportunity to show that Cit-J is not only about massive amount of non-qualified content, but also good "pro-am" work that we have been promoting for years now," said Stefani.

Getting pictures on the front page of a major daily is likely to be a huge boost to Demotix in terms of fame and credibility. Tepper was clear that Demotix is trying to supplement mainstream media rather than replace it, but said that "we think our reporting can sometimes be more accurate than the mainstream media" because "most of our users record what is known to them, in their city or country" and therefore "Demotix images provide a more accurate representation of the subject from a local perspective."

For the Observers, the situation has provided an opportunity for collaboration with the TV station on an unprecedented level. Usually, Pain said, he would publish a video on the Observers website and offer it to TV, now he has been working more with programming at France 24 to supply them with videos first before putting them online, to offer a period of exclusivity. "We've really moved a step forward here," he said. "We have learnt how to work together, and it's not going to be the same any more."

Although amateur 'citizen journalists' do not have the knowledge or expertise to analyse developments the way a professional journalist could, they can certainly witness and record events, and when traditional media coverage is limited, this is a valuable service. In terms of providing a true news service, amateur contributions must be verified so that readers can trust them, which is a priority for citizen journalism agencies. As opportunities continue to arise for citizen journalism to prove its value, the mainstream media is likely to incorporate it with increasing frequency and develop new ways of working closer with citizen journalism agencies.

The New York Times Co., has suggested that it will charge readers a fee to access to the NYT pages via mobile phones. The charges for mobile news will be put in place before any similar system is applied to the paper's news websites.

The publishers explained their decisions in an interview in New York. Martin Nisenholtz said that charging fees for access to news pages on mobile phones made sense because the mobile platform offered less space for advertising than the web. 

The French government is to give all 18 to 24-year-olds a free newspaper once a week for a year as part of 600 million euro aid package for the press. The concept was originally outlined in January, when the government announced its plan to offer French teenagers a year-long subscription to the newspaper of their choice, commencing on the  day of their 18th birthday. The extension of the age range was  announced yesterday at the Ministry of Culture meeting of the États généraux de la presse.

The idea has proven to be a particularly controversial component of the government's package of financing and reform formulated to restore the health of the French printed press.  The Sarkozy administration has dedicated an exceptional 200 million euros a year, for a 3-year period, to aid the printed press. The Culture Ministry announced during the meeting that more than half of this year's budget had already been designated.

True/Slant is a recent arrival on the online-only news scene, aiming to offer a voice not only to its 100 or so contributors, but to the reader and the advertiser also. It is not a typical news site offering breaking news, but rather features commentary, opinion and some original reporting. Based in New York, the start-up has just six full-time staff, led by founder and CEO Lewis Dvorkin who has a total of 35 years of media experience, the last 12 of which has been in online news. The other employees have a similar mix of traditional and new media backgrounds, he said. T/S is a privately held company funded by Forbes Media and Velocity Interactive Group. The Editors Weblog spoke to Dvorkin to find out more.

The five differences

Dvorkin stressed the five ways in which T/S is "very different from any other news site." Firstly, because of the tools that it gives its journalists to create their own original content in real time. Second, because of its approach to copyright: contributors are encouraged to offer their perspective "around a piece of content that might have been produced elsewhere." Third, the relationship between the contributor and the audience is different because the contributors are contractually obliged to interact with their community. The last two differences are that the journalists have a variety of salary options and that the site has adopted an unusual approach to advertising.

For entrepreneurial journalists

True/slant offers "entrepreneurial" journalists their own homepage on the web, or as Dvorkin put it, "we enable them to create their own brand of one." They must be "experienced" in a specific field such as finance, politics or health but do not have to be a journalist from a traditional background: bloggers, authors or academics are also welcome. True/Slant is not a typical news publication with an editorial line, rather the work of a collection of individuals. "We don't have any ideology here, we have 100 different contributors, 100 different voices and 100 different perspectives," Dvorkin said.

Interaction with the audience is compulsory. Apart from that, it is up to each contributor to decide what they write and when. Much of what they write is opinion and commentary, but some also do original reporting. It is easy for them to comment on other news, by simply highlighting a section of an article they find on the web and clicking a button, the highlighted text will be placed on their post with a link to the contributing site. They are able to publish photos, audio and video as well as text and can self publish in real time. Their content can be automatically posted to Twitter and Facebook at the time of publishing. There is no traditional editing process in place, Dvorkin explained. Contributors are welcome to discuss their article ideas with a member of the T/S team, but they are not edited before publishing.

Different payment options are available, depending on the amount of risk that an individual contributor wants to take: journalists can choose to receive a monthly stipend, to participate in revenue sharing or they can actually have stock in T/S. Contributing to T/S is more likely to be one of several projects that a writer is working on, rather than their main source of revenue.

Promoting journalist-reader dialogue

Readers who want to interact with journalists must register and then they can 'follow' their chosen contributors and comment on articles, being drawn into a dialogue. Contributors highlight the user comments that they feel "further the conversation." A selection of these highlighted comments are then be integrated on the home page, amongst contributors' content. Dvorkin believes that this is very important to today's news reader, who enjoys "engaging with and being part of the news life of a professional media person." He believes that the True/Slant environment can be a "powerful experience" in the way that it encourages dialogue between contributors and users, as well as between fellow users.

A voice for advertisers

True/Slant is currently relying on advertising as its sole source of revenue. As well as display advertising, the company is incorporating "a very unique feature" called T/S Ad Slant for corporate marketers. They too can have a voice on True/Slant: they can pay for their own page and have access to the same tools that a contributor has to interact with a community. "It's a more direct and engaging approach," Dvorkin commented. He explained that such pages are integrated into the larger network in a "contextually relevant way," but stressed that the pages are clearly labelled as from marketers. Will this prove more lucrative than traditional advertising?

What's next?

Dvorkin said that the site has plans to grow, hoping to add more contributors and enhance its features. He believes that True/Slant is offering consumers a different way to experience news, one that is "more in line with how they want to access and interpret information today." Breaking news can be found in abundance throughout the web. What readers do need, is experienced, knowledgeable journalists to analyse and explain the news that they find, and this is where True/Slant steps in. It is indeed likely that many readers will appreciate the chance to be part of a conversation and form a relationship with their favourite writers. And from a writer's perspective, considering the growing number of out of work journalists today as traditional media outlets are forced to make cutbacks, a site that provides them with the tools for successful freelancing could be very welcome.

The launch of a cross-party select committee's investigation into the future of newspapers in the UK today was overshadowed by the ominous prediction that half of the nation's local and regional papers will be lost within the next five years.

The predictions are based on research conducted by the media analysts, Enders Media.  Its founder, Claire Enders, voiced her concerns in front of the Culture, Media and Sport select committee this morning:  

"We are expecting that up to half of all the 1,300 titles will close in the next five years."  

Over the course of the last six months, the Spanish media has lobbied the government hoping the state will be able to give the impoverished press a much needed boost. After many months of deliberation, José Luis Rodríguez Zapatero's administration has finally come forward with a proposal for newspapers, but editors are unimpressed.

"It [the proposal] fails to meet expectations, does not provide an answer to the needs of the sector and, most importantly, does not even begin to seriously tackle the problem," said Pilar de Yarza, president of the Asociación de Editores de Diarios Españoles (AEDE), speaking to El Mundo. She added: "The measures do not include a structural plan for an industry which is the guarantor of rights and liberties; they do not remotely compare to the assistance provided in other countries."

Guardian editor Alan Rusbridger and Labour MP Tom Watson go head-to-head on Twitter, as Watson and the Daily Mail accuse the centre-left paper of going too far. Last week, the newspaper went ahead with a front-page editorial urging the British PM Gordon Brown to resign.

Daily Mail obsessed with idea of Guardian 'putsch' (in collusion with BBC?). A question of media ethics, apparently. http://tiny.cc/7Wp3M"

And so went the tweet that started it all, with Rusbridger linking to the Daily Mail article, in which Stephen Glover asks "Was it [the Guardian] trying to orchestrate events so as to secure the resignation which it had called for in its editorial?"

The Apple iPhone 3GS, premiered yesterday at Apple Inc's Worldwide Developers Conference in San Francisco, boasts an array of important new features for the newspaper industry and journalism at large. Perhaps most pertinent is the development that content can now be purchased from within iPhone applications. This new functionality presents newspapers with the opportunity to employ subscription and micro-payment structures to monetize the delivery of their content to their mobile phone readership.

Given the recent developments in the newspaper industry, such as the 'secret' meeting held in Chicago organised by the Newspaper Association of America to discuss how to monetise online content, it seems the question is no longer whether papers will begin charging online, but when, and how. And with regards to the iPhone 3GS, will they allow readers to continue to access their content for free, maybe making it harder to shift them to a pay structure in the future, or will newspapers seize this opportunity and begin charging readers as soon as the new OS is released?

A thirteen-year old Scottish boy is one of the latest entrepreneurs to get involved in the web news business.  Six months ago, schoolboy Scott Campbell launched NetNewsDaily, a site which aggregates and summaries global news stories, "so that people with little or no time are able to read it without rushing".

In an interview with the Guardian, Campbell described the functioning of the site and how he maintains a good work-home balance.  The site reportedly receives around 1,000 to 1,500 uniques a day, a number that Campbell and his colleague Nathan Adam hope will triple within a year. To begin with, the project was funded entirely by the teenger's own pocket money, but now the site gathers around £150 a month in advertising.   According to Campbell, advertisers normally approach the editors via Twitter or email.  NetNewsDaily have also done several sponsored posts to boost revenue.   

From today, a new partnership between Associated Newspapers' free titles and PageSuite will see the group's online newspapers including Metro, Metro Ireland, London Lite and 7Days published by the digital publishing solutions company.

The Metro's operations director, Stuart Wood, said: "Our electronic editions provide a convenient way of accessing our content. We are focused on delivering a first-class customer experience and PageSuite's market-leading product helps us achieve that."

In an interesting article published on the Guardian Media website, Jeff Jarvis (right) talks about the changing nature of journalism and advertising, with content generated not just by journalists but - thanks to the Internet - also readers.

"Advertising is failure," declares the American journalism professor in his opening sentence, adding that advertising is a last-ditch attempt to win over customers. "The media pray for such failure because it is advertising that will support them," he notes.

Amidst the doom and gloom of newspaper closures and declining advertising revenue, it makes a welcome change to report on the launch - albeit online - of a news site.

Headed by Basque firm Hispa Vista, Globedia is entirely and exclusively written by the online community. According to El País, the website's aim is to "offer people information published by anyone with a desire to express and spread an idea or thought on current affairs and general interest issues."

First we had the Amazon Kindle, then Plastic Logic came along - yet to go on the market - and now Michael Arrington and the team at TechCrunch bring us the CrunchPad.

It all started with a dream

Last July, Arrington posted an article with the following headline: "We Want A Dead Simple Web Tablet for $200. Help Us Build It." Arrington went on to describe what his dream tablet would look like and how it would function: Running as an open-source device, the screen would be Apple-thin with an iPhone-like touch screen keyboard. There would be a headphone socket, a built-in camera, speakers and microphone and the tablet would function on Wifi, be Firefox-enabled, support Skype (or other VOIP service) and be fitted with an internal battery and solid hard drive. The goal? "To keep the machine very simple and very cheap."

News Corp chief digital officer Jonathan Miller has said  the company is looking into bundling its online content when it adopts a new pay model, according to the Hollywood Reporter. He also expressed his belief that paid online news is the future and indicated that the media conglomerate is willing to lead a push for change.  

Miller, speaking at the Hollywood Reporter's Digital Power event in New York, explained that "we want to see a model established" for charging online, adding that  "what works for consumers, I think - and this has to be tested - are bundles." He suggested that News Corp's various papers or various New York media outlets could be bundled. It is an idea which has proved successful for cable TV channels and which many believe could also work for news, as an alternative to individual subscriptions to general news sites, which largely failed. It is one of the options proposed by start-up company Journalism Online.

A conference held by the Association of European Journalists (AJE), held today, June 3 in Paris, discussed the path forward for journalism which focuses on Europe as geo-political reality.   Aware that the concept of Europe, as reported in the mainstream press, often fails to capture the imagination of the public as well as many journalists themselves, representatives of initiatives currently striving to revive the issue met to debate its progress. The questions raised were broad: Is reporting on Europe a 'chore'?  How can the media inspire, entertain and inform on European issues?  Which are the principle perspectives and agents responsible for revealing what's actually going on in the EU?  And will European institutions be prepared to finance new organs of information?

Participating in the debate were: Renaud de Chazournes, Chief Editor of the monthly magazine, L'Européen, Eric Maurice, Chief Editor of Presseurop.eu and Matthieu Collet, President of EurosduVillage.eu. 

The deadline for the 2009 World Young Reader Prize, this year with two new categories on offer, is 15 June. It is also the last date to get a discounted registration for the World Young Reader Conference being held in Prague, Czech Republic 27-30 September.

This annual award from the World Association of Newspapers (WAN) recognizes newspapers that do the most to develop young readership. WAN has added a special press freedom category for 2009  to honour newspapers that teach effectively about the fragility and importance of press freedom in a democratic society.

Speaking at the Google I/O Developer Conference that took place in San Francisco between May 27-28, Google has unveiled Google Wave, a new online communication service.

Described as a "personal communication and collaboration tool," Google Wave allows users to chat and share documents including audio files, videos and photos in real-time.