The Australian media regulatory body is set to start using social media, having appointed a former newspaper editor to create its social media strategy.
Tom Burton, former executive editor of broadsheet newspaper the Sydney Morning Herald, has been appointed to the Australian Communications and Media Authority (ACMA) to oversee its government 2.0 and social engagement strategies.
Burton was previously working in the US as the Communications and On-Line Director of The Center for American Progress. His role involved implementing web 2.0 and Gov 2.0 practices, that is, changing how the government used social networking sites, blogs, video sharing sites and wikis to interact with the public. He has also worked as a ministerial adviser to a former Australian Minister for Communications.
The future of Twitter is mobile phone applications, says Jean-Sébastien Cruz, CEO of Netco Sports, France, speaking at the WAN-IFRA conference 'Using sports news to optimise your revenues'.
He points to some important trends in the areas of social networking and mobile applications. Newspapers that create pages on Twitter find themselves on the same level as any user, he says. The iPhone has the fastest penetration we've seen, and is rapidly changing the way we use the web, pressing buttons rather than using URLs. The Apple tablet is coming soon. Apple makes payment easy through the centralised App store, and provides a robust software development kit. And sports apps make up a substantial part of the massive growth in app downloads.
So what is NetCo Sports' strategy? Their objective is to have 2500 apps in 15 sports worldwide by 2012. They have created 200 iPhone apps in the field of sport so far, and their first was launched in 2008. Each one is available in five languages, and recognises the language of the phone automatically. A search for football in the Apple store brings up their Football 10 app. He calls this an encouragement to arrive quickly and be present early. His company has a 25% market share in France, with 30 million pages read through their mobile apps. Canal+ is their advertising partner, and receives traffic and visibility from the arrangement.
Fifty-six newspapers in 45 countries have published the same editorial today, calling for delegates at the climate summit in Copenhagen to take action on climate change.
The editorial is published in 20 different languages. Most of the participating newspapers feature it on their front page.
Posted byEmma Heald on December 2, 2009 at 7:18 AM
Francisco Amaral and Inaki Palacios Osambela ofCases i Associatsgave participants at the 16th World Editors Forum details of their study into how to monetise online content. In essence, their message was that rather than looking at directly charging customers, media outlets should be looking at how to use the strength of their brand to sell other products.
Amaral and Palacios Osambela showed figures that demonstrated how search engines are still the way that most readers reach online news, and highlighted the ways that Google does help newspapers. They showed a video of Guardian director of digital content Emily Bell, who said that she believes that Google can enrich news organisations, but that she thinks that another similar service may well emerge which could offer a better deal to the content providers.
Posted byEmma Heald on November 5, 2009 at 11:33 AM
Portugal's newest daily newspaper, i, was launched in early May and has attracted a significant amount of attention due to its rising circulation figures and innovative approach. It recently won a design award from the Society of News Design. The Editors Weblog spoke to editor-in-chief Martim Avillez Figueiredo, managing editor for online Mónica Bello and art director Nick Mrozowski, to find out more about i's approach and the reasons behind its success.
I's circulation in August was over 16,000 copies, up from just under 11,000 in its first month, May. As a comparison, the country's top selling papers, Público and Diário de Notícias, sold 36,000 and 30,000 respectively that month. So for a new paper, i seems to be doing well. How, when the newspaper industry is struggling worldwide from falling income as readers move online and advertising rates fall, is a new newspaper seemingly thriving?
What i is doing differently
I is not structured like a traditional paper. The paper's team worked with media consultancy Innovation to come up with a new way to organise the product. "Our feeling was," said Figueiredo, who came on board at an early stage, moving from Diário Económico, "that people were not concerned about traditional sections any more. Traditionally, journalists have to fill a politics section even if there is nothing relevant going on in politics. We wanted to come up with something different." So the team came up with five key needs that they wanted the paper to address, with five key words.
1. Opinion is the first section of the paper, based on the key word think. No other Portuguese paper starts out with opinion.
2. Radar is the second, accompanied by the key word know. Figueiredo said the assumption was that readers will already know a lot from other sources, but Radar aims to offer a quick overview of everything that has happened in the past 24 hours. The section is eight pages long, and the longest article is half a page.
3. Zoom is the third section, connected to the key word understand. The 22-26 page section looks at between eight and 13 topics in depth, with articles taking up one to ten pages. "We deal with these subjects with a lot of care, and we use the best teams," Figueiredo said.
4. The fourth section is called More, linked to the key concept feel. This is where anything about people's private, cultural, social lives goes. Figueiredo explained that the team did not want to give the section a more specific name, or the content would be limited. More encompasses the fifth need that the paper wanted to address: sports, about 80% of which is focused on football - "this is very important in Portugal," Figueiredo said.
Design...
Nick Mrozowski, i's American art director, said that "I think the overriding concept, not just in the design but in the newspaper as a whole, is that we want to try to set out to produce a magazine every day." The 56- to 64-page paper is tabloid size and stapled, so looks as much like a magazine as a newspaper.
A huge amount of work goes into designing the paper every day. At first, Mrozowski explained, the idea was that the paper would have a template that would leave some pages fixed each time, meaning that some pages would require no design work on a daily basis and that editors would simply put their content into the pre-designed format. "But from day one that strategy fell apart," he said. "We realised that the sort of paper we were making had a lot of very specialised content and each page would have to be custom-made to the needs of a reporter or editor."
"From a design perspective it's a little intense," Mrozowski said. The design team are challenged to find magazine-quality visual solutions every day. For example, unlike most daily newspapers, i strives to include high quality portrait photography rather than just that for events, which means finding the time to sit down with sources. The paper also has a lot of illustration, something which many newspapers have been cutting back on in recent months, Mrozowski pointed out. "I think people notice this," he said. "You can't go a day reading i without coming across at least one commissioned illustration, rather than just back art."
I has a team design team of seven, two infographic artists and a group of photographers. This visual team is "like one unit," Mrozowsi stressed. "We all sit at one big arching table, so it's very easy to communicate."
Despite the strong focus on the visual side of the paper, Mrozowski stressed that this is never at the expense of the content. He was trained as a journalist as well as a designer, so "I've always worked in newspapers with a journalistic eye." And he makes sure that his design team also understand that "the design should come from the content." He clarified, "it's not enough to design a page, you have to know what's going on it, what type of photo is going to be there and how it should best be played." The designers and editors therefore work very closely together, requiring the design team to have a journalistic understanding of each page that they work on.
Not just print...
I also has an increasingly significant web presence at www.ionline.pt: online editor-in-chief Mónica Bello said that the site recently passed 900,000 uniques per month. The paper's print and online operations are broadly integrated: journalists write for both platforms. "It's a work in progress," said Bello, "it's getting better and better all the time." Two editors are just focused on the website, and many journalists work on breaking news online for a few hours and then move on to writing for the paper. 40% of content from the paper also goes online, explained Figueiredo, with the other 60% being exclusive to the print product.
I's website is an aggregator as well as displaying original content. Figueiredo described how the paper is happy to link to competitors' content, and how aim is that people come to I as a base for their news exploration. "We want to make sure that people on Facebook and Twitter are using i as their main information source," he said, adding that i has a presence on many social networks. The paper has, in effect, six different homepages online. One is a portal of general news, one is focused on Portuguese political news, a third is economic and financial, a fourth is world news, fifth is sports and the last is the 'good life' homepage
There seems to be a general acceptance at i of the fact that online news is not profitable, at least for the moment. "You can't make any money there," said Figueiredo, "but you have to be there in order to grow your brand." Bello said that "the print edition is of course the priority, and will be at lease for the next few years." This means that the designers do not contribute so much to the website, which has a far more fixed template compared to the paper.
The advantages of youth: potential for constant innovation
Being a new newspaper, part of a new brand, gives I the freedom to experiment and it seems that this freedom has been passed on to all the staff. Mrozowski and Bello were extremely enthusiastic about their working environment and what it allows them to do. "There's this motivating feeling," Bello said. Mrozowski said that the two senior editors, Figueiredo and André Macedo, "have imparted this feeling of accomplishing the impossible at every step... There is no cap to how big these guys will dream and it presses you to do things that you wouldn't do at another newspaper."
One of Mrozowski's favourite projects at the paper so far was for the European elections: with the help of an outside illustrator, the team produced a double page spread the night of the election depicting the politicians involved as fish in the ocean, with their position in the water showing how well they had done. "It worked out beautifully, and speaks to this ambition that we have," Mrozowski commented. "It's something that I don't think another newspaper would try."
"We told them that they have the responsibility to be innovative because they don't have a set newspaper in which they have to fill the gaps, rather it is a newspaper that they have to create everyday in order to focus on the real issues," Figueiredo said.
The paper chose to hire not just experienced professional journalists, but decided to bring in some young people who did not necessarily have any experience in the field but who were technologically adept and very knowledgeable about social media.
So who is the audience?
I's specialised focus on politics and economics attracts educated, ambitious readers, Figueiredo said. 69% of readers have a university degree, 39% are top management. What is particularly exciting, he added, is that 22% of i's readers had not been regular newspaper buyers before. A key target audience, "that we are still learning to deal with," is aged between 23 and 29: they have a university degree, they have started their professional careers and have ambition, they are unmarried, they travel frequently and have a full social and cultural life, Figueiredo explained. "And they want to know what's going on. We have been dedicated to studying this new audience that nobody else has."
Why do they like it?
According to Figueiredo, "we've created a product that goes directly to the way they think and interact with news." Most of these readers are well informed via other media and already know a lot about what's going on, but they look to i to "help organise all the mixed and disparate information that they have to deal with." He believes that the in-depth articles on politics and economics, providing essential background to current issues, are one of the main reasons why people like the paper. The sports section is "very creative," unlike those in most newspapers, Figueiredo added. He does not think that the rest of the More section is a key motivation for buyers to choose i specifically, pointing out that one of the paper's competitors, Público, was very strong on culture.
Finally, he suggested that the format of the paper was particularly attractive, being small and stapled means that "people can read it anywhere," even on the beach. Lisbon is not a major commuter city, however, meaning that this audience, crucial to the success of many papers in many countries, does not exist.
What's next?
The i staff seemed excited about the paper's future. Mrozowski plans to further improve the work of his design team, to take it "to the next level." The team has mastered the basics, he feels, and is now "going to start focusing on certain areas of the paper one at a time and try to make them better so that we are at the highest level."
Bello said that one of her hopes for the website is to expand readership outside of Portugal. Currently 80-90% of traffic comes from within Portugal, the largest percentage of the remainder coming from Brazil. She would like to reach Portuguese immigrant communities around the rest of the world.
Figueiredo intends to work on strengthening the paper's brand, to "create a fantastic dynamic around the brand." Distribution of the paper is something that Figueiredo said i was hoping to improve. "It's a nightmare in Portugal," he explained, "but we are trying to come up with some more good ideas in order to be very efficient in terms of distribution."
I's shareholders have given it five years to break even financially. In a time of falling profits, when many papers are making huge losses, this is a significant challenge for a new newspaper. However, i does seem to be off to a pretty good start. The decision to move away from the traditional structure of a newspaper and provide something different definitely makes sense, as does embracing creativity and innovative thinking in the workplace. The paper has made inroads with a young, successful demographic that would often be attracted by online news rather than print, and reaching about half of the circulation of the major daily papers in a few months is impressive. However, it remains to be seen whether i can be successful over a longer period, and if it can indeed become profitable.
If i does succeed, will others follow it down the path of innovation?
Posted byJennifer Lush on October 12, 2009 at 11:12 AM
Video blogging, quite simply a blog which employs video as its medium, is a phenomenon which hasn't shown the same success as its text-based parent amongst everyday web users. Despite the fact the 'tools of the trade' - cameras, editing software, and a platform to broadcast - are no longer unaffordable or complex obstacles, the significant investment of time to produce something that is of a publishable quality is still a drawback for many.
Adam Singer, in his blog The Future Buzz, writes that in video blogging professionals still have a 'leg-up': "In text-based communications, professional writers don't... In fact, amateurs are in many cases more compelling than the professionals of yesterday because they are not bound by rules that constrain and constrict the emotion possible through words." In the realm of video, however, Singer says: "It's hard to compete against professional personalities who have honed their skills in a competitive environment and have sharp writing and production staffs behind them."
Posted byLarry Kilman on October 1, 2009 at 3:15 PM
Twitter is a powerful tool for journalists. It can be used to find
sources, or to develop a story. Because it provides real-time search, it gives
instance access to breaking developments -Google can't do that.Twitter can also be used to promote transparency. It can be used to
aggregate other information on the story's topic, or run live polls. It can
even be used to promote the work itself.But far too many news organisations see it at nothing more than a
simple distribution platform and don't take advantage of the microblogging
site's potential.
Posted byJennifer Lush on September 29, 2009 at 10:35 AM
The Washington Post is the lastest in a series of publications to release a set of guidelines for its journalists to follow in their use of social networking websites. The move comes after a managing editor of the Post, Raju Narisetti, tweeted two messages which questioned his impartiality as a journalist.
Andrew Alexander, ombudsman for the Post, revealed the two messages raising eyebrows in hisOmblog:
"We can incur all sorts of federal deficits for wars and what not," read one message. "But we have to promise not to increase it by $1 for healthcare reform? Sad."
Then another from last week: "Sen Byrd (91) in hospital after he falls from 'standing up too quickly." How about term limits. Or retirement age. Or commonsense to prevail."
Alexander writes : 'In today's hyper-sensitive political environment, Narisetti's tweets could be seen as one of the Post's top editors taking sides on the question of whether a health-care reform plan must be budget neutral. On Byrd, his comments could be construed as favoring term limits or mandatory retirement for aging lawmakers. Many readers already view The Post with suspicion and believe that the personal views of its reporters and editors influence the coverage. The tweets could provide ammunition.'
Though Narisetti was using his private Twitter account, and stressed the messages were 'personal observations' intended to be read by some 90 friends and associates, he said he now realises that his tweets were 'unwise' and that his opinions reflected on his position as managing editor of the Post.
Posted byEmma Heald on September 17, 2009 at 10:59 AM
Thirty-five top universities in the US have announced that they will feed their own accounts of their scientific discoveries to Internet news sites, prompted by concerns that scientific and medical journalism are suffering considerably due to news outlets' economic problems, the San Jose Mercury News reported. The founding universities are Duke, Stanford and the University of Rochester.
Their new website, Futurity, showcases content, inviting visitors to "discover the future" via "news from leading research universities." The site boasts four different sections: Earth & Environment, Health & Medicine, Science & Design and Society & Culture. Content from the various universities is submitted to Futurity's editor at Rochester.
The Paris-based Organisation for Economic Co-operation and Development (OECD) is embarking on a study of online news distribution amid rising concern about the news industry's financial troubles which have been exacerbated by the global economic downturn. It is part of the Working Party on the Information Economy's ongoing work on Digital Broadband Content. Last month, to launch the study, representatives from OECD countries and interested organisations heard four several presentations on how news production and distribution is changing, and what the future might be .
Crises and a broken business model: how a news agency reacts
Eric Scherer is director of strategy and external relations at Agence-France Presse, and founder of AFP's Mediawatch blog. He explained to the OECD the nature of the crisis which he believes is taking place, and the steps that an outlet such as AFP is taking.
He sees a situation where five simultaneous crises took place, in terms of economics, business model, attention, training and authority. The economic value of the traditional press is going down as the mainstream tries to adapt to new trends. The current business model is "broken," he believes: it was based largely on advertising and a small amount of circulation revenue but in the past two to three years there has been a "historic decoupling" of advertising and newspapers as classified ads have moved online. The old media now has to run after attention as it faces competition from new. Training is a "huge problem" according to Scherer: it has to be done quickly but people at the top are not sufficiently aware of the challenges. And finally, the authority of old media is declining quickly as the top-down relationship falls apart.
What is more, Scherer believes that a process of disintermediation has taken place in news: the media has been cut out, as those who want to get their message out go straight to the people. He cited Obama's election campaign and use of new media as a "symbol" of this, pointing out that the future president used every single internet and Web 2.0 tool to communicate with the public. And the people responded: at every Obama demonstration there were attendees talking photos with their digital cameras or phones which they then uploaded and posted online. Sports stars are also speaking directly to the people, Scherer pointed out. This is the main development in the media in recent times, that the people who were deprived of production and distribution tools now have them. Hence, old media's monopoly is over, what used to be scarce, is now abundant.
The Internet has led to the "atomisation of content," meaning that readers can 'snack' on content as they are always one click away from something else, according to Scherer. Print and online are mutually conflicting business models, but going online-only is not necessarily the best idea, he explained, referring to a City University study on online-only Finnish paper Taloussanomat.
These problems have all be exacerbated by the financial crisis, Scherer said, which makes it so much harder to finance the transition period and find a business model. Before the crisis hit, it seemed as if news outlets would have time to adapt, but now they are "below the poverty level."
So, how can news organisations finance their work? Is it possible in the current climate to find a way to finance an investigative journalism network and a Baghdad bureau? Scherer described how AFP has been tackling these challenges of the new news ecosystem. AFP produces all the main "bricks of content" and now needs to be able to link them together an add technical context. Rather than just providing editorial content, the agency now offers its traditional media customers both content and services, such as video, mobile or user-generated content platforms.
Due to the increased competition for breaking news, as the Internet means that newspapers and other outlets can effectively act as wire services and AFP's competitors are no longer just Reuters and the Associated Press, AFP has chosen to increase its national and international coverage and rely and focus on its branding. Amongst all the "noise on the internet," Scherer believes that people feel safer when they know their news comes from a trusted brand.
The Internet has also meant that AFP has become not just a business to business operation, but also has a direct relationship with the consumer, as its articles are available online under the AFP brand, via search engines such as Google or Yahoo. Incidentally, the Associated Press, which has also traditionally kept the audience at a distance, is going a step further and seeking to create search "landing pages" on news topics for its readers.
The evolution of the Internet as a journalistic tool
Thomas Crampton's presentation on the value of new technologies for communications was delivered true to style: it was recorded on a mobile phone video application while the writer went through security in a Hong Kong airport.
Crampton's career path has developed simultaneously with the evolution of new technologies as a communications tool: as a correspondent at the International Herald Tribune and the New York Times, he always tried to capitalise on available online and digital tools to ensure that his reporting was always at the cutting edge of news provision. Nonetheless, frustration with the reticence of the traditional media to embrace alternative outlets to their full potential pushed him to leave the print industry for fear of "being left behind". He is now the Asia Pacific Director of Digital Influence at Ogilvy.
The responsibilities of this position convey Crampton's conviction and "passion" for the new media. In this role he works with multinationals to tap into new technology, which enable companies and individuals to reach and communicate with a huge audience. The progressive outlet of other industries reinforces Crampton's dismay with what he sees as the reluctance of news providers to work with these possibilities.
To illustrate his conviction that technological evolution is a great but unavoidable asset for news provision, Crampton outlined the developments of the relationship between news reporting and the Internet:
- 1995-99Communications: During this period, the Internet facilitated the internal communications of news providers; for example correspondents could communicate with the home bureau through email, greatly reducing time. The web, however, was not at this point seen as a way to distribute or research news.
- 2000-2004Research: The Internet developed into an information finding tool, enabling reporters to assemble facts for stories that would otherwise be unattainable. Applications such as Google Cache allowed correspondents in the field to find elusive information and file updates, reducing their previously pressing need to continuously collaborate with the home office. Moreover, as information became accessible from anywhere in the world once connected to the web, newsrooms found that they could function without some foreign bureaus or correspondents.
- 2004 to presentSocial Media: The emergence of social networking sites such as Facebook, MySpace and Twitter have affected not only the way news is reported, but how information is distributed. As a result, traditional roles in the information stream dynamic are merging: the audience are now sharers, publishers and broadcasters as much as they are consumers of information.
It is in this current situation in which Crampton suggests news providers have lost their direction, apparently overwhelmed by the challenges thrown up by the proliferation of platforms and the attendant dissolution of information monopolies. To surmount these problems, news providers needed to proceed with a flexible, open attitude to the creation of new business models. However, Crampton indicates that their wariness led to the internal creation of limitations, citing the ongoing debate about online subsidies and paid for content as a detrimental and futile drain of resources.
Crampton felt that the traditional frameworks were restricting journalists from making "headway" in the wider field of communications and reporting. He began to "push boundaries, both externally and internally". The launch of his own blog enabled him to create his own "digital identity", establishing a persona beyond that of his employer. Indeed, the importance of 'branding' in the journalism professional was highlighted by the anecdote that when Crampton's name was typed into a search engine, whilst still at the IHT, his personal blog was listed before that of the publication. Once Crampton had left the paper, he devoted himself to diffusing information through new technologies, unrestrained by company rule and protocol. The results have been 'liberating', allowing the writer to establish a "complex and rich dialogues" with otherwise "unreachable audiences".
Crampton offers a shining testimony to the current and potential value of new technologies in communications. It is a strong message to news providers that innovation is necessary. Due to the use of multiple media outlets, Crampton perceives himself to be at the "front line of communication". Yet, whilst Crampton's departure from the printed press has produced exciting results, the feasibility of this as a career pathway for the majority of journalists, especially those just starting out is questionable.
Before becoming digitally "independent" Crampton had established a reputation as a reporter, during a decade of front line correspondence for prestigious titles. These experiences, gained thanks to the printed press, would have allowed Crampton to obtain a readership, a sum of which have presumably continued to follow and recommend him as changed outlets. It may be that if reporters are to succeed on the digital and online scenes, without having the safety net of affiliation with an established publication, they need to have more ammunition than just writing ability. With the abundance of breaking news online, there is increasing demand for critical, in depth pieces written by experts. In short, there are signs that markets are becoming more "niche" which is requiring journalists to assert their value by finding a speciality.
Could stakeholder journalism be the future?
Mark Hunter, a founding member of the Global Investigative Journalism Networkand Senior Research Fellow at INSEAD spoke about what he sees as the declining credibility of traditional news and the subsequent rise of 'stakeholder journalism.' He believes that concentration of ownership has contributed to reduced credibility of traditional media as readers will increasingly question whether owners have their own agenda. Hunter sees the news industry's current problems as a vicious circle starting with this: declining credibility leads to declining audience, leading to declining revenue and hence declining capacity.
Investigative journalism is a field which is already moving out of the grasp of the media, Hunter pointed out. Sixty per cent of investigative journalism is funded by foundations rather than media, and this which leads him to suppose that stakeholder media - in other words, news generated by organisations that have an interest in the story - might be taking over the role of watchdog. Greenpeace, for example, has a long history of such journalism, such as during its confrontations with Exxon.
Stakeholder journalism differs from traditional journalism in several ways, Hunter explained. For one, it targets a different audience, focussing on informing particular communities and insiders rather than a general audience. Its expertise is narrower but deeper, concentrated on environmental or political issues, for example. Stakeholder reporting aims to accomplish a different objective: telling people what they should do, rather than just what to think about. It is transparent about where it is coming from and what it thinks is 'right,' rather than trying to present a balanced argument.
Hunter believes that the news industry will continue to shrink, and that government bailouts, for example, will not bring the public back. This will leave a growing void which stakeholder journalism will fill, heralding the return of partisan media, according to Hunter. With this comes a need for new journalistic training, as it dispels with the idea of objective media, and the need for enhanced legal knowledge. This is where OECD analysis and policy can help, he believes.
In terms of research requirements, Hunter believes that there is an "urgent need" for investigation into new business models for watchdog journalism, something which the INSEAD Social Innovation Centre and the Global Investigative Journalism Network are looking at. He also sees an "urgent need" for new codes of ethics and professional standards adapted to stakeholder media, where objectivity is no longer a core value.
Few would deny the importance of investigative journalism and the need to find a business model to sustain it. Public interest journalism, exposing wrongdoing and corruption, is clearly crucial to a democratic society. But could this be effectively carried out by interested groups rather than by an objective media presence? Stakeholder journalism has the benefit of being clear in its motives, and transparent about the fact that it is not offering a balanced argument: its bias should be obvious to readers. And more investigative stories are undoubtedly beneficial to society if they are from respectable organisations. However, it is important for the public to be able to understand both sides of a case and this is when independent, neutral third party reporting is essential. Stakeholder media can be an extremely useful supplement, but it should not replace traditional media coverage. by Emma Heald and Christie Silk
The Guardian published today the first of planned daily Chinese language translations of several leading articles to coincide with the release of its China focused mini-site, reported www.pressgazette.co.uk.
The initiative aims to combine the Guardian's coverage of the nation with that of its Mandarin news partner, Beijing based Danwei. The site, http://guardian.yeeyan.com will offer video, audio and interactive guides produced by Beijing correspondent Tania Branigan, Asia environment correspondent Jon Watts and photographer Dan Chung. Articles will be translated and selected on the basis of their perceived interest to a Chinese readership by Yeeyan, an online network of volunteers.
Citizen photo journalism outlet Citizenside has teamed up with FrontView Production to launch FrontView Report. The site is a collection of photos and videos from social, humanitarian and environmental activists who witness and record key events from around the world. "Some of them find in photography and video a powerful means to express and document their commitment and feelings," explains the summary on the site.
The photos and videos the site is designed for record "dramatic events and larger than life stories that need to be told". Uploaded photos and videos are then sold on to media companies via the site. Photos accepted have to meet the site's criteria; they must display a situation or activity with visual impact, and their content is more important than their quality. The site is a way for photographers, both professional and amateur, to profit from their work - increasingly difficult given the wealth of pictures distributed for free online.
Posted byJohn Burke on December 19, 2008 at 1:02 PM
To say the least, 2008 proved a difficult year for newspapers in many nations. Rising printing and distribution costs, waning circulations and fragmented audiences continued to challenge a business model that seems increasingly outdated. And despite many promising advancements made by newspaper companies in Internet and mobile, revenues remain far behind those of print.
But the news is far from all negative. Below is some food for thought for newsroom executives everywhere, ways in which newspapers began adapting to the modern media landscape in 2008 that will continue through 2009.
INTERNET TRENDS BECOMING NEW TOOLS FOR JOURNALISM
2008 saw the continued proliferation of social and professional
networking sites Facebook and LinkedIn, with newspapers and journalists, with newspapers and journalists, such as the New York Times well-known columnist Nicholas Kristof,
creating their own profiles, applications and connecting with new
audiences. User-Generated Content (UGC) continued to gather speed as well, with CNN's iReport in the US and LePost in France among many others around the world. A December report by the Bivings Group also noted that 58% of US newspapers now use some form of UGC.
But the biggest social media revelation to journalists came
in the form of 140 characters. The social site, Twitter, which allows
users to post short messages for all to see, officially became a
widespread tool for journalists in 2008. For example, journalists
covering the US Presidential Elections
took live notes from conventions and rallies that readers could follow
and that also helped to shape those journalists' main story. During the
Mumbai terrorist attacks,
"tweets", or Twitter messages, appeared as the first news of the
attacks. Twitter feeds can also be aggregated, bringing all angles of
those covering a certain event into one, comprehensible,
instantly-updated record.
Another Internet trend is the "Personalized Web", evoked by newspaper experiments such as MyTimes and start-ups such as Netvibes that provide customizable pages based on RSS feeds and widgets. Arguably the boldest example of personalized news is the BBC's revamped homepage,
released in March 2008, which allows users to create their own page
based on the BBC information they use most. But personalized news seems
to be picking up more slowly than social media. For one thing, Internet
users are used to getting the information they seek from many Web pages
and may not yet be ready to create their own pages. Secondly, search
engines still rule, meaning that traffic to most news sites continues
to come through Google, its competitors and their various news and alerts functions. So a customizable homepage like the BBC
created, which could ultimately prove a competitor to search engines,
remains to become a habit of the general Internet public.
Personalized news and social media are just two examples of all of the
innovation that is occurring in digital media. As technologies
continue to rapidly develop, how are journalists and publishers going
to keep up? Is it worth learning to use all of these tools if six
months down the line they prove to be a fad? Are these technologies
hurting or helping newsrooms gather and report news?
Chances are, in 2009 journalists everywhere will continue to experiment
with the latest digital fads, and smart newsrooms will set aside
R&D funds to play around with new ideas. Who knows? Despite
predictions that 2009 will be a difficult year for newspapers, with a
lot of hard work, calculated risk and a bit of luck, the industry could
find the online golden egg that it has been seeking.
PROLIFERATION OF ONLINE-ONLY NEWS SITES Perhaps filling in for the difficulties of the print product, more high-profile Internet-based sites began popping up in 2008. Perhaps most notably, The Huffington Post, launched in the summer of 2005, has already jumped to one of the US' top-30 news sites, bolstered by the US Presidential Elections, according to Nielsen Online. Media pundit, entrepreneur and Rupert Murdoch biographer Michael Wolff trumpeted the late-'07 launch of his news aggregator Newser as a "revolution in how people get their news." One year after Wolff's launch, he gained a competitor in Tina Brown, a former Vanity Fair and New Yorker editor, who launched her own, rapidly growing online-only site, The Daily Beast, a mixture of aggregated and original articles. And these are only the high-profile, American examples. The relatively low overhead costs of launching an online-based site combined with the ease of aggregating content and news commentary means that this trend will surely continue in 2009. But there is one problem with the sites mentioned above. Aggregation and commentary can only go so far: in an online environment, what happens to the investigative journalism that newspapers have provided for the past two centuries?
NOT-FOR-PROFIT JOURNALISM Investigative journalism is expensive to produce. Money-wise, it has always been a loss-leader for newspapers. But with modern-day information ubiquity, investigative journalism is just a loss. Whereas once newspapers could claim ownership of a groundbreaking piece and sell papers and advertising around it, now readers are often unaware of the original source of the story they are reading on the Web. So what is going to happen to the type of watchdogging we need for democracy?
Several non-profit start-ups have begun to answer that question. In late 2007, former newspaper editor, Joel Kramer, took his print expertise and moved it online with the launch of the non-profit Minnpost.com. Former WSJ editor Paul Steigerdid something similar with ProPublica. The Voice of San Diego, and other similar sites around the US, are making a name for themselves as "serious, original reporting by professional journalists," with the New York Times declaring the sites "stand out" amongst Internet news sites. Crowdsourcing site OfftheBus, a partnership between the Huffington Post and the non-profit NewAssignment.net, helped capture the 2008 Elections and the Knight News Challenge winner Spot.Us is collecting donations from the public to fund investigative stories. Even former Merrill Lynch newspaper analyst Lauren Rich Fine backed the non-profit model in 2008.
With this in mind, are the days of major metropolitan and national newspapers digging up the dirt on businessmen and politicians over? For the time being, no. But newsrooms everywhere are under extreme economic pressures and have been cutting core staff, making it even more difficult for newspapers to conduct the type of investigative journalism their communities need. Don't be surprised if more non-profit (no dividends to shareholders), Internet based (low operating costs) ventures spring up to fill the gaps.
COMPETING NEWSPAPERS PARTNERING UP As many newspaper newsrooms are cutting staff, wire services should be in greater demand than ever. But 2008 saw a backlash against the world's biggest news agency, the Associated Press, by its members. Several publishers handed in their notice to the non-profit agency partially in response to price hikes and complaining of low value for their money.
In response to the AP mini-exodus, some papers, even those in competition with one another, began joining forces. Papers in Ohio and Florida whose geographical coverage overlaps are swapping stories and even combining bureaux. Not only will this help the papers save money, but it frees up time for reporters to cover issues not being covered elsewhere. In the current economic climate, this trend will continue, but not without its effects on the industry.
Some traditional news hounds would argue that two papers covering similar stories in a certain region add depth and uncover more facts that may otherwise be lost to readers. This may be true. But is it really worth having two reporters on the scene to gather one or two more different pieces of information when there may be other stories elsewhere? And what about the multitude of photojournalists that different organizations send to press conferences and like events where the story subjects don't move much? Is it really worth sending all of those photogs? Couldn't photos just be shared? Without a doubt, these are questions that cash-strapped publishers and editors are asking themselves right now. Expect to see more cross-corporation cooperation in 2009.
IS PRINT REALLY THREATENED?
We've said it before and we'll say it again: print is not going to die.
But, considering the trend of the past year, print's reach will be
considerably reduced, at least in Western nations.
During the last few months of 2008, publishers' struggle to maintain
the high costs of printing and distribution has become apparent. In
October, The Christian Science Monitor, a beacon of quality American journalism, announced that it would stop printing its daily edition. In mid-December, the Detroit Free Press, which recently won a broadcast award,
decided to limit home delivery to Friday's and weekends while trimming
the daily single-copy sale paper to one section. Most recently, the American Society of Newspaper Editors is considering dropping "paper" from its name.
What do these cuts mean for the news"paper" industry? As circulations
drop across the Western world, it could mean substantial savings.
Weekday papers often make a loss to begin with, so cutting the costs of
printing those papers should cover any lost advertising revenue in
those same papers.
Perhaps the question publishers should be asking themselves is "Do
cutbacks on the paper product matter to readers"? Well, cutbacks will
certainly change the face of the newspaper industry. But in the end,
media houses are in the news "distribution" business, not the
news"paper" business. As long as their news is published, media houses
will have completed their service to the public.
The World Economic Forum is using several social media tools to promote and coordinate discussion for its annual meeting in Davos-Klosters in January 2009, according to the Guardian.
WEF has launched tools on Twitter, Facebook, MySpace and an OpenForum wiki for discussion, as well as a photo group on Flickr and videocasts and press conferences on their Web site and Mogulus and Qik.
The tools invite web users to "discuss key issues on the economy, US politics, business ethics and the environment" in the weeks leading up to the forum.
The forum has also opened a YouTube channel for the second year and will broadcast some of the most popular comments during sessions at the meeting.
The first year of the forum's social media initiative was a success, with more than five million video views and responses from leading politicians such as Israeli president Shimon Peres and former US secretary of state Henry Kissinger.
As far as niches go, mothers represent one of advertisers' most coveted groups. Now, some newspapers are joining the chase.
Newspaper companies, including the New York Times Co., Journal Communication, and Gannett, are launching hyperlocal websites geared toward mothers. Billed as community centers, the sites hope to attract mothers looking to review restaurants, arrange play dates, or just meet other mothers.
"They're [mothers] using the Internet to reconstitute the social capital that would come from physical interaction in a dense urban environment," said Clay Shirky, an Internet analyst and adviser to MeetUp Inc., a social networking business.
For advertisers, the appeal of these sites is enormous. With such an active core - 86 percent of moms go online at least once a month - advertisers are almost guaranteed results. But the market for mom sites is crowded; similar ventures (see BabyCenter or CafeMom) already exist.
Newspapers, however, show no signs of conceding the market to pre-existing competition. Gannett has gradually increased the number of its mom sites, and hopes to unify them soon into a nationwide network; the Boston Globe, owned by the NYT, released BoMoms.com last month; the Milwaukee Journal Sentinel and the Dayton Daily News are creating similar sites.
As the competition stiffens, the key to success for mom sites, says Stacy DeBroff, founder of Mom Central, a marketing consulting firm, will be maintaining the sites' hyperlocal appeal.
"People in different cities are really looking for different kinds of information," Debroff said. "If moms don't sense the sites are truly localized, then they'll find another place that is."
In this short interview with Gianni Valenti, deputy editor of Gazzetta dello Sport, the world's largest 'sports' newspaper and leading daily in Italy, he explains how the paper has balanced its focus on sports with coverage of the protests against China and the Olympic Games in general.
Should sports sections concentrate on the actual events, and leave the rest to the politics desk? Can they really get away without putting sports into context?
As a newspaper focused on sports, Gazzetta dello Sport evidently has vested interest in the upcoming Olympic Games. How have you balanced coverage of sports and of the protests?
Gazzetta dello Sport isn't only a sports newspaper anymore. It's a sports newspaper that includes a general news section. The paper naturally is in favor of the Olympic Games, but it has dedicated entire news pages to the events that took place in Paris when the Olympic torch went through.
For the last six months, many pages have gone to coverage of social, political and environmental issues in China. In preparation for the future, a team of reporters will be dedicated to covering social issues. But the Gazzetta will not make a distinction between sports and social issues and reporters from both desks will collaborate. Was the Gazzetta's coverage of the protests factual or did the newspaper take a stance?
The paper has special correspondents covering the International Olympic Committee and China. Its coverage remained factual on those aspects and the exactions in Tibet. Regarding the Olympic Torch, the Gazzetta took position, to an extent, arguing that the torch should pursue its route throughout the world. In practice, the Gazzetta did 'equidistant journalism' about the protests, recapping both the pros and cons.
After the events in Paris and London, there was lots of debate online. The Gazzetta created forums to host these discussions, but it didn't advocate a particular political stance for Italy - this was at the time of general elections in Italy.
However, now that the government is in place, and when a real debate will be engaged about whether Berlusconi should go to the Olympic Games or boycott them, then the newspaper will take a side - which is yet to be determined. But I predict that most political leaders will end up going. How substantial will be Gazzetta Dello Sport's coverage of the Olympic Games?
We will have 23 journalists who will travel there. It will be the biggest coverage the paper has ever given to the Olympic Games, and it will involve collaboration between both print and online.
Source: Gianni Valenti, deputy editor Gazzetta dello Sport
Through social networks such as Facebook and MySpace, people can keep updated with their friends by posting messages back and forth or by checking status updates. But imagine if the social networking world became 3-D. Based in Menlo Park, California, Vivaty has been creating 3-D virtual chat rooms that people can add to sites where they spend most of their Internet time.
Users will choose pre-existing avatars to represent themselves as they do on services such as Second Life, and navigate through a gothic urban warehouse, seaside villa, or another of the dozen environments. Users will also be able to create their own environment wherever HTML code can be imbedded. Vivaty plans on allowing companies to construct their own virtual rooms with their own décor and messages.
In this virtual space, users may see Facebook photos hanging from walls or a YouTube video playing on a TV. A maximum of 15 users can enter the same room at the same time for "text-based live socializing." This technology does not require downloading any programs.
"We want to take all your content on the Web and move it to a more visually immersive, immediate experience," said Keith McCurdy, Chief Executive at Vivaty and a former Vice President at the big game maker Electronic Arts.
Vivaty has been working on its technology for three years, and this week it will launch a private test period on Facebook.
If this technology is successful, newspapers will also have the opportunity to integrate itself into these 3-D environments, either creating their own spaces or displaying headlines within other environments.
A Londoner found another way to express her annoyance with the amount of waste caused by freesheets - and waste in general.
Karen Janody, along with colleagues Gillian McIver and Sumer Erek, are building the skeleton of the Newspaper House in East London with free newspapers, between March 3 and March 8. The house is located in Gillet Square Hackney.
Thanks a £15,000 contribution from the arts and social change Calouste Gulbenkian Foundation, this should be the first construction of several, in cities across the UK.
The house will be dismantled afterwards to be sent to recycling.
"I am confident the project will be a big hit with the public and hope it will be able to tour the UK, involving the public and making a contribution to environmental awareness in a truly adventurous way," said Gulbenkian director Andrew Barnett.
Posted byEvan Fell on December 10, 2007 at 12:03 PM
User-generated content is described by SFWeekly.com’s Matt Smith as “getting people to write for free.” UGC blogs, which are usually not edited, could cause more problems for newspapers than they are worth.
Posted byEvan Fell on November 13, 2007 at 2:55 PM
Paul Bradshaw of The Online Journalism Blog (OJB) and creator of the “news diamond,” which rethinks the editorial newsroom process in terms of speed and depth, has now come up with what a 21st century newsroom does after a story is published.
Veosearch, a new search engine, offers to redistribute 50% of its ad revenues – generated by users’ searches – to agencies promoting social and environmental development.
On September 24, 2007,theSocial and Environmental Responsibility World Forum, in partnership with the World Editors Forum, will name the three top articles pertaining to social and environmental responsibility around the world.