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The Guardian has ruled out implementing paywalls on its website, but may still decide to charge for specialist or niche content, the Financial Times reports.

Chief executive of the Guardian Media Group Carolyn McCall told the Financial Times that although her position is not entrenched, she sees no commercial evidence that paywalls generate returns. "It is not really the way the web works," she said.

"That is not to say there are not areas of specialist content that cannot be charged for," she added.

Time's James Poniewozik has suggested that the significance of the New York Times's paywall is symbolic, rather than a sign that paid online content is the future for news. "Any pricing scheme that can raise actual money risks chasing away actual readers," and this why the NYT's charging method "probably won't make much difference to the Times's coffers or its readers at first."

As Poniewozik  says, there are many people who won't end up paying for an online subscription to the New York Times. Print subscribers will get free access, casual readers won't have to pay, and those directed via other websites won't pay. 

After months of much hype and speculation, Steve Jobs finally took to the stage to unveil Apple's new highly anticipated tablet computer - the iPad.

With its official introduction at an event in San Francisco yesterday, Steve Jobs has finally laid many rumors about what the electronic device can do to rest, while igniting hopes about the iPad's ability to bring new life to 'old media' and to revamp the e-reader market.
 

 

The Amaury group, responsible for both Le Parisien and L'Equipe, has given its publications a face life this week, with all 48 pages of the former appearing in colour for the first time on Tuesday, and divided into five new sections: Fact of the day, News, Local News, Sports and Leisure.

L'Equipe is set to integrate three new pages into its design, the first appearing today, the second in Thursday's edition and the third in Friday's, as a response to reader surveys. From March the publication will introduce a motoring section, which will appear every Monday- intended to deal with the production of cars as opposed to buying and selling.

The launch of a new London freesheet, the London Weekly, was announced in November of last year, with its website going live on 20 December. Executives at the Global Publishing Group, the company behind the title, have now confirmed an official launch date of 5 February for the paper itself, the Guardian has reported.

The London Weekly hopes to fill the gap left by the closure of the capital's previous freesheets, the London Paper and the London Lite, with a proposed distribution of 250,000 copies every Friday and Saturday.

It's been a week of managerial announcements, with the Associated Press announcing the new managers of its Social Network Center and its News Center. The latest announcement is from the Star Tribune in Minneapolis-St. Paul, which has named Michael Klingensmith as its new publisher.

As a former Time Inc. executive, Klingensmith has worked as general manager of Time magazine, president of Sports Illustrated and founding publisher of Entertainment Weekly. Most recently he was a managing director of AdMedia Partners.

He replaces Chris Harte, who stepped down when the Star Tribune was in bankruptcy protection last year.

December saw the launch of a new German news magazine, as Zuerst or "First" hit newsagents' shelves across the country, as well as those in Austria, Luxembourg and South Tyrol, with an initial print run of 90,000.  Like other monthly publications of its type, Zuerst's 84 pages are filled with articles concerning the economy, current affairs, travel and culture. Flick through the magazine and you would be forgiven for aligning the publication with established news magazines Spiegel or Stern - the very ilk of which it is infact competing against. Take a closer look and it becomes clear that the publication is offering an altogether different message.

The German publisher, M.DuMont Schauberg, which owns the daily newspaper Berliner Kurier, has announced its intentions to launch a news supplement aimed directly at a younger audience later this year. The exact date of publication is not yet known.

The move comes after news magazine Spiegel successfully launched Dein Spiegel last year, a separate publication from its news magazine and aimed at young readers between the ages of nine and twelve. Since its debut in September, with the first edition focusing on the then hot topic of Germany's general election, the publication has enjoyed considerable success and now lines the shelves of newsstands across the country. 

Online news publications in France will share in state aid for the first time, to the tune of €20 million, Le Monde reports. Eighty per cent of the aid will be in the form of subsidies, while the rest will be in repayable loans.

This news follows the controversial state subsidies of the French press, which totalled €1.2 billion in 2008 and includes a free newspaper scheme for young people. A new body representing online news publishers, Syndicat de la Presse Indépendante d'Information en Ligne (Spiil) has been debating whether or not to accept similar subsidies for some time.

A recent post on Alan Mutter's Reflections of a Newsosaur blog has rasied concerns over the potentially devasting impact the current financial crisis in the newspaper industry could have on the willingness of students to choose journalism as a profession.

Mutter argues that in a time where employment opportunities are shrinking and those who do manage to secure jobs are paid a pittance, a 'substantial percentage of the next generation of professional journalists' could be wiped out in a movement he dubs 'journicide'.

Rumours of an Apple tablet have gathered steam this week with an Oppenheimer analyst suggesting the tablet could be released in late March or April next year. Anticipating a boom, Apple's manufacturer is reportedly ready to produce one million units a month for an average price of $1000 each. 

"Our checks into Apple's supply chain indicate that the manufacturing cogs for the tablet are creaking into action and should begin to hit a mass market stride in February," wrote Oppenheimer analyst Yair Reiner.

The Financial Times is looking into accusations that advertisers have paid for articles to be written as editorial in its business specialist magazine publishing division, the Guardian is reporting.

The investigation was prompted by a letter sent by the National Union of Journalists to the division drawing attention to the claims.

Last Sunday was an important day for Germany's quality Sunday newspaper Welt am Sonntag, as it made its online debut, launching a new paid-for multimedia magazine, or "eMag", developed by parent publishing giant Axel Springer.

The eMag is undeniably well-designed, which comes as little surprise considering the project was dreamed up by the newspaper's art director and general wunderkind, Jördis Guzmán Bulla, gold medal winner for her design portfolio in 2007, whose team also won "World's Best Designed Newspaper" earlier this year.

The New York Times has confirmed rumors of plans by Time, Conde Nast, Meredith and Hearst to launch a digital newsstand company for publications in a variety of digital formats. 

The Wall Street Journal will launch its anticipated Japanese-language website next month, reports Media Asia. Japan.WSJ.com is expected to reproduce Japanese translations of the english WSJ edition as well as content from other Dow Jones publications.

The website, which is the result of a partnership with Japanese financial services provider SBI Holdings, will officially launch on 15 December and a preview edition was put up earlier this week.  

It has been a rough couple of years for the newspaper industry with the recession taking its toll on the financial stability of many organisations. In the past year alone at least ten publications have filed for bankruptcy and many have been forced to close their doors. With newspapers treading fast to try to keep their heads above water many have cut back funding for more costly types of news. One of the first things to go has been investigative journalism, considered by many publications to be a luxury. The time and investment of multiple resources in a single issue is something that many publications simply can no longer afford.

These cuts have raised alarm bells. The potential loss of 'the fourth estate' and 'government watchdog' have united many in the cause to protect the practice of journalism, even if the business and profitability of it is doomed to fail.

One method suggested to preserve this type of journalism is to run as a non-profit organisation. Seeking the status under the claim that journalism is a 'public good' publications are free from commerical pressures and the disappointment of dwindling circulation figures, relying only on donations from those who feel the cause worthy enough.

It is at this point that the Texas Tribune enters the scene. The online-only news site launched early last week as a non-profit venture in an attempt to fill a gap in quality local journalism in Texas. The Editors Weblog spoke with editor-in-chief, Evan Smith to look at Tribune's website and non-profit ambitions in closer detail.


The inspiration:
The big name in non-profit news is ProPublica. Led by former Wall Street Journal managing editor Paul Steiger, the organisation began publishing in June 2008 and has consistently drawn in large sums of donations, with key sponsor the Sandler Foundation contributing annually. ProPublica, which will write an article then offer it to a newspaper to publish, has carried out some impressive investigative feats to date, most notably its collaboration with the New York Times, published in August. The 13,000 word article which cost an estimated $400,000 to produce examined the events that took place at the Memorial Medical Centre following Hurricane Katrina. The piece highlighted the importance of such investigative journalism and made the need to save it even more apparent.
 
The Texas Tribune aims to achieve something similar on a smaller and more political scale, offering Texans a news source designed to compliment local newspapers that already exist: "We've made a point of not presenting this as a binary choice: A or B. We believe it's additive: A and B. Read your local paper and read us. In fact read as much stuff as there is out there" says Smith.

"We're simply presenting ourselves as one in a series of things that you need to read and listen to and view and access if you want to be a thoughtful and engaged Texan." 

In his first posting on the website Smith talked about what the Tribune was attempting to achieve: "What we mean to do on an ongoing basis is right there in our stated mission: to promote civic engagement and discourse on public policy, politics, government, and other matters of statewide concern."

In ProPublica fashion, the Tribune has said that all the information published on its website is up for grabs for other media organisations as part of a content-sharing plan designed to aide other reporters who might not have the time to look into an issue in depth.  Matt Stiles, one of the Tribune's staff reporters writers told Poynter Online in an interview: "Ultimately, we'd like to tell every paper in the state, 'If you like this data set, just take it'."

"I hope reporters will come see the information, download it, remix it and be creative with it."

The build up:
In July this year Smith announced he was leaving his position as editor-in-chief of established Texas Monthly magazine to take up the post as CEO and editor of the Tribune. A few months later, the Tribune added Elise Hu, Emily Ramshaw and Matt Stiles to its list of experienced journalists.

In an interview with Poynter in September, Ramshaw talked of her decision to join the project: "I feel, and still feel, that the newspaper business is in serious crisis. I'm not content to cling to a deck chair and go down with a sinking ship."

Ramshaw worked for The Dallas Morning News for six years, the last three of which she was state investigative reporter.  "We're trying to prepare for the next incarnation of journalism. If this venture is going to work, it's going to work because serious, talented journalists were brave enough to take the risk," she said.

The Tribune has built up a selection of notable reporters willing to do this and Chairman and co-founder John Thorton had been quoted as saying: "We didn't hire journalists out of work. We hired reporters who their editors were pissed off that they lost them."

Smith and Thornton worked hard on securing donations, with Thornton himself donating $1 million to the Tribune. In early October the founders confirmed they had received a further $750, 000 in grants from the Houston Endowment and the John S. and James L. Knight Foundation. The Tribune is now only slighty short of the $4 million target it needs to continue running for two years, with a current total of $3.7 million.

The sum is considerable for a start up website, as paidContent's Staci Kramer has noted: "Unlike some of the new crop of local and regional news startups, the Tribune is launching with enough money for a well-paid staff of 16, including 11 reporters," referring to salaries of $315K for the editor in chief, and up to $90K for seasoned reporters.

As for promotion of the site itself, Smith told the Editors Weblog just how useful social networking sites have been. Regular updates for the public on the status of the site via Facebook, Twitter and the site's own newsletter built up a sense of curiosity over what exactly they had in store for last Tuesday's launch.
 
"We've been very aggressive on Facebook and Twitter both to promote the content and also to connect with our community of followers" said Smith. "We've also used both to aggressively push for funding. We've generated quite a lot of memberships in the Tribune which are much like memberships in public radio by pushing over Facebook and over Twitter messages that relate to our fundraising campaign, and they've been very successful," he says, citing the 1400 founding members who have given between $50 and $5000 to the Tribune out of their own pockets.

What does the site look like?
The website debuted with top stories on the mistreatment of disabled children in public schools, the Democratic lean of El Paso in an otherwise Republican state, and the results of a poll carried out by the Tribune and the University of Texas.

The site itself is divided into ten pages, the organisation of which differ from your average news website. Offering 11 databases under a section titled 'Library' for further reading, the databases contain information ranging from federal campaign donations, gubernatorial appointees and lawmaker spending. In addition to this there is a complete electoral directory of every Texan senator and governor- the site essentially offers a single space for complete personal and political data on the '242 occupants of the state's highest offices'.

It is clear that a lot of time has gone into collaborating this research, and according to the Nieman Journalism Lab, the Waco Tribune-Herald has already taken advantage of the new resource and published some Tribune content. 

Aside from the databases, the site boasts eight of its own blogs and links to some 25 others; has a 'topics' section where stories can be found based on theme; a calender, where information about local events can be found or submitted; and a 'Tweetwire', a Twitter feed from all Texan politicians on the website's front page.

Compared to the recent launch of another local non-profit news website, Oakland Local, the Tribune's website is much more sophisticated. The Texan team have embraced the capacities of the internet and technology to their full, utilizing social media, widgets, videos, blogs and mobile applications- something Smith believes to be key to the way in which the use of media is changing.

"In consumption of media people are paying more attention to online media today then ever before," say Smith. "I look at my almost 13 year old daughter and how she consumes media and it's not at all in print it's almost entirely online and I think that's the trend line."

Smith suggests that publishers need to adapt to measure up to this changed method of consuming news: "You cannot simply go out and record the news, present that to people and believe that that's going to be enough. You need to give them the tools to better understand their world, to better know their state, to better know the people they elected, to better hold them accountable and that often is all not simply conventional reporting but the amassing and presenting of data that allows people to access the world in which they live from a more detailed level."

Why will the Tribune succeed where others have failed?
Whilst successful local non-profit news publications do exists, the Voice of San Diego and the MinnPost to name a few- there are also notable failures such as the Rocky Mountain Independent and InDenver Times, two online start-ups founded by Steve Foster earlier this year. How will the Tribune ensure that it doesn't suffer the same fate?

Smith says that the Tribune essentially has a better business plan, arguing that the RMI and InDenver Times failed because they were run by journalists, not business people and "didn't really have a plan for how to make the model sustainable."

Part of the reason the Tribune is choosing to remain online-only is because "the cost of printing a print publication for postage and paper and print facilities is so expensive that you reduce your overhead dramatically and therefore make it much more likely that your business model will sustain."

Of course the Tribune's has also managed to raise a healthy budget, further insulating itself against some of the problems faced by other publications. "Money is, as in all things, the mother's milk of your operation," Smith says, continuing on to mention that the having the financial capacity to buy the latest technology and hire top journalists will "go a very long way to allowing us to do our best work."

Smith's views bear resemblance to industry commentator Alan Mutter, who recently critized many online non-profit publications for not being business-minded enough. Mutter accuses these publications of "a suicidally stubborn determination on the part of the organizers to be in the business they want to be in, instead of attending to the business they need to attend to," and he argued early last month that, "A business, especially a start-up, requires far more than passion for the work. It requires close attention to the nuts and bolts of raising money, making sales and controlling expenses."

How will the Tribune navigate ethical issues?
A nagging question over the non-profit model is how publications will be able to resist influence from major donors. Smith argues that the seperation between donors and the editorial team is no different to the situation between advertisers and editorial: "I edited a magazine for nine years in which we had big advertisers who also happened to often be the subject of stories and the transactional economy that supports the operations of a for profit publication has no relationship what-so-ever to the journalism inside, or it shouldn't anyway, not at a good magazine and not at a good newspaper."

"Just because someone advertises doesn't mean you go easy on them or you go hard on their competitors."

Nevetherless, the non-profit news model is still in early stages and very dependent on the income from donors. Even for-profit news publications have not been immune to advertsing clients flexing their muscles in tough financial times, with a Detroit paper recently being accused of reporting on private health care following a request from client Humana (who subsequently purchased an ad next to the story).

What would Smith do if he was approached by a donor to cover a particular story? 

"Donors don't expect that were going to write about their issues or about their enemy's issues in a negative way, they're not looking for us to take sides- they're supporting the principle that hovers above all this activity: that journalism in the public interest has value."

"Any donor who is unhappy with the coverage we provide because of such an expectation is welcome to his or her money back," he says, adding: "I'd rather lose my funding then lose my integrity."

So are non-profits the next incarnation of journalism?
The wider debate on whether or not non-profits are the future of journalism has been raging for a while. Online magazine, Slate's Jack Shafer has weighed in for the negative: "In the current arrangement, we're substituting one flawed business model for another. For-profit newspapers lose money accidentally. Nonprofit news operations lose money deliberately."

Thornton, the Tribune's chairman, hit back at the remarks: "I call it the Stockholm Syndrome. They are sympathizing with their advertiser-captors."

So who is right? Is the non-profit model the future of journalism?

Yes and no. It is unlikely to become a general solution for newspapers simply because of the huge sums of money involved, but for nieche reporting and more time/fund consuming journalism such as investigative reporting, it could definiatley be a viable option.

The idea compares favourably at least to the suggestion of government bailouts. As Thorton wrote of the "obvious fox-in-the-henhouse issues that arise--to mix animal metaphors--from government watchdogs funded out of government coffers."

As the first serious, state-focused news site with a decent enough amount of money behind it and what seems to be the right attitude toward embracing the capacities of the digital age and the changing face of journalism- whether or not the Texas Tribune succeeds will be key to the way in which the non-profit model is viewed.

As Tribune reporter Christe Hu suggests: "Journalism is at a crossroads right now. We're seeing not just survival of the fittest but a 'mutation of the species.' "

"I think the non-profit model has just as good a shot as anything else."

Jose Galang has reported on the current state of Philippine media entities for the Asia Media Forum, which he has described as being "in a state of flux". According to Galang, in light of rising production costs no longer covered by the now declining readership, newspapers are now looking for other ways to generate revenue.

Publications around the world have recognised the Internet's potential to attract a wider audience as well as boost profits: In February 2007, fortnightly magazine Newsbreak, specialising in in-depth, investigative reports, did away with its regular printed copy in favour of operating as an online publication (Newsbreak.com.ph). Editor-in-chief, Marites Dañguilan Vitug said of the decision: "We're reaching a wider audience now that we're on the web and we operate on less funds".

Portugal's newest daily newspaper, i, was launched in early May and has attracted a significant amount of attention due to its rising circulation figures and innovative approach. It recently won a design award from the Society of News Design. The Editors Weblog spoke to editor-in-chief Martim Avillez Figueiredo, managing editor for online Mónica Bello and art director Nick Mrozowski, to find out more about i's approach and the reasons behind its success.

I's circulation in August was over 16,000 copies, up from just under 11,000 in its first month, May. As a comparison, the country's top selling papers, Público and Diário de Notícias, sold 36,000 and 30,000 respectively that month. So for a new paper, i seems to be doing well. How, when the newspaper industry is struggling worldwide from falling income as readers move online and advertising rates fall, is a new newspaper seemingly thriving?

What i is doing differently

I is not structured like a traditional paper. The paper's team worked with media consultancy Innovation to come up with a new way to organise the product. "Our feeling was," said Figueiredo, who came on board at an early stage, moving from Diário Económico, "that people were not concerned about traditional sections any more. Traditionally, journalists have to fill a politics section even if there is nothing relevant going on in politics. We wanted to come up with something different." So the team came up with five key needs that they wanted the paper to address, with five key words.

• 1. Opinion is the first section of the paper, based on the key word think. No other Portuguese paper starts out with opinion.
• 2. Radar is the second, accompanied by the key word know. Figueiredo said the assumption was that readers will already know a lot from other sources, but Radar aims to offer a quick overview of everything that has happened in the past 24 hours. The section is eight pages long, and the longest article is half a page.
• 3. Zoom is the third section, connected to the key word understand. The 22-26 page section looks at between eight and 13 topics in depth, with articles taking up one to ten pages. "We deal with these subjects with a lot of care, and we use the best teams," Figueiredo said.
• 4. The fourth section is called More, linked to the key concept feel. This is where anything about people's private, cultural, social lives goes. Figueiredo explained that the team did not want to give the section a more specific name, or the content would be limited. More encompasses the fifth need that the paper wanted to address: sports, about 80% of which is focused on football - "this is very important in Portugal," Figueiredo said.

Design...

Nick Mrozowski, i's American art director, said that "I think the overriding concept, not just in the design but in the newspaper as a whole, is that we want to try to set out to produce a magazine every day." The 56- to 64-page paper is tabloid size and stapled, so looks as much like a magazine as a newspaper.

A huge amount of work goes into designing the paper every day. At first, Mrozowski explained, the idea was that the paper would have a template that would leave some pages fixed each time, meaning that some pages would require no design work on a daily basis and that editors would simply put their content into the pre-designed format. "But from day one that strategy fell apart," he said. "We realised that the sort of paper we were making had a lot of very specialised content and each page would have to be custom-made to the needs of a reporter or editor."

"From a design perspective it's a little intense," Mrozowski said. The design team are challenged to find magazine-quality visual solutions every day. For example, unlike most daily newspapers, i strives to include high quality portrait photography rather than just that for events, which means finding the time to sit down with sources. The paper also has a lot of illustration, something which many newspapers have been cutting back on in recent months, Mrozowski pointed out. "I think people notice this," he said. "You can't go a day reading i without coming across at least one commissioned illustration, rather than just back art."

I has a team design team of seven, two infographic artists and a group of photographers. This visual team is "like one unit," Mrozowsi stressed. "We all sit at one big arching table, so it's very easy to communicate."

Despite the strong focus on the visual side of the paper, Mrozowski stressed that this is never at the expense of the content. He was trained as a journalist as well as a designer, so "I've always worked in newspapers with a journalistic eye." And he makes sure that his design team also understand that "the design should come from the content."  He clarified, "it's not enough to design a page, you have to know what's going on it, what type of photo is going to be there and how it should best be played." The designers and editors therefore work very closely together, requiring the design team to have a journalistic understanding of each page that they work on.

Not just print...

I also has an increasingly significant web presence at www.ionline.pt: online editor-in-chief Mónica Bello said that the site recently passed 900,000 uniques per month. The paper's print and online operations are broadly integrated: journalists write for both platforms. "It's a work in progress," said Bello, "it's getting better and better all the time." Two editors are just focused on the website, and many journalists work on breaking news online for a few hours and then move on to writing for the paper.  40% of content from the paper also goes online, explained Figueiredo, with the other 60% being exclusive to the print product.

I's website is an aggregator as well as displaying original content. Figueiredo described how the paper is happy to link to competitors' content, and how aim is that people come to I as a base for their news exploration. "We want to make sure that people on Facebook and Twitter are using i as their main information source," he said, adding that i has a presence on many social networks. The paper has, in effect, six different homepages online. One is a portal of general news, one is focused on Portuguese political news, a third is economic and financial, a fourth is world news, fifth is sports and the last is the 'good life' homepage

There seems to be a general acceptance at i of the fact that online news is not profitable, at least for the moment. "You can't make any money there," said Figueiredo, "but you have to be there in order to grow your brand." Bello said that "the print edition is of course the priority, and will be at lease for the next few years." This means that the designers do not contribute so much to the website, which has a far more fixed template compared to the paper.

The advantages of youth: potential for constant innovation

Being a new newspaper, part of a new brand, gives I the freedom to experiment and it seems that this freedom has been passed on to all the staff. Mrozowski and Bello were extremely enthusiastic about their working environment and what it allows them to do. "There's this motivating feeling," Bello said. Mrozowski said that the two senior editors, Figueiredo and André Macedo, "have imparted this feeling of accomplishing the impossible at every step... There is no cap to how big these guys will dream and it presses you to do things that you wouldn't do at another newspaper."

One of Mrozowski's favourite projects at the paper so far was for the European elections: with the help of an outside illustrator, the team produced a double page spread the night of the election depicting the politicians involved as fish in the ocean, with their position in the water showing how well they had done. "It worked out beautifully, and speaks to this ambition that we have," Mrozowski commented. "It's something that I don't think another newspaper would try."

"We told them that they have the responsibility to be innovative because they don't have a set newspaper in which they have to fill the gaps, rather it is a newspaper that they have to create everyday in order to focus on the real issues," Figueiredo said.

The paper chose to hire not just experienced professional journalists, but decided to bring in some young people who did not necessarily have any experience in the field but who were technologically adept and very knowledgeable about social media.

So who is the audience?

I's specialised focus on politics and economics attracts educated, ambitious readers, Figueiredo said. 69% of readers have a university degree, 39% are top management. What is particularly exciting, he added, is that 22% of i's readers had not been regular newspaper buyers before. A key target audience, "that we are still learning to deal with," is aged between 23 and 29: they have a university degree, they have started their professional careers and have ambition, they are unmarried, they travel frequently and have a full social and cultural life, Figueiredo explained. "And they want to know what's going on. We have been dedicated to studying this new audience that nobody else has."

Why do they like it?

According to Figueiredo, "we've created a product that goes directly to the way they think and interact with news." Most of these readers are well informed via other media and already know a lot about what's going on, but they look to i to "help organise all the mixed and disparate information that they have to deal with." He believes that the in-depth articles on politics and economics, providing essential background to current issues, are one of the main reasons why people like the paper. The sports section is "very creative," unlike those in most newspapers, Figueiredo added. He does not think that the rest of the More section is a key motivation for buyers to choose i specifically, pointing out that one of the paper's competitors, Público, was very strong on culture.

Finally, he suggested that the format of the paper was particularly attractive, being small and stapled means that "people can read it anywhere," even on the beach. Lisbon is not a major commuter city, however, meaning that this audience, crucial to the success of many papers in many countries, does not exist.

What's next?

The i staff seemed excited about the paper's future. Mrozowski plans to further improve the work of his design team, to take it "to the next level." The team has mastered the basics, he feels, and is now "going to start focusing on certain areas of the paper one at a time and try to make them better so that we are at the highest level."

Bello said that one of her hopes for the website is to expand readership outside of Portugal. Currently 80-90% of traffic comes from within Portugal, the largest percentage of the remainder coming from Brazil. She would like to reach Portuguese immigrant communities around the rest of the world.

Figueiredo intends to work on strengthening the paper's brand, to "create a fantastic dynamic around the brand." Distribution of the paper is something that Figueiredo said i was hoping to improve. "It's a nightmare in Portugal," he explained, "but we are trying to come up with some more good ideas in order to be very efficient in terms of distribution."

I's shareholders have given it five years to break even financially. In a time of falling profits, when many papers are making huge losses, this is a significant challenge for a new newspaper. However, i does seem to be off to a pretty good start. The decision to move away from the traditional structure of a newspaper and provide something different definitely makes sense, as does embracing creativity and innovative thinking in the workplace. The paper has made inroads with a young, successful demographic that would often be attracted by online news rather than print, and reaching about half of the circulation of the major daily papers in a few months is impressive. However, it remains to be seen whether i can be successful over a longer period, and if it can indeed become profitable.

If i does succeed, will others follow it down the path of innovation?

To see what i's first day was like, watch:
 

Yet another survey on whether or not users will pay for content has dashed the hopes of publishers. A combined research effort by Ipsos Mendelsohn and PHD has revealed that 55.5 per cent of survey respondents would be very or extremely unlikely to pay for online newspaper or magazine content.

At the other end of the spectrum, results found that only 16.5 percent agreed that they were extremely, very or even a little likely to pay for content.